Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Redwoods - AVAILABLE
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To DV, we'll have a walk to
the redwoods, to the redwoods.
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You see, there's a white canvas and
I will paint a part of the red woods
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time of the D what light we want
see is obviously the first question
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is find a part of the red was.
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We all know the red with these
big trees, how close you want.
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You can make your ad for three
as big as your whole canvas.
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And that's the red wood, the, but
we have to make a penny out of that.
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So we let's, let's have a
little walk into the redwoods.
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Maybe big Redwood tree here, couple
little ones there, maybe other one here.
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You can't have too many.
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Even you pin threes, how close he
wants to be the right now I have
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to talk, how is my creative power?
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I have to put something on the
canvas, but they have to recall by
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naturally I traveled to the redwoods.
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I would say again, let the
light come from the side.
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Then we can have deep
dark in the red woods.
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We can have bright light, pop them up
here and there, but the sun, but the
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trees have no branches and there's
only one to come through or it's coming
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through and, and hit sometime some.
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Three parts of the trees or
part of the, of the ground was
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all there or part of the road.
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And this case here, I will make a
kind of a vector road because we say
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after the rain, I add to that painting
because when you do it by not doing it.
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Something extra there and just like a
little water pattern on the, on the road.
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And then you can flex the
background right into the water so
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that it becomes a nice painting.
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See, I can see it finished already.
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I like to talk about creative power.
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Learn to create not only,
yeah, on the canvas.
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I do it here because I paint,
but my home, I create bridges.
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I create in the fish hatchery, certain
things in your kitchen, in your.
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Whatever in your home, you
create your own, you put your
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own taste into your own life.
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I think that makes a nice person.
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I wish you would think about that.
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It's easy to go and buy it.
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Everyone can do it, but have something
made what you have done yourself?
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I think that is what
makes it so wonderful.
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Okay.
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We put the magic right on that
on mighty magic vice again.
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I think by now you get to know
the whole thing more and more
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via, we put the magic right on.
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What's the meaning of
the magic vise, because
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every color, every color we
have is mixed with white.
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So the idea was then put that
magic light right on the canvas.
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And you mix in C, let me say,
we were mixing into the canvas.
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We don't mix on the palette.
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See if you have hair on you,
push them away like that.
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Maybe a little bit more
here on the bottom.
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That looks a bit too lean, lean, and mean
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what I saw on the vertical.
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And then you have it all nice.
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Even on the canvas.
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Again, I like to repeat it all the
time because that's the kind of a
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headache, too much magic, right.
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Is no good.
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Not enough.
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It's give you a topic too.
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So we have to have the right amount.
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What I do, I wash my brush now,
wash your brush and paint dinner.
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make sure I, the nice clean that I brush.
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And go over the whole canvas again.
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See what would be too much.
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You would take a C too, when
you have it loaded too much.
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You can take it nice off you.
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See what I got in the brush?
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Now I wash it out and I'm ready to strike.
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Next comes next.
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The first comes to sky.
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So we will take passion blue and create a
kind of a happy little beginning of a sky.
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You will not see much of the sky there
because the red was quite a dominant.
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They take over the whole thing.
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Just let's have a little bit of, a
little bit of a that's all I need of sky.
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Maybe here.
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I wants to put the.
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Just clean my brush.
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I need lots of dark there.
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The nice clean, dry brush.
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Maybe we put the little bit
of a cloud movement in there.
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Okay.
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Swing it in, swinging it in
which way you want, which one you
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think it would be good for you?
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Maybe I hypnotized a little bit.
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Makes it nice.
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And, and, uh, cloudy or like fog.
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And this guy has done good.
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The next step, I will use my big brush.
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I wants to put kind of a grout in there.
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So it kind of all name here.
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And as you have a little bit of in Luke,
and that is what I fire in right now.
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Maybe we use a touch of blue here
and the touch of SAP green here.
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Uh, I live in Crimson.
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No, it'd be like to taste
or test, test the color.
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The, it doesn't matter.
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The light is coming from this side.
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This is the shadow side.
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This is the shadow side.
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And this is the sunny side.
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It doesn't matter.
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As long as you have dark colors, they're
gentle dark because distance there's a
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distance color, certain distance feelings.
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Okay.
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Okay, good.
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We say sunshine on that side.
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I have a, I don't even wash my brush.
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I just use a white and
yellow, white and yellow.
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More white and yellow and
let the sun hit in there.
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Be on the sunny side, on the shadow side.
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I've uh, I've uh, I wear a back
to a little bit of a blue rodder.
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Blue is a nice distance color.
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Tell me like that.
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It was good to me.
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You must think we
overpaying the whole thing.
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That's just background colors.
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You just create background colors.
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That's all it is.
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P doesn't matter, nothing
matter, dark or light.
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No, you put some three trunks and
you can use your little liner brush.
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If you want to.
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These use the debit of
whatever Tetra for red color.
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kind of a tree, is somebody standing
up in the distance use distance colors.
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Okay.
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Crocket or straight.
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That doesn't matter.
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It does not matter.
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when you look into the wilderness,
there's so much up and down.
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So as long as you follow the thing, now
we will use the little brush, the one
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inch brush, and we will maybe highlight
a little bit, we would think the
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light's coming from this side is what
hit the tree on this side a little bit.
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You see there, but keep the distance,
keep a nice, wonderful distance there.
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And that is wonderful.
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This dones,
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maybe here we find a little bit
more, give them a bit more light.
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So try to push the light
on this side more forward.
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It's
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D it's all good.
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What I do, I apply with light and
shadows, kind of a happy ply here.
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Kind of a nice game here.
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Light and shadows though.
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And nice beginning.
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No, we create maybe there's
far by this far, right?
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Isn't it.
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Unfortunately.
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Yeah, some 40 standing in between.
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Yeah.
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It's down in between
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they just guessed here and there.
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Before we put that big red, what
the bigger heads were trees and
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this created kind of a happy,
happy background, the happy.
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Done any branch, any movement,
but you think it's in the Bush,
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but you think the Bush shows you
some time and different colors.
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Now the here, maybe I will put the
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you must always think lots of that will
be covered up again because the big
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tree would take over a big spot there.
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But in the meantime, you're, that's great.
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The whole background there.
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However we come forward.
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It's hard.
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We come forward here.
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Maybe here.
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push a little bit though.
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Shut up in there.
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The green, maybe here on
this side, on this side.
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See how, I guess just
movement just movements.
