Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Silver Pass - AVAILABLE

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They're happy.

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The, I tell you what the happy,

but I have that cardigan.

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It bothers me, you know, there's

this beautiful slogan there.

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Lauder Lauder books,

beautiful books written about.

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The happiest side of living

and here, I did read it once on

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my, on my show, me your word.

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We failed with love and laughter

may your will be fed with love

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and laughter and not just me.

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That's me and you together today,

tomorrow and forever after ever forever

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and ever, and ever, and ever in a nice.

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You know, this, this,

this, this is what I love.

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You know, I wish you, I could spend,

you could spend a day with me.

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You know, once I started at office, I

would teach him a month free and you could

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come down and you know what happened?

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I had everyone coming down.

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I learned, Oh God, what the hell did I do?

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And then I made enemies.

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A lot of people phoned them as they are.

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You only take people you love, but you

could only take three, four people.

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But it had, I was excited.

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I thought, Oh God, I wish I could have

them all around me because I know I'm

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so devil happy with myself and with my

foot, I build myself and I thought, if

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this, I see it, they would be happier too.

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I couldn't do it.

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I had to scrap that

show because it was sad.

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I, but deep in my heart, I wish I could.

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See, because it's nice for me to go up.

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The sun I have, my bathroom is

so there's the sun, the money's

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on hits the right, my pillow.

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And I tell you, it's like the

sun is kissing me in the morning.

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It is such a wonderful, wonderful feeling.

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You know, everyone cannot have it,

as you can find, as we was lucky

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that we find the house for the sunny

side is in the kitchen upstairs.

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And right now on the breakfast table,

you know, we have to put you in

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the blind down via talk about that.

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The good vibe of living the happy

way of living on this earth.

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This is important.

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That's all very, very important to,

to be with all of that together.

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Mother nature can kiss you and hug you

and gives you a beautiful start again.

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See, and I always, I always managed to

get that on my day, start in the morning

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and my wife never can keep up with it.

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He really pulled guard.

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My wife is very cheap to keep.

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It's a very nice woman, right?

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He don't want much of this word.

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He's just happy.

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Yeah.

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And it's very clean and, and

I enjoy my being with her too,

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you know, it's just wonderful.

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So altogether.

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It just a happy being here on

earth when next time out will cry

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a lot when I have to go, because

I like it too much on this earth.

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No, I put the magic.

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Right?

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I know that DV the magic, right?

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That's on that, on my

canvas without the magic.

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Right.

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I don't know.

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I don't know.

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Okay.

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He they're just on no, I just go over a

little bit to make sure it's all nice.

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And even.

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There, and don't put too much on

the, I still put too much on, can

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you see here that wouldn't be like

that just very turn where it turned.

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missed and windows, windows, the

colors I wants to bring out and I want

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you to really make sure you get the

feeling of that are mighty technique.

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So in this case, the technique is obvious.

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You put the white on the

canvas and all the time.

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You know, vet and vet in all

the time, they put oil on the

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canvas and that keeps it neutral.

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But I like to have that

vibe working for me.

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See, no, I want you to create

kind of a powerful you're far

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away here, and I'm a huge kind of.

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Then there is called a black and blue

and attach off alizarin Crimson here.

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One shit in there, but not too much pain.

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Not too much me.

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I wants to have my high.

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See, I, you got to see

what you do in your mind.

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It is there.

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I always like to have highlights.

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A high point cut to be in the paint,

the Fest brain, and you have a pain.

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It is scattered out too long.

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The painting dies on you.

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The power of, of opinions.

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Watch I started off from the top

there, the A1C light on the bottle

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and vinyl starting from the top top.

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You see?

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No.

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Yeah, so all around then, then

when I come down to the middle of

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the, no, there's all that right on

the canvas course into my brush.

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You understand is he, can

you see the brush on that?

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And you get invite, can you see it?

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See, that's why they run to you to learn.

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The Vite has to work for me.

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And it works for me

only if I use it right.

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If I start on the wrong spot,

then I can get it right.

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But I am smart cookie.

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I am a smart cookie cookie and

here and here and here and here.

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You know, the, how I can get here,

it's getting lighter, lighter, lighter.

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It gets automatically

lighter in the middle.

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Now, if I want you to get darker,

I just pull up a bit more paint.

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You see there, but not too much.

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And then you go, I want it a bit darker.

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Start off from the top again and around

and around and around and around.

