Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Sunset IV - AVAILABLE

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I am bill Alexander, the finder and the

father of the magic of oil painting.

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All of us.

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I am excited to show you something

different if I can cause the

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pain too much in my lifetime.

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And it comes to a point where you

really wants to give it to buy.

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And I'm obviously.

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It's happy.

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Just I can fire into canvas.

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And I like to see lots of

eyes on me because there's

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more people watch me as more.

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I feel I give advice to someone,

but really is hungry to learn.

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Hungry to learn is always the main thing.

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So not everyone is born to be an artist.

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Not everyone is born to be a musician.

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The, but someone really

wants it badly enough.

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I am always happy to have them around me.

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So today I will, again, you see a

white canvas now what the devil I do.

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I thought about the sunset, some kind of

a sunset with kind of a background there,

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but the main thing will be trees in the

front with the branches hanging over.

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And you look to the trees into

yonder, leave opening there

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somewhere real big opening something.

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You know, you, you.

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Dream it up into your

mind and you nail it.

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You, you, I let it go to my brain now,

which five wants to see it, which very

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much should have the sun beams, which

very much should have the clouds.

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Vitrified wants to have that

reflection in the water and

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it grows and grows and grows.

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And there is an obvious, like to talk

about creative power that's on my creative

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power is it can be an, anyone wants it.

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If you really believe in it and you

are hungry to have it, you will get it.

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God is good to all of us.

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He gave you if you ask for it.

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And if you really wanted badly

enough, the, the bit with

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that now with creative power.

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You cannot do it in the month or

in the week, uh, painting creative

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power doesn't come like that.

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Or there's a plan.

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You see?

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I paint a lot of paintings

home, no men on earth.

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I have lot of figures

that takes me months.

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It's a different story, but

there is a plan and they have

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everything laid out in my mind.

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I don't have any drawing of it, but

I still know what parts and parts and

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parts, and they got the painting together.

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This is a different

painting, but if I show you.

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Yeah, it kind of a landscape and

the mood that has to be unloaded,

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know the, whatever you read, pain,

animals, or horses, animals, or people,

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or farmland, whatever takes more.

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You need the landscape.

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Everything is in the board and the mother

earth is made from earth, water and sky.

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See, so it's just so simple that

you would have to put them anyway.

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If he wants to put bears and fishing

on the under, you know, under the

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examiner on this, up there, then,

uh, I need the landscape first.

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And if I do here, I demonstrate

your landscape first.

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And that is the mood.

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This time.

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It is a sunset mood, but the landscape,

you can move it around way you want.

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Whatever you have, whatever your

heart tells you, you wants to

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show, I can easily unload it.

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And I hope you can learn from that.

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So again, mighty brush I'm

already into the magic, right?

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And then you fire in that magic,

right, right on the canvas.

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Having the sunset, there is a little

bit of a different there, but the magic

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rights and the sunset and all the other

green paintings or other other paintings

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I do, I put normally magic by Don, but on.

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It's spin when I have reds or

sunset colors put less on because

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the bite will interfere a lot.

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So I put less on aye.

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Aye.

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Aye, aye.

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Hostile heart.

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I just rub it in there.

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Don't put too much emphasis on the sunset.

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See, can I guess just better canvas.

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With other bars, if you ever pin reds.

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Call us divide.

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You have to hostel with that.

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Then you put less of a Revit on there.

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again, this time I don't have

to check up on my, on my Vita.

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Because I know I have this,

uh, just a little bit on it.

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I'm very scotch.

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So we are ready.

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Wash your brush.

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This time.

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I don't have to go over it again

because I know I didn't put

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too much, not too much magic.

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Okay.

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Think about what do you want to sun?

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So unset, sunset, let's talk about sunset

can be direct into the sun or it's come

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from one side or it comes from the back.

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Depends on what is your thinking about?

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Everybody wants to have

the trees light it up.

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The best is obviously a little bit of

a side move, because then you can hit

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the trees on the side with light and

have the shadows on the other side.

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How about we, we dream up maybe the sun.

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I would say I put this on there

somewhere there, just for the sun,

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this fires right into the water.

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If there is water, but you

put it in any right there.

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Good.

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The red, he, how I take it off?

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Oh, that all red.

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no, from yellow over red.

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Alizarin Crimson.

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See this other step alizarin Crimson,

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more alizarin, Crimson.

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You can touch a little

touch of pressure and blue.

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My God, when I say passionate, blue, the

care for blood pressure and blue, because

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it in no time you ruined the whole canvas,

just look at depression blue and all

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my classes I learned the most headache

was to use passion blue and the sunset.

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When I talk to my students, I always

would say huge alizarin Crimson.

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And then there listened to me.

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They will say, what do you say?

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I say, you use alizarin Crimson.

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You know, it was hammered into them then

because they said the guy is crazy the

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way he talks, but I couldn't talk to him

because every time I saw, they grounded

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the painting