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That's our, no, be very, be very
create kind of a happy far, right?
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That's a big red tree standing there.
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they are just so far by they're just so
far the vibe that's they look so small.
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Maybe here it's a bigger one.
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see, then you can put little
branches on them if you'd like
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to let it branches on them.
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Uh, just, uh,
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Some grout on that.
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You make it like a bird nest.
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Watch this
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for a distance.
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Nice, beautiful.
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yeah, there you are there.
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You're on that course.
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As fast as you can, dank
as fast as you can dream.
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No, you put the bigger one on big and
one on maybe here this one already.
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Oh, this bag is closer.
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Zebra.
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I do make a side movement with my
knife, kind of a side movement.
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Yeah.
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As I'm disappeared in the trees,
maybe other one here, here.
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Oh.
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I come down like that.
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See.
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naturally, we will highlight that
three bit of a lizard in Crimson
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with a touch of white in it,
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right in it, but more.
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Hey there.
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Yeah.
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On the sunny side.
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That's good.
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More, more this one too.
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you have to have a steady hand to do it.
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no, that does appear again, put
some little happy branches on them.
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he just swing him out, swaying him out.
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the, then you put little bird nest
and again, like I did on the other
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trees, zap green, maybe here we
just put one on top one in here.
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Yes.
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Kind of a garage there.
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It comes nicely clump somewhere.
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Hey, they're not three, even.
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That's not good, but I showed you there.
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I showed you how you shouldn't do it.
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He is the bestest of, and you
have it uneven here or there.
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Maybe you're on top a little better.
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That's it, leave it open there.
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The, no, you have a
good, good start on this.
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I have to make it sellable
because it's not, not up to par.
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00:17:48,855 --> 00:17:55,995
So I read yours kind of a dark grout,
whatever it's darker out there.
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Maybe here.
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00:18:00,390 --> 00:18:02,700
Uh, here, I should
strengthen a, a bit more.
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00:18:02,880 --> 00:18:07,980
That comes from the, this closer,
closer there there's a cross tree,
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00:18:08,520 --> 00:18:11,940
but you see this lot of the things
would be, cause they put the big, big
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00:18:11,940 --> 00:18:14,640
tree next to that right down here.
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See, but I have to come
down to that point here.
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Okay.
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Again, highlight.
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00:18:24,080 --> 00:18:26,780
And I like to play with this sunny side.
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This should be a bright right.
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Bright colors there where
the sun hits it in there.
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00:18:37,770 --> 00:18:38,820
Hey, that's good.
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Maybe a bit up there.
227
00:18:40,740 --> 00:18:43,710
Just kind of a hit here and there.
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It's a nice sunny, nice on the.
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and make sure you have it
like branches, not blocks.
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If are blocks coming up, then you
have to control your, your brush
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or your color or your, your paint.
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This, you can do it.
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Maybe here we were fighting.
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A little bit more on this side.
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00:19:14,475 --> 00:19:17,055
No, I need more dark use.
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00:19:17,055 --> 00:19:20,085
Obvious other brush, other brush.
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I need dark more dark van Dyke, Brown
production, blue, all the dark colors.
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00:19:26,504 --> 00:19:29,355
And you fire in dark under Eddie there,
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here he was on you don't
even look at the canvas.
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You just make a dark.
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00:19:38,520 --> 00:19:39,660
On mighty dark.
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When Dyke Brown, you
see how I take it off?
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Lots of paint in the brush when Dyke
Brown production, fresh and blue
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here, and a Zipcar green, the, the
brushes load against that light all
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the way down, you hit hard and you need
the details, the beautiful details.
246
00:20:01,850 --> 00:20:02,210
The.
247
00:20:05,705 --> 00:20:08,945
that is what you would leave when
you have, when you come close and
248
00:20:08,945 --> 00:20:12,875
now you just lightened shadows,
lightened shatters, because the
249
00:20:12,875 --> 00:20:17,615
trees throw shadows in between, and
that's what you have to work with.
250
00:20:23,915 --> 00:20:25,325
that's what you have to work with.
251
00:20:25,325 --> 00:20:27,575
Maybe here we find a big one.
252
00:20:37,190 --> 00:20:40,400
Hey man, here fighting the big one.
253
00:20:41,220 --> 00:20:42,170
Dark one.
254
00:20:47,010 --> 00:20:47,129
Yeah,
255
00:20:54,679 --> 00:20:55,580
I need dark.
256
00:20:55,610 --> 00:20:57,040
And he lasts a dark then.
257
00:20:57,040 --> 00:20:57,409
No.
258
00:20:58,520 --> 00:20:58,610
Yeah,
259
00:21:06,379 --> 00:21:07,669
nah, it's dark.
260
00:21:07,699 --> 00:21:09,110
Lots of dark.
261
00:21:10,090 --> 00:21:14,090
Him or cut us.
262
00:21:14,840 --> 00:21:16,310
You can use colors.
263
00:21:17,960 --> 00:21:19,370
You can use colors.
264
00:21:20,780 --> 00:21:29,180
I live in Crimson and SAP green,
kind of a different color there.
265
00:21:33,980 --> 00:21:35,060
It just fill in.
266
00:21:35,520 --> 00:21:39,630
Phil and Phil and more and
more and more and more.
267
00:21:42,660 --> 00:21:46,260
Maybe here I should have a rusty color,
268
00:21:52,110 --> 00:21:55,650
but leave dark and light, dark,
and like make it as you have.
269
00:21:55,800 --> 00:21:57,480
Not all in one clump.
270
00:21:58,320 --> 00:21:59,430
Nice and loose.
271
00:21:59,460 --> 00:22:00,510
Nice and loose.
272
00:22:00,540 --> 00:22:01,380
Nice and loose.
273
00:22:01,770 --> 00:22:06,480
Maybe here I find in
something dark air dock there.
274
00:22:35,210 --> 00:22:37,340
Oh, no, we are coming.
275
00:22:37,970 --> 00:22:45,470
To the point where we can put some
sunrise in and we know the light
276
00:22:45,470 --> 00:22:50,660
is coming from this side, then
we can ply with sunshine there.
277
00:22:50,660 --> 00:22:54,350
If you want to, let me
show you something there.
278
00:22:55,130 --> 00:22:59,890
I would like to put some sun and
they're like sun beams there.
279
00:23:00,220 --> 00:23:02,350
They're going to ride through that hole.
280
00:23:02,350 --> 00:23:04,090
They come in from the side there.