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And I was on you created

kind of a fog fog.

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The thing.

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Yeah, and it wouldn't even, no matter

what you do, you can get it more because

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the virus is still going into my brush.

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You see?

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That is what is nice.

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If you can not, no, I want you to

maybe clean clearly a little bit of a

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move and now he can have a move, man.

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I wish he was a little bit more

back and blue and I'll live there

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in Crimson on the, there you are.

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And maybe I make it a

bit of a move on down.

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Oh, Paul, I moved.

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yeah, there's so much in the brush.

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You can always squeeze out a bit more.

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That's what I wish you would

paint as more, you paint as

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more, you become comfortable.

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You know what the outcome will

be when you just touch the canvas

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and the beginning of it, it's not.

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So it's tough.

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When I be honest, when I started

painting and I already meet

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some paintings, they give it the

right to my friends a year later.

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And at the truth, I went down to

their homes and took their paintings

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off and hang the new one up because

I feel felt the shame of myself.

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This, I give them such a lousy painting.

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I was in one year so much better.

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Ready.

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And everybody happened to you too.

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You can't help the beginning.

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It's the beginning.

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And you get still excited.

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I still thought I'd do good.

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I thought this is not bad, but as you

go on, you become the, you become life.

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You become all that.

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What he wants to be in that

is the wonderful thing.

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They ain't know here yesterday.

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I run down like it.

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Cloud movement are cloud shifts.

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You know, like cloud

shifts in on the button.

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If I want it a bit darker, then I just

pick a bit more up and, and have it,

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do it, not in one shot that I divide

because you can ground yourself.

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It's nicer.

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When you can say I can

go a little bit more.

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So, you know, I had got it.

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The light they're light.

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They're not ever create a

kind of a happy, happy lit.

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Kick me out on mighty knife and, and

take that hard pain quite up here

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and black, I keep it all in the same

color, rhyme, rhythm, harmony, rhyme,

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rhythm harmony, and I mix it up here.

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See, and watch.

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And don't, don't mix it too hard.

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I just mix it so that it.

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And then put your no,

and he's a bit darker.

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See, I put my knife on, then I

know roughly what it is and I

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just have to make it a bit darker.

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I put a bit more black in this time.

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Well, they wanted it a bit more, more

than a dark on the, yeah, so many grays,

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you know, paint, gray and Brown, gray

and whatever, but I want you to have it

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in a black, gray, black, gray, black,

gray, don't matter now ever create a

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kind of, uh, this, this very be here.

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That will be the highest,

the highest, uh, here, this.

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Right here.

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That's the highest lighting and

you can S I can stare dude in a

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bit here movements, this movement.

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He left movements around the light.

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good little bit movements.

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Not, not bumpy.

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Bumpy.

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Good, good.

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No, I think that's good.

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And I'll put your that's

that's the color I want.

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I, it doesn't matter.

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It just show you the technique.

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Lift there, make it sellable.

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The sellability of your pain up there.

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It depends on when you live there.

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The certain mileage is to have

a certain, certain movements.

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I just put movements on because I

have no, I just tell you mountains.

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That's all.

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Maybe I do the battalion here.

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It gives you better.

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The make it, so it does, it is exciting.

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They, by the way, I had it, it's a

bit too, even this just gives you

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that extra input and you learn that

when you paint as more, you paint as

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more, you learn, there's a certain

movement that will be better for you.

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And.

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maybe we create kind

of a happy, happy, um,

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Mm.

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Mm,

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take you on mighty big barrage and make

sure you have a dye brush and like this

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that can be anything voter,

whatever it is, we will accept that.

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And then other that comes here, maybe

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He created your unhappy lady.

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He wants the light in the middle

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sometimes the overhang is so good.

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It makes you a really, you

know, when you dive us country,

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you're always in the mountain.

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It's just fantastic.

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When you see this overhang,

I always ducked down.

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I think that's the moment where

that lousy big stone is coming down.

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I barely slept through as fast as I can.

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You know, those roads are made with,

you know, their blood out parts of

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the stones and that's wonderful.

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Have a friend invited a friend from

California to come down and he has

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actually a nice, shiny camper and all

that, sorry from his camp was so scratched

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up because the trees there was always

hanging in the road and they hit this car

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and, Oh boy, I felt sorry for him, but

that's a part of living in the country.

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It's the next time I come for sure.

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I bring my old clunker.

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It's good.

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It's good.

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See, I created this to kind of a happy,

that can be a road that can be water.

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It can be anything you want

to, you can make it to water.

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You can make it to this

far away as sample.

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If I get in the mood,

I will say I make it.

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So that is far away.

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Little Hills.

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I will use a different brush here and

I can just move it up a little bit.

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The other was only how

far away mountains there.

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I always have a melody.

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You and I can't get rid of it.

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It's just, it's nice.

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I liked that.

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I liked that this melody

makes me feel good.

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Make me really feel good.

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I would like to put in a bit over.

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Happiness line and then come out.

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So all of a sudden you have far to buy

a little bit of a mountain or whatever,

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who would.

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Easier.

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So it draws water before?

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No, I was under the mountain and

water there and there's the end.

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Look there.

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And then you can add, add up at the

happy little road to us about it could

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be just the whole inlet and look there.

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I couldn't make it.

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So just, this is the end

look of that whole painting.

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You are the mighty create a next to God.

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God gives you honor this

wonderful poet of 18.

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Creatine and that creative power

I tell you that there's not

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only on the canvas right now.

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I really grave oppor home, beautiful

grape Arbor, panty grapes around and

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their grapes grow good, but it's Columbia

and, uh, I will create a grape Arbor.

248

00:15:17,760 --> 00:15:23,370

People would come from Northern soul and

eat my grapes and everyone would be so

249

00:15:23,370 --> 00:15:30,380

happy forever and ever, and ever it's

a nice, are just happy thoughts there.

250

00:15:30,380 --> 00:15:37,220

What to your mind, and with that you live

a life of, I, they say life of Riley.

251

00:15:37,910 --> 00:15:41,720

I wish my name would be a Riley Riley.

252

00:15:41,720 --> 00:15:43,160

The Eyelea Riley.

253

00:15:46,335 --> 00:15:53,225

No, we, we just get called wider

and wider and wider and wider.

254

00:15:55,145 --> 00:15:57,545

See, and just put lots of paint on there.

255

00:15:57,545 --> 00:16:00,515

Any dark, dark, dark watch.

256

00:16:01,115 --> 00:16:03,155

Nobody wants you to do

something funny there.

257

00:16:03,655 --> 00:16:07,975

And that, that, uh, go into

whatever, take my big version

258

00:16:07,975 --> 00:16:09,115

and we'll show you what we do.

259

00:16:09,595 --> 00:16:10,045

I just,

260

00:16:14,125 --> 00:16:15,655

Steve and you page so much.

261

00:16:15,685 --> 00:16:17,275

I already know the outcome.

262

00:16:17,605 --> 00:16:20,245

What that means you

will say the guy's nuts.

263

00:16:20,275 --> 00:16:24,715

Look, he just put lousy blocks of painter,

but watch what they do, what they do.

264

00:16:25,405 --> 00:16:27,495

Now, I pull this into.

265

00:16:27,635 --> 00:16:33,185

Fuck in that that's all

that comes down to the fall.

266

00:16:33,185 --> 00:16:39,295

Do you miss the, he missed the fever.

267

00:16:39,345 --> 00:16:39,815

It does.

268

00:16:40,115 --> 00:16:41,915

And gives you a bumpy

and it's not straight.

269

00:16:42,225 --> 00:16:42,935

It's this beautiful.

270

00:16:44,695 --> 00:16:46,105

And you Vesper.

271

00:16:47,395 --> 00:16:51,835

I need more there, but then

you went there and you whisper.

272

00:16:57,780 --> 00:16:57,870

Okay.

273

00:17:06,020 --> 00:17:11,960

Now he wants to create a kind of a

winterish when the atmosphere, vendor.

274

00:17:13,290 --> 00:17:16,380

I keep it darker because they

want us to put light on you see?

275

00:17:16,530 --> 00:17:19,260

Because when you plan it in your

mind, I know I want you to put

276

00:17:19,260 --> 00:17:21,030

lots of white on white and white.

277

00:17:21,060 --> 00:17:21,870

Nothing, nothing.

278

00:17:21,870 --> 00:17:22,530

It's nothing.

279

00:17:22,710 --> 00:17:25,240

I got to create kind

of a dark there first.

280

00:17:25,260 --> 00:17:27,480

No, in order to put that right on.

281

00:17:27,980 --> 00:17:28,100

Yeah.