281
00:23:05,310 --> 00:23:06,540
I didn't down.
282
00:23:06,560 --> 00:23:07,350
Take a look here.
283
00:23:07,350 --> 00:23:08,490
I go into the magic.
284
00:23:08,490 --> 00:23:08,940
Right.
285
00:23:09,360 --> 00:23:12,090
And I didn't down my
paint with magic, right.
286
00:23:12,720 --> 00:23:15,690
It didn't, the paint would do a job.
287
00:23:15,960 --> 00:23:21,750
You see then yellow and white, and
then you're just a, but you have to
288
00:23:21,750 --> 00:23:23,970
have a steady hand and you're just
289
00:23:30,440 --> 00:23:31,580
10 times nothing.
290
00:23:31,610 --> 00:23:32,810
All of a sudden one hit.
291
00:23:33,659 --> 00:23:38,610
That means I'm scared because you
get hit too hard to smell it all up.
292
00:23:39,659 --> 00:23:42,899
There's a certain tech for
do a good, good, good job.
293
00:23:45,949 --> 00:23:46,669
Try again.
294
00:23:47,419 --> 00:23:48,169
Try again.
295
00:23:58,730 --> 00:23:59,179
See.
296
00:24:01,725 --> 00:24:02,355
But don't do it.
297
00:24:02,355 --> 00:24:05,985
Slow this, do it with
that on mighty swing.
298
00:24:11,255 --> 00:24:15,785
he that's, that's already not good enough,
but watch what we do, how to handle,
299
00:24:15,815 --> 00:24:17,915
I will show you how we handled that.
300
00:24:17,915 --> 00:24:18,275
Right?
301
00:24:18,815 --> 00:24:20,315
The now I go over again.
302
00:24:20,525 --> 00:24:22,865
Just test to bring it out a bit more.
303
00:24:24,065 --> 00:24:24,455
Good.
304
00:24:24,635 --> 00:24:24,875
Good.
305
00:24:24,905 --> 00:24:25,565
Now believe it.
306
00:24:26,010 --> 00:24:27,330
Don't touch it anymore.
307
00:24:27,900 --> 00:24:33,210
That means we are in between the, that,
that, that John raises in between.
308
00:24:33,210 --> 00:24:37,980
Maybe I've put the nerd, but more
dark and bright light, very light.
309
00:24:38,060 --> 00:24:40,870
And there, there, and there.
310
00:24:43,070 --> 00:24:44,090
So we see it better.
311
00:24:44,210 --> 00:24:44,630
Good.
312
00:24:44,930 --> 00:24:46,190
Leave it, just like that.
313
00:24:47,360 --> 00:24:48,260
Good idea.
314
00:24:50,840 --> 00:24:53,390
That means I, I painted that.
315
00:24:53,420 --> 00:24:54,260
Then I put.
316
00:24:54,840 --> 00:24:56,520
What you saw is done.
317
00:24:56,669 --> 00:25:01,320
Then I put this on the race and then I
put something in the front that looks when
318
00:25:01,320 --> 00:25:06,480
the painting is finished, the sun beam CR
in between there, right in between there.
319
00:25:06,929 --> 00:25:10,800
And that's what would
make us do a nice, see.
320
00:25:13,050 --> 00:25:16,590
Good, good, good, good highlight.
321
00:25:17,070 --> 00:25:18,659
Put a bit of sunshine in there.
322
00:25:20,250 --> 00:25:21,600
Maybe here a little bit more.
323
00:25:28,970 --> 00:25:31,790
see, maybe hear it a bit more.
324
00:25:31,790 --> 00:25:35,930
No, you just have to very careful
picking a little bit here.
325
00:25:36,950 --> 00:25:39,050
I don't want it to destroy
the sun beam stare.
326
00:25:39,050 --> 00:25:40,010
I want to leave that
327
00:25:43,430 --> 00:25:44,420
yes, sometime.
328
00:25:44,540 --> 00:25:45,620
It's the other one.
329
00:25:45,620 --> 00:25:47,480
That's just in the front of that then.
330
00:25:48,555 --> 00:25:55,245
Okay, the next step will be
then does an beams hit in debt?
331
00:25:55,275 --> 00:25:58,995
All of a sudden at stare
by the sun hits it.
332
00:25:59,085 --> 00:25:59,715
You see,
333
00:26:05,565 --> 00:26:09,315
because the sunrise is coming
through and it hits that spot there.
334
00:26:09,615 --> 00:26:10,935
And that's burning.
335
00:26:11,985 --> 00:26:13,935
Maybe that's the way we want to think.
336
00:26:14,565 --> 00:26:16,365
That's the way we think.
337
00:26:17,625 --> 00:26:19,215
That's the driver thing.
338
00:26:20,205 --> 00:26:22,514
The sun hit that particular spot.
339
00:26:23,324 --> 00:26:26,324
See again, more brighter, more brighter.
340
00:26:26,355 --> 00:26:29,294
Let the sun really the effect of the sun.
341
00:26:29,655 --> 00:26:30,405
He will bring it out.
342
00:26:30,405 --> 00:26:30,824
Nice.
343
00:26:31,905 --> 00:26:33,044
Hey, look at that.
344
00:26:42,875 --> 00:26:45,335
and then the rest, let it be in the dark.
345
00:26:46,710 --> 00:26:49,350
If this happened, that's
where the sun hits it.
346
00:26:49,380 --> 00:26:51,240
And that's what the light is now.
347
00:26:51,240 --> 00:26:52,740
The rest we fire.
348
00:26:52,740 --> 00:27:00,980
And again, very dark you don't
raise your voice dog dog there.
349
00:27:10,980 --> 00:27:15,300
You need dark in order to show light,
you need dark in order to show light,
350
00:27:15,899 --> 00:27:24,840
you need dark and artists to show light,
dark, uh, uh, uh, no mercy, no mercy.
351
00:27:27,975 --> 00:27:30,465
The, in order to get
that painting rolling.
352
00:27:30,465 --> 00:27:30,915
Right?
353
00:27:31,455 --> 00:27:38,834
You, you you're, you have to have a
little bit more SAP green, a little bit
354
00:27:38,834 --> 00:27:42,465
more SAP green in order to get that pain.
355
00:27:42,465 --> 00:27:42,945
You're right.
356
00:27:44,175 --> 00:27:46,695
We will, we will use all the Trixie here.
357
00:27:46,695 --> 00:27:50,205
Watch against the Sunbeams like
something is in the front of it.
358
00:27:50,205 --> 00:27:50,594
Now.
359
00:27:51,105 --> 00:27:52,844
He just comes in front of it again.
360
00:27:53,700 --> 00:28:03,440
Now in front of that comes on
mighty, mighty, mighty, Oh God.
361
00:28:03,500 --> 00:28:04,040
Too bad.
362
00:28:04,040 --> 00:28:05,240
You cover up so much.
363
00:28:11,960 --> 00:28:12,800
Beautiful.
364
00:28:14,000 --> 00:28:16,630
And that's what you say, beauty for.
365
00:28:22,485 --> 00:28:23,415
Let's put the big Mon.
366
00:28:23,594 --> 00:28:23,735
Yeah.
367
00:28:23,735 --> 00:28:25,605
I like to show the bark there.
368
00:28:28,844 --> 00:28:34,064
Hey, that's my auntie that are my
age or mighty tree standing there.
369
00:28:35,625 --> 00:28:40,725
There's a PSD on the other side ever
use passion blue and alizarin Crimson.
370
00:28:41,960 --> 00:28:45,600
And blue and Alyson Crimson together.
371
00:28:46,050 --> 00:28:52,320
See, on this side more dark and make
it this or this like bark hanging over.
372
00:28:52,530 --> 00:28:55,050
Don't worry about when
tank's over like this.
373
00:28:55,409 --> 00:28:56,159
That's good.
374
00:28:56,430 --> 00:28:57,540
Leave it like that.
375
00:28:58,020 --> 00:29:02,870
Don't make a straight line, make it to
rustic, make it really, really rough.
376
00:29:03,440 --> 00:29:04,610
It's very nice.
377
00:29:04,610 --> 00:29:07,129
And the off all rough.
378
00:29:07,220 --> 00:29:07,760
Yeah.
379
00:29:10,065 --> 00:29:10,935
Hey, look at that.
380
00:29:11,505 --> 00:29:14,325
That gives you a good
on mighty tree there.
381
00:29:15,945 --> 00:29:20,055
I didn't have Munda foot
and that one there for it.
382
00:29:21,345 --> 00:29:26,115
They already got the nice big tree there,
but we give them a bit more button,
383
00:29:31,005 --> 00:29:32,445
make them tick on the bottom.
384
00:29:33,705 --> 00:29:35,265
Oh, something like this.
385
00:29:38,490 --> 00:29:40,080
See now you play games.
386
00:29:40,530 --> 00:29:42,570
You have that tree standing there.
387
00:29:42,659 --> 00:29:43,860
Good looks good.
388
00:29:46,020 --> 00:29:52,169
And, and you, you, you
hit the tree with the sun.
389
00:29:52,320 --> 00:29:55,439
There are certain spots, certain spots.
390
00:29:57,389 --> 00:29:59,220
What I do here, I take
it a little bit to red.
391
00:29:59,360 --> 00:30:03,959
You go to Duke here with the red and
yellow and white, all that together.
392
00:30:04,425 --> 00:30:12,855
And make myself a, kind of a red
orangy, light, light, orangy tune.
393
00:30:13,155 --> 00:30:20,625
And I would think the sun, the sun
hits there somewhere and one spot
394
00:30:26,075 --> 00:30:31,955
you and a knife and the nice
that you can make the light.
395
00:30:32,940 --> 00:30:34,200
You want light there?
396
00:30:34,260 --> 00:30:37,450
And it was like there that's beautiful.
397
00:30:37,490 --> 00:30:40,220
No, you start really lighting up.
398
00:30:40,220 --> 00:30:46,460
That whole painting is up to you, what
power you wants to use, but, uh, the,
399
00:30:46,550 --> 00:30:52,399
how you feel you can overload it can
overdo it, but, uh, it's up to you
400
00:30:52,399 --> 00:30:56,840
now to highlight that the way you want
and leave the dark in between too.
401
00:30:57,390 --> 00:31:02,070
See then that means the other three
standing out there and they draw shadows
402
00:31:02,070 --> 00:31:05,970
on that tree and they're all openings and
there they're all sunshine on that tree,
403
00:31:06,300 --> 00:31:08,310
then that makes a nice, nice painting.
404
00:31:08,310 --> 00:31:12,870
If you can do sometimes on a
bottom, there just happened.
405
00:31:13,080 --> 00:31:13,890
This happened.
406
00:31:16,040 --> 00:31:16,640
Okay.
407
00:31:17,420 --> 00:31:17,990
Okay.
408
00:31:20,780 --> 00:31:22,040
Then you again.
409
00:31:23,325 --> 00:31:27,645
Put branches in there, branches
in there, branches in there.
410
00:31:28,575 --> 00:31:35,565
That's going to be sun around,
have a nice, happy branch,
411
00:31:45,435 --> 00:31:46,605
something like this.
412
00:31:52,365 --> 00:31:55,905
Firing firing no mercy.
413
00:32:00,125 --> 00:32:02,255
that would come into the tree like that.
414
00:32:05,615 --> 00:32:07,115
maybe this one's going there.
415
00:32:07,115 --> 00:32:07,895
That's why
416
00:32:19,875 --> 00:32:21,405
See how nice you can.
417
00:32:22,695 --> 00:32:23,685
chart time.
418
00:32:23,774 --> 00:32:26,475
Now he wants to apply a
little extra game for you.
419
00:32:26,774 --> 00:32:29,295
I would put the branch
right here in the sunshine.
420
00:32:32,715 --> 00:32:34,605
I have a show you what
I like to do with that.
421
00:32:38,675 --> 00:32:38,764
Okay.
422
00:32:39,095 --> 00:32:40,534
It's sunshine brand.
423
00:32:41,615 --> 00:32:44,375
The sunshine, come this from there.
424
00:32:45,514 --> 00:32:46,835
What's out there.
425
00:32:50,205 --> 00:32:54,615
It draws a shed on the back if the
essay, but she, the left the rest.
426
00:32:54,615 --> 00:32:55,514
Just forget it.
427
00:32:55,514 --> 00:32:55,935
Forget it.
428
00:32:56,175 --> 00:32:56,504
Good.
429
00:32:57,014 --> 00:32:57,315
Good.
430
00:32:57,645 --> 00:32:59,535
No, what you do there?
431
00:32:59,535 --> 00:33:06,965
You, you, you, you, I should
have two brushes cause the light
432
00:33:06,965 --> 00:33:08,435
one and the dark one again.