282

00:17:28,120 --> 00:17:29,030

That's what I did.

283

00:17:29,060 --> 00:17:33,530

That's what I did even, I think a bit

more, maybe a darker here and there, maybe

284

00:17:33,530 --> 00:17:39,080

here I made a couple more deeper docs

just to make, get underneath whatever I

285

00:17:39,080 --> 00:17:40,820

wants to get underneath as bushes for.

286

00:17:40,820 --> 00:17:42,020

They wants to create there.

287

00:17:43,460 --> 00:17:46,770

Uh, and yeah,

288

00:17:57,050 --> 00:17:58,130

that's nice.

289

00:17:58,130 --> 00:17:58,910

That's nice.

290

00:18:06,680 --> 00:18:07,640

And that's all there.

291

00:18:08,750 --> 00:18:10,550

You really want your pain more.

292

00:18:10,580 --> 00:18:14,990

You will experience this wonderful

vibe of creating you just as

293

00:18:14,990 --> 00:18:19,220

continuous as we just, just gone

on and have that in your mind.

294

00:18:19,250 --> 00:18:24,500

And that very beyond that on mitochondria,

I will use a touch of a dinner, right?

295

00:18:24,650 --> 00:18:25,190

They have a tea.

296

00:18:26,030 --> 00:18:26,930

Maybe I mix it.

297

00:18:26,990 --> 00:18:29,480

I mix it good then and take a right.

298

00:18:29,810 --> 00:18:31,280

And now I create this kind of a.

299

00:18:32,835 --> 00:18:36,675

Full before I start, let's have

a little bit of highlights there.

300

00:18:37,065 --> 00:18:38,985

Let's have a little bit

of highlights right?

301

00:18:39,015 --> 00:18:42,575

In that, in the mountains, the

light is coming from here somewhere,

302

00:18:42,965 --> 00:18:45,155

then that should be, it should be.

303

00:18:47,040 --> 00:18:48,150

Oh, God, look at that.

304

00:18:49,520 --> 00:18:50,300

It hurts.

305

00:18:50,570 --> 00:18:51,830

It is so nice.

306

00:18:52,130 --> 00:18:57,050

This, like I tell you over and over

that pain, you start talking to me.

307

00:18:57,050 --> 00:19:00,920

No, and it does absolutely

more than I want.

308

00:19:01,520 --> 00:19:04,190

The, the dust strokes are mighty strokes.

309

00:19:05,040 --> 00:19:08,210

Mighty Sterl Oh God.

310

00:19:09,020 --> 00:19:11,720

He looked a little bit

from the sunny side.

311

00:19:14,280 --> 00:19:19,710

on this tree, the sun

leads out on the street.

312

00:19:21,330 --> 00:19:23,270

Three.

313

00:19:26,370 --> 00:19:27,720

He, I nearly forgot.

314

00:19:28,290 --> 00:19:34,080

The that he brings your paintings out,

brings an old highlighting powerful, and

315

00:19:34,250 --> 00:19:36,980

it try to find the take strong paint.

316

00:19:37,490 --> 00:19:40,820

Well, the take a stronger paint

gives you that D the looseness.

317

00:19:41,000 --> 00:19:45,200

I never can do it with a soupy paint

then, then, then, then you're in trouble.

318

00:19:45,370 --> 00:19:46,399

Not in buttoned.

319

00:19:46,399 --> 00:19:46,940

TerraVia.

320

00:19:55,110 --> 00:19:57,480

Hey, that would be good.

321

00:19:58,110 --> 00:19:58,950

That is good.

322

00:20:00,230 --> 00:20:03,110

And having the light coming

from this middle here, so

323

00:20:03,140 --> 00:20:04,700

on this, I can light it up.

324

00:20:04,940 --> 00:20:09,140

I don't have to light it up obvious one

vine, you know, because the sun is coming.

325

00:20:09,370 --> 00:20:11,600

All that light is pulling

in from the middle.

326

00:20:11,920 --> 00:20:14,090

That means I can do it from this eye too.

327

00:20:14,690 --> 00:20:15,530

Does it's like a.

328

00:20:19,380 --> 00:20:20,550

Comments on both sides.

329

00:20:25,550 --> 00:20:29,000

He, the way that you

create it, you create it.

330

00:20:29,000 --> 00:20:30,970

You go dry, which right.