433
00:33:08,645 --> 00:33:10,655
That's where you save lots of paint.
434
00:33:11,195 --> 00:33:13,415
You save tons and tons of paint.
435
00:33:13,805 --> 00:33:15,754
The now having the sun there.
436
00:33:16,530 --> 00:33:25,340
I will, I will put that sunshine,
the right on that branch Z
437
00:33:30,530 --> 00:33:31,720
and moved the other branches.
438
00:33:31,730 --> 00:33:32,750
I leave dark.
439
00:33:34,169 --> 00:33:35,610
That makes a nice painting.
440
00:33:35,610 --> 00:33:40,110
If you can go in that direction, you
lead the light from now on you're
441
00:33:40,110 --> 00:33:44,760
dark, mighty leader of light, whatever
you do, you can make it very powerful
442
00:33:45,060 --> 00:33:46,649
by putting the light on the light.
443
00:33:47,990 --> 00:33:50,149
See, and that does what makes it nice.
444
00:33:50,179 --> 00:33:50,959
Nice painting.
445
00:33:51,800 --> 00:33:52,250
No.
446
00:33:52,665 --> 00:33:57,105
We said light leading the light
and mighty leader of light here.
447
00:33:57,105 --> 00:33:58,245
I just put dark on it.
448
00:33:58,275 --> 00:34:03,615
That's all this put dogs on, but
be in the almighty leader of light
449
00:34:04,005 --> 00:34:09,675
next to God, you have so much power
because God give you all that.
450
00:34:09,705 --> 00:34:14,445
He is nice to you because you will
have the right idea about living.
451
00:34:14,835 --> 00:34:17,235
That's a powerful way of living.
452
00:34:17,625 --> 00:34:20,385
Oh, there's a shed or
running right over that.
453
00:34:20,639 --> 00:34:25,860
Sun is coming and then
they, uh, good, good.
454
00:34:25,860 --> 00:34:29,810
See, is there more shadows running
over here and there and there,
455
00:34:29,960 --> 00:34:31,639
but we wouldn't count them all.
456
00:34:31,850 --> 00:34:36,380
That's the big one here, but I
told you what I want you to do.
457
00:34:36,380 --> 00:34:38,480
I want you to put the
water paddle in there.
458
00:34:38,820 --> 00:34:40,470
The via and likes to do it.
459
00:34:40,470 --> 00:34:44,430
I show you because, because
I need more power there.
460
00:34:44,760 --> 00:34:50,640
So I can reflect that light into the
water and it gives me an extra brain.
461
00:34:51,200 --> 00:34:53,450
Watch this, watch this, watch this.
462
00:34:54,260 --> 00:34:55,370
I just fire in.
463
00:34:55,880 --> 00:35:01,240
I just reflect, I just
reflect, I put reflection.
464
00:35:01,430 --> 00:35:06,800
Actually, this should
reflect in the N uh, there C.
465
00:35:08,759 --> 00:35:09,690
Can you see it now?
466
00:35:09,960 --> 00:35:15,600
How you can play with your painting,
how much you can do with the painting.
467
00:35:15,779 --> 00:35:20,610
If you have the right ID to,
to apply with, with, uh, with
468
00:35:20,790 --> 00:35:22,470
what you, with the colors.
469
00:35:24,540 --> 00:35:24,990
See?
470
00:35:25,259 --> 00:35:29,490
No, I use my big brush clean mr.
471
00:35:29,490 --> 00:35:30,390
Clean, mr.
472
00:35:30,390 --> 00:35:30,960
Clean.
473
00:35:35,865 --> 00:35:36,645
He watched it?
474
00:35:36,855 --> 00:35:43,395
No, you run it all down, run it all
first, maybe go in the dark and we make
475
00:35:43,395 --> 00:35:45,435
it like, we always painted our borders.
476
00:35:45,455 --> 00:35:54,045
You remember the Medicare for
no, I straightened that out here.
477
00:35:56,865 --> 00:35:59,865
The brush has only two sides
and that's the problem.
478
00:35:59,895 --> 00:36:01,275
I wish they had more side.
479
00:36:01,545 --> 00:36:02,835
Then we could use more.
480
00:36:09,290 --> 00:36:10,550
It becomes very dark.
481
00:36:10,580 --> 00:36:17,750
So I renew it again because I lose, I lose
too much by going over with that brush.
482
00:36:20,750 --> 00:36:22,640
I bring light back there again.
483
00:36:23,570 --> 00:36:26,810
Same white and yellow.
484
00:36:27,050 --> 00:36:29,660
Uh, Farron lifted up again.
485
00:36:38,715 --> 00:36:41,075
No, do the same thing.
486
00:36:42,545 --> 00:36:44,315
Clean, make sure you have a clean brush.
487
00:36:48,965 --> 00:36:50,825
You see, but what happened to you?
488
00:36:50,825 --> 00:36:51,425
Watch this.
489
00:36:51,695 --> 00:36:53,075
I make one stroke.
490
00:36:53,435 --> 00:36:56,285
Turn the brush over and
make the other stroke.
491
00:36:56,645 --> 00:36:58,475
I wish the brush had more sides.
492
00:36:58,475 --> 00:36:59,285
I could go on.
493
00:36:59,880 --> 00:37:03,810
It is not, I have to wash Lucy
if you see the dirt on the brush.
494
00:37:04,560 --> 00:37:08,190
So I have to, otherwise I carry
the dirt on top of that again.
495
00:37:08,910 --> 00:37:11,610
So be careful with how
you handle your brush.
496
00:37:17,060 --> 00:37:21,110
See again, one stroke, turn around
the brush, the other stroke.
497
00:37:21,800 --> 00:37:22,460
That's good.
498
00:37:22,730 --> 00:37:24,200
No, I washed my brush.
499
00:37:34,250 --> 00:37:37,370
And now I can make an almighty
through right to the whole thing.
500
00:37:38,270 --> 00:37:41,570
The there's not much dirt on
anymore because quite clean.
501
00:37:43,490 --> 00:37:44,840
Hey, no, it'd be no,
502
00:37:47,900 --> 00:37:49,970
no humic voter out of that.
503
00:37:50,240 --> 00:37:52,070
Maybe I go a little bit higher here too.
504
00:37:53,475 --> 00:37:54,495
Make it a bit higher.
505
00:38:05,105 --> 00:38:05,345
he?
506
00:38:05,345 --> 00:38:06,065
How nice.
507
00:38:07,445 --> 00:38:08,585
No, you can.
508
00:38:09,065 --> 00:38:13,535
You can, you can do all
kinds of things in here.
509
00:38:13,535 --> 00:38:18,545
If you add, add the green,
we add the green here.
510
00:38:20,070 --> 00:38:25,770
Like that becomes that whole
shut up the ad, the green there.
511
00:38:30,150 --> 00:38:32,600
No, we be vetted.
512
00:38:32,610 --> 00:38:35,880
Put the road in and everybody was white.
513
00:38:36,900 --> 00:38:40,890
Oh, I turned around this way better
because you have to see what I'm doing.
514
00:38:41,745 --> 00:38:43,695
I'm Mexicana for earth color.
515
00:38:43,725 --> 00:38:48,795
Can you see, I grab all the, I grab
everything I have there clean up
516
00:38:49,275 --> 00:38:57,465
the earth color is kind of a, kind
of a, a bit of green metal gray.
517
00:39:01,805 --> 00:39:02,735
That might be good.
518
00:39:02,855 --> 00:39:03,695
That might be good.
519
00:39:04,385 --> 00:39:06,095
The, maybe here we started off.
520
00:39:06,755 --> 00:39:09,155
That's the happy little
road coming in there.
521
00:39:15,100 --> 00:39:17,390
it happened in the road coming in there.
522
00:39:23,089 --> 00:39:26,689
and leave, leave the opening,
it, leave some opening stare,
523
00:39:30,379 --> 00:39:31,500
maybe here in between.
524
00:39:31,500 --> 00:39:34,399
We put some, some earth on.
525
00:39:41,689 --> 00:39:43,910
he, maybe he is here.
526
00:39:44,089 --> 00:39:44,509
Here.
527
00:39:44,540 --> 00:39:46,399
We can break in a little bit.
528
00:39:51,620 --> 00:39:54,169
maybe here we can break in another bed.
529
00:39:54,890 --> 00:39:58,160
There are patches of
earth in the water there.
530
00:39:59,330 --> 00:40:00,620
See how you create that.
531
00:40:00,890 --> 00:40:01,850
There's beautiful.
532
00:40:02,959 --> 00:40:03,890
Just beautiful.
533
00:40:05,580 --> 00:40:12,180
Now here, maybe we were
in an art, an art, an N
534
00:40:21,830 --> 00:40:22,850
He always doesn't.
535
00:40:23,120 --> 00:40:25,430
It appears it's an uptick illusion.
536
00:40:25,609 --> 00:40:30,290
That's Vata dead because we, we
created that kind of water there.
537
00:40:30,950 --> 00:40:33,890
See that if that makes a nice painting.
538
00:40:35,205 --> 00:40:37,035
That makes a nice painting.
539
00:40:37,515 --> 00:40:41,205
Now, here, here is where
the tree shadow is there.
540
00:40:41,625 --> 00:40:43,755
I would use the same colors there.
541
00:40:52,205 --> 00:40:52,295
Okay.
542
00:40:53,465 --> 00:40:55,265
No, you learn what it means.
543
00:40:55,265 --> 00:40:59,075
Creative power from the edge of far.
544
00:41:07,365 --> 00:41:11,435
and then here loose, very loose.
545
00:41:11,645 --> 00:41:14,315
That paint is so that it will break.
546
00:41:14,345 --> 00:41:17,585
It will give you all the thousand
details and all the colors.
547
00:41:17,585 --> 00:41:19,715
And one on my shot.
548
00:41:21,275 --> 00:41:22,655
I mighty stroke.
549
00:41:38,345 --> 00:41:40,625
no, here we create water lines.
550
00:41:41,015 --> 00:41:44,674
Like you paint a leak or you
paint pen, beautiful water there.
551
00:41:45,125 --> 00:41:48,325
And to bring it out, show you the air.
552
00:41:48,325 --> 00:41:51,485
We create kind of a bit of a line.
553
00:41:52,135 --> 00:41:54,415
Little bit of a shoreline, more or less.
554
00:41:55,725 --> 00:42:02,515
It just is something there, here,
the, maybe here we put the sunshine
555
00:42:02,515 --> 00:42:06,735
and there's an opening dishonest line
on that road would be nice to have
556
00:42:06,735 --> 00:42:08,505
that little bit of sunshine there.
557
00:42:09,285 --> 00:42:12,135
So I create kind of a sunshine there.
558
00:42:12,755 --> 00:42:19,445
It will give me more Oompa, see the,
how we play with light and shadows.
559
00:42:19,475 --> 00:42:20,825
That's that's the main game here.
560
00:42:23,895 --> 00:42:26,205
Hey, Dan at burns there.
561
00:42:26,415 --> 00:42:33,195
And then all of a sudden being with mighty
creator to have a cannabis sunspot there.
562
00:42:35,735 --> 00:42:35,975
Yeah.
563
00:42:43,265 --> 00:42:44,195
Maybe here.
564
00:42:48,870 --> 00:42:54,260
No, you understand, you put the
light in and you decide where you
565
00:42:54,260 --> 00:42:59,180
want support in, and that makes
your painting it this year at ID and
566
00:42:59,180 --> 00:43:01,220
there's your D on the, on the canvas.
567
00:43:01,550 --> 00:43:04,400
And then you have it when you sign it.
568
00:43:04,640 --> 00:43:08,120
When you sign that almighty
painting, you hear that.
569
00:43:08,300 --> 00:43:13,130
And then this guy, you hear the
echo from mountain to moan turn.
570
00:43:13,529 --> 00:43:18,839
And new baby's born then that you
have to think in that direction.
571
00:43:23,569 --> 00:43:28,460
that's one of us, one of these on
the canvas, one of your happy days
572
00:43:28,460 --> 00:43:34,910
on the canvas, see how he come
forests and it's all just play.
573
00:43:35,270 --> 00:43:36,980
It's no hard Barack.
574
00:43:37,339 --> 00:43:41,089
I like to put the different color
on here because having bought
575
00:43:41,089 --> 00:43:42,490
a hugely, that's the kind of a.
576
00:43:43,050 --> 00:43:47,640
Eh, watch touch of blue is nice there.
577
00:43:48,470 --> 00:43:48,950
Right?
578
00:43:49,220 --> 00:43:54,230
I just use blue and white and create
a, kind of a happy blue there.