331

00:20:30,970 --> 00:20:32,390

That mountain would come down.

332

00:20:34,280 --> 00:20:35,000

this one here.

333

00:20:35,060 --> 00:20:38,390

All we give him my mighty kick there.

334

00:20:47,270 --> 00:20:50,330

see how fast you do it

and how many details.

335

00:20:50,630 --> 00:20:54,470

If you would have to do it with

a little brush, Oh God, forever.

336

00:20:54,470 --> 00:20:56,630

And ever, he will not

be finished in a week.

337

00:20:57,920 --> 00:21:02,990

And when you really think I had a

lot of arguments someday, we'll say,

338

00:21:03,240 --> 00:21:05,170

but look at this, but look at it.

339

00:21:06,280 --> 00:21:07,530

All along.

340

00:21:07,560 --> 00:21:10,860

When you see a year going

around, there was snow days.

341

00:21:10,860 --> 00:21:12,210

No snow, there was snow.

342

00:21:12,210 --> 00:21:13,020

There is no snow.

343

00:21:13,170 --> 00:21:14,220

There's lots of snow.

344

00:21:14,220 --> 00:21:15,210

There is no snow.

345

00:21:15,780 --> 00:21:20,340

Depends on how the temperature every day

is a chance that all the change every day.

346

00:21:21,810 --> 00:21:23,910

And I tell you a changes every day.

347

00:21:23,940 --> 00:21:27,150

First, you have all that hanging

around and always on because on top

348

00:21:27,330 --> 00:21:30,600

and you have in end of December, you

have a land, but there was no patches.

349

00:21:30,840 --> 00:21:33,480

The end of the summer would

be maybe like this here.

350

00:21:33,510 --> 00:21:34,100

Something like.

351

00:21:38,325 --> 00:21:42,554

That's the end of the summer, if

you have some snow on the mountain,

352

00:21:43,355 --> 00:21:46,355

but all of us, why the devil,

should I look at that little point?

353

00:21:46,804 --> 00:21:50,554

Because it's no, but at just

tomorrow, there's not there don't

354

00:21:50,895 --> 00:21:55,264

bother you because I know when I was

teaching, sometime we went in and.

355

00:21:56,205 --> 00:22:01,265

And you're in you're outside classes,

you know, let me say, there's this new

356

00:22:01,265 --> 00:22:02,765

patch and there's that there's that.

357

00:22:03,035 --> 00:22:06,875

And you put it on and actually on the

same deve and you look back that snow

358

00:22:06,875 --> 00:22:14,315

patches go with otherwise, tell you

do it with your powerful being you.

359

00:22:14,705 --> 00:22:16,505

It tells everyone it's me.

360

00:22:16,595 --> 00:22:18,995

I do that and I do it with my arm.

361

00:22:18,995 --> 00:22:19,805

I might divide.

362

00:22:19,865 --> 00:22:21,845

I see mother nature dancing.

363

00:22:22,290 --> 00:22:22,740

No good.

364

00:22:22,800 --> 00:22:26,820

Ah, that's mighty stroke

and mighty strokes there.

365

00:22:28,290 --> 00:22:29,220

That's wonderful.

366

00:22:30,740 --> 00:22:35,000

No, I will leave dock there and

I will, I will show you here.

367

00:22:35,240 --> 00:22:38,780

I will create a bit of a

happy they're out there.

368

00:22:38,810 --> 00:22:39,650

Like this,

369

00:22:46,250 --> 00:22:50,390

look at that instead of change

of making it a close up of that.

370

00:22:51,840 --> 00:22:55,710

I don't know if you could, if you, what

you could do, you could, you could, you

371

00:22:55,710 --> 00:22:57,990

would see a steady, a lot of details.

372

00:22:58,290 --> 00:23:01,920

I am making a bit credibly the like winter

373

00:23:05,970 --> 00:23:06,690

and a knife.

374

00:23:06,930 --> 00:23:12,270

Now you can create it wherever you

want this branches and kraut, very

375

00:23:12,270 --> 00:23:14,460

loose lines, very loose lines.

376

00:23:14,460 --> 00:23:14,850

You see?

377

00:23:15,524 --> 00:23:16,995

That's what this nice.

378

00:23:17,055 --> 00:23:19,155

Oh, it's so wonderful.

379

00:23:20,024 --> 00:23:21,764

Can that hang over here?