579
00:43:55,010 --> 00:43:57,020
And I will put it on here.
580
00:43:57,530 --> 00:44:05,720
Just, uh, it gives me that feeling
of vet at three is vet the love with
581
00:44:05,720 --> 00:44:10,340
that and a nice three years vet.
582
00:44:13,230 --> 00:44:13,740
Good.
583
00:44:14,430 --> 00:44:14,790
Good.
584
00:44:14,820 --> 00:44:15,570
Good, good.
585
00:44:18,840 --> 00:44:21,740
No, the next step I will.
586
00:44:21,860 --> 00:44:22,490
I will.
587
00:44:22,520 --> 00:44:23,390
I will.
588
00:44:23,450 --> 00:44:29,270
He will three trunks in between
wherever you think there should
589
00:44:29,270 --> 00:44:30,350
be little bit three trunks.
590
00:44:31,700 --> 00:44:35,000
He, a bit of a light tree trunk here.
591
00:44:35,000 --> 00:44:37,940
A little bit here, a little bit.
592
00:44:38,420 --> 00:44:42,000
Uh, But every year you can
use your line of brush.
593
00:44:42,030 --> 00:44:47,850
Now, if you want to,
and you, you, you, you
594
00:44:56,390 --> 00:45:00,680
just, just put some lines in
here and there that looks like
595
00:45:05,240 --> 00:45:06,650
make it standing up.
596
00:45:08,609 --> 00:45:11,220
They make it standing up all standing up
597
00:45:17,569 --> 00:45:24,259
the couple of lines, run a couple of
lines in there in order to make it more.
598
00:45:24,589 --> 00:45:26,060
I go into the magic, right.
599
00:45:26,120 --> 00:45:27,290
And thin it down.
600
00:45:27,319 --> 00:45:31,939
Then you're write downs either, but I
did, I just added a bit of the invite
601
00:45:31,939 --> 00:45:35,209
and then I can get my lines better.
602
00:45:35,480 --> 00:45:35,839
You see?
603
00:45:36,405 --> 00:45:41,655
It didn't really stick on a Dick at
pain and turn the brush a little bit.
604
00:45:46,465 --> 00:45:47,205
Okay.
605
00:45:48,105 --> 00:45:48,735
Let's see.
606
00:45:48,915 --> 00:45:52,635
No, the next step is
you can cover up a lot.
607
00:45:53,265 --> 00:45:58,065
You can don't have to do it, but I
don't know why the devil, I feel there
608
00:45:58,065 --> 00:46:02,445
should be other big one that right
there, and maybe around it, up to here.
609
00:46:03,330 --> 00:46:06,230
Uh, yeah, yeah.
610
00:46:06,330 --> 00:46:08,610
Uh, that can be a big one too.
611
00:46:09,810 --> 00:46:11,370
That's a real big one.
612
00:46:11,640 --> 00:46:16,320
It just a bit further off, but
it is, it's a big, big one.
613
00:46:18,530 --> 00:46:22,610
Is this 50 years older
than that three 50 years?
614
00:46:22,610 --> 00:46:27,800
Or can you imagine, can you imagine.
615
00:46:29,085 --> 00:46:34,335
The, then you do the same thing, but I
did here and that tree just make it like
616
00:46:34,365 --> 00:46:44,775
bark fired and like bark on that tree,
the details and let the board hang over.
617
00:46:44,775 --> 00:46:45,855
Like we did here.
618
00:46:46,455 --> 00:46:48,465
See that, that makes it really right.
619
00:46:48,465 --> 00:46:52,425
Then don't be very fussy there.
620
00:47:04,940 --> 00:47:11,390
no, the next step, the next
steps are B you, you, you
621
00:47:19,500 --> 00:47:22,860
Put the red on this side is
the cerate with wood tree.
622
00:47:23,580 --> 00:47:26,280
You can put lots of red on if you want to.
623
00:47:27,860 --> 00:47:29,780
It's mixing with the paint and the needs.
624
00:47:29,780 --> 00:47:34,410
So it will be a dirty red,
very be like the red was trees.
625
00:47:34,530 --> 00:47:35,670
Look in there.
626
00:47:36,990 --> 00:47:41,580
Eh, that particular one, I put a
bit more in the sunshine out there.
627
00:47:59,870 --> 00:48:02,540
see now again, highlight that.
628
00:48:03,680 --> 00:48:08,900
Give him, give him some
sunshine spots again.
629
00:48:09,404 --> 00:48:15,884
I ever come here and I mix it
kind of a right red and yellow.
630
00:48:15,884 --> 00:48:19,755
That gives you a nice, nice sunny color,
631
00:48:23,285 --> 00:48:33,935
something like this on a ever tasted
they're tested and tested as good.
632
00:48:43,940 --> 00:48:46,370
maybe he'll be put a bit more sunshine on
633
00:48:51,529 --> 00:48:53,750
Hey, that's really started burning.
634
00:48:54,799 --> 00:48:56,509
That's where they started burning.
635
00:49:13,865 --> 00:49:17,855
so see how fast you
carried the tree, her fast.
636
00:49:17,855 --> 00:49:19,265
You get that tree down there.
637
00:49:19,835 --> 00:49:28,025
The, no, again, you put some happy
little branches in happy little branches.
638
00:49:31,214 --> 00:49:35,805
I live in Crimson, unpleasant blue.
639
00:49:36,254 --> 00:49:41,595
And you fire them in wherever you
think you would like to have a branch
640
00:49:47,435 --> 00:49:47,825
yeah.
641
00:49:48,845 --> 00:49:50,524
Make it a bit heavier here.
642
00:49:51,904 --> 00:49:53,765
Should it be a heavier branch?
643
00:49:59,495 --> 00:50:01,625
Hey, no filing here.
644
00:50:01,625 --> 00:50:02,075
One
645
00:50:12,255 --> 00:50:17,135
you sometime you have to go over
a couple of times and order an
646
00:50:17,135 --> 00:50:19,055
auditor over the whole branch.
647
00:50:19,115 --> 00:50:20,645
You need a steady hand.
648
00:50:21,720 --> 00:50:24,000
That's the main problem there.
649
00:50:24,600 --> 00:50:31,560
Maybe he is one branch hanging
down as one branch chain down
650
00:50:35,630 --> 00:50:39,350
and they should have a
darker on the inside here,
651
00:50:43,190 --> 00:50:44,840
darker on the inside.
652
00:50:44,840 --> 00:50:45,320
There.
653
00:50:45,350 --> 00:50:48,710
Maybe here's a little bit,
there's a little branch or not.
654
00:50:49,575 --> 00:50:51,435
Yeah, this one going to art.
655
00:50:56,975 --> 00:50:58,015
Hear this one, go
656
00:51:02,465 --> 00:51:06,725
see daddy that's enough.
657
00:51:06,965 --> 00:51:08,855
No, you just highlight that again.
658
00:51:09,575 --> 00:51:13,295
Just highlight those brands because
it got too much sunlight in there.
659
00:51:13,925 --> 00:51:18,575
And in that variety, sunlight would
be nice if you will be able to, to.
660
00:51:18,884 --> 00:51:20,865
Highlight does branches too.
661
00:51:20,925 --> 00:51:24,465
You see, but that is
something it tells you.
662
00:51:25,115 --> 00:51:25,805
It's good.
663
00:51:25,805 --> 00:51:31,835
When you have a copy of what com
that Martens you up right there.
664
00:51:35,375 --> 00:51:38,255
Maybe I didn't down the
paint with magic Vite.
665
00:51:38,255 --> 00:51:40,415
Again, little touch of magic, right.
666
00:51:40,895 --> 00:51:42,845
Is easier than the paint for the office.
667
00:51:42,845 --> 00:51:44,045
Stick on the ticket pain.
668
00:51:46,395 --> 00:51:49,154
They know, we will get it on easier.
669
00:51:58,325 --> 00:51:59,464
Hey, that's nice.
670
00:52:00,725 --> 00:52:02,134
That is nice.
671
00:52:04,084 --> 00:52:05,975
Uh, here, maybe they attach
672
00:52:11,134 --> 00:52:12,024
maybe this one.
673
00:52:17,970 --> 00:52:20,660
Hey, no, we'll come closer.
674
00:52:21,020 --> 00:52:24,410
The now you firing whatever you want.
675
00:52:24,650 --> 00:52:28,310
I will put the nice
Bush light Bush in here.
676
00:52:28,400 --> 00:52:30,530
Maybe something here, powerful.
677
00:52:30,620 --> 00:52:34,610
Maybe with colors, color and yellow.
678
00:52:35,060 --> 00:52:37,940
They put some colors in no like this.
679
00:52:37,970 --> 00:52:38,360
Yes.
680
00:52:42,600 --> 00:52:46,380
Kind of a, the highlight
that that will come out with.
681
00:52:46,380 --> 00:52:46,920
Nice.
682
00:52:47,560 --> 00:52:50,040
You hear me here?
683
00:52:50,400 --> 00:52:54,510
Maybe just, he was other than Clemson.
684
00:53:00,720 --> 00:53:07,830
Uh, here I washed my brush
and he, we would highlight.
685
00:53:09,580 --> 00:53:15,810
We will highlight those things with red
and white, red and white dinner, paint
686
00:53:15,810 --> 00:53:22,140
sticks on the ticket, paint the at then
the paint sticks on the ticket paint.
687
00:53:23,370 --> 00:53:24,270
Now watch this.
688
00:53:24,910 --> 00:53:26,790
If you highlight this one here,
689
00:53:31,700 --> 00:53:34,070
you can go over the tree sometime.
690
00:53:34,100 --> 00:53:36,680
You see do it like that.
691
00:53:37,155 --> 00:53:37,935
That's nice.
692
00:53:37,935 --> 00:53:39,285
That makes a nice painting.
693
00:53:39,795 --> 00:53:45,435
You see, then here you can use
even more yellow, just, just
694
00:53:45,435 --> 00:53:46,725
different kinds of colors.
695
00:53:47,115 --> 00:53:50,655
And you can have a, I
highlight this tree here.
696
00:53:56,585 --> 00:54:04,175
No, we would fire in there kind of
a light against that big tree there.
697
00:54:08,100 --> 00:54:08,880
That brings it out.
698
00:54:08,940 --> 00:54:09,570
Nice.
699
00:54:17,190 --> 00:54:19,080
Hey, how'd that start coming up?
700
00:54:19,680 --> 00:54:21,210
How easy you get that painting.
701
00:54:21,210 --> 00:54:22,470
Nice to get there.
702
00:54:23,700 --> 00:54:30,300
And on this side, I think we
will use other powerful color.
703
00:54:37,515 --> 00:54:42,815
Hey, I don't want to put anything
there because if I put some
704
00:54:42,815 --> 00:54:44,345
there, I have to put in the water.
705
00:54:44,825 --> 00:54:47,525
The I leave it because
that's already all done.
706
00:54:47,735 --> 00:54:49,835
Now I just bring out that water.
707
00:54:50,735 --> 00:54:52,385
Bring that water out more.
708
00:54:57,125 --> 00:54:59,555
That's the second avoid
the pattern after the rain.
709
00:55:05,165 --> 00:55:06,785
you can, you can leave it out.
710
00:55:06,785 --> 00:55:09,395
You don't have to paint
it, but I feel it was good.
711
00:55:09,755 --> 00:55:16,615
It's a good lesson actually,
to, to add that to your, and
712
00:55:16,615 --> 00:55:17,855
you can always leave it out.
713
00:55:17,855 --> 00:55:18,785
If you want to.
714
00:55:21,425 --> 00:55:27,245
Maybe here, we just use a, kind
of a visual for powerful colors.
715
00:55:30,705 --> 00:55:37,485
See what it does there,
beer different B U D for
716
00:55:41,165 --> 00:55:41,845
then leave.
717
00:55:41,975 --> 00:55:45,065
Leave the tree to the
dark tree shadows there.
718
00:55:45,305 --> 00:55:46,715
Let that go down there.
719
00:55:46,715 --> 00:55:47,375
That's good.
720
00:55:48,965 --> 00:55:53,495
Now there's three trunks, your tree
branches or whatever you call it
721
00:55:53,495 --> 00:55:55,895
that you can fire that in here.
722
00:55:59,745 --> 00:56:02,955
Yeah, even here
723
00:56:06,855 --> 00:56:07,725
he has to.
724
00:56:22,020 --> 00:56:22,680
And that's it.
725
00:56:24,410 --> 00:56:25,730
I hope you enjoyed it.
726
00:56:26,030 --> 00:56:27,470
I thank you for watching me.
727
00:56:27,650 --> 00:56:27,830
Bye.
728
00:56:27,830 --> 00:56:28,160
Bye
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