380

00:23:22,995 --> 00:23:24,375

I hang over there.

381

00:23:27,405 --> 00:23:28,305

That's in front.

382

00:23:28,305 --> 00:23:29,355

He already more

383

00:23:32,865 --> 00:23:34,754

see the tank over as nice.

384

00:23:47,585 --> 00:23:48,215

he and the dog.

385

00:23:48,245 --> 00:23:54,035

I like to leave the dock, this

details, little details here and here.

386

00:23:54,035 --> 00:23:54,995

Maybe a bit more.

387

00:23:59,075 --> 00:24:01,775

So now I'll be, rewashed a brush.

388

00:24:03,195 --> 00:24:08,415

Because the brush has 30 and no time and

no time because we touch all that dark.

389

00:24:09,405 --> 00:24:16,395

And I fire in more on this side

here and this side here, come

390

00:24:16,395 --> 00:24:24,375

out with branches, eh, from other

branches they're fires right out.

391

00:24:24,585 --> 00:24:25,785

Use a touch and move.

392

00:24:30,545 --> 00:24:30,965

Hey.

393

00:24:42,440 --> 00:24:43,430

that's nice.

394

00:24:44,270 --> 00:24:45,139

That's nice.

395

00:24:45,409 --> 00:24:48,050

And if you want to know, you

can really go into the magic.

396

00:24:48,050 --> 00:24:48,379

Right.

397

00:24:48,680 --> 00:24:51,409

I just return around and

I grabbed the wrong end.

398

00:24:51,649 --> 00:24:52,070

Is he?

399

00:24:52,129 --> 00:24:55,490

Yeah, he gets so excited and you don't

know what the hell you're doing anymore.

400

00:24:56,270 --> 00:24:57,980

Hey, there.

401

00:25:00,825 --> 00:25:01,365

More.

402

00:25:01,365 --> 00:25:02,235

403

00:25:06,465 --> 00:25:09,155

D look at that.

404

00:25:09,425 --> 00:25:20,465

The happy little branches you create

them like this and here and here.

405

00:25:20,975 --> 00:25:24,035

Just happy little branches

wherever you want there.

406

00:25:26,760 --> 00:25:29,699

And on the end, you got

the happy little painting.

407

00:25:30,510 --> 00:25:36,179

If you look at you here, you can

do the same thing out of there.

408

00:25:39,300 --> 00:25:40,620

See, look at that.

409

00:25:42,570 --> 00:25:43,500

There you are.

410

00:25:47,530 --> 00:25:51,600

Here we come from the top, but

before we close up, I would

411

00:25:51,600 --> 00:25:52,709

like to show you something else.

412

00:25:52,949 --> 00:25:53,639

Very fast.

413

00:25:53,820 --> 00:25:55,679

You can use crutches now.

414

00:26:00,480 --> 00:26:03,629

See scratch scratches.

415

00:26:03,689 --> 00:26:06,060

Oh, very powerful.

416

00:26:06,360 --> 00:26:07,290

Very powerful.

417

00:26:14,640 --> 00:26:15,780

Don't be shy.

418

00:26:16,110 --> 00:26:16,980

Do that too.

419

00:26:17,820 --> 00:26:19,440

I just Chuck all the tricks.

420

00:26:19,440 --> 00:26:22,050

You can do this and

this and this and that.

421

00:26:23,640 --> 00:26:23,850

No.

422

00:26:23,850 --> 00:26:25,380

When you asked cashed up to canvas.

423

00:26:25,380 --> 00:26:25,770

Good.

424

00:26:26,190 --> 00:26:30,630

Then you get even Steven, maybe here

a little bit here, here, here, here,

425

00:26:33,520 --> 00:26:36,870

here on this side, on this side.

426

00:26:37,500 --> 00:26:38,760

And all of a sudden.

427

00:26:39,495 --> 00:26:41,055

You can't go on anymore.

428

00:26:41,085 --> 00:26:42,915

It's just all the fun you want.

429

00:26:42,915 --> 00:26:44,805

You can just say, Hey, little bit here.

430

00:26:48,215 --> 00:26:48,455

Good.

431

00:26:48,875 --> 00:26:49,295

That's it

432

00:26:54,615 --> 00:26:55,415

still a lot of fun.

433

00:26:59,165 --> 00:26:59,885

Thank you for watching.

434

00:27:00,245 --> 00:27:00,545

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Silver Pass - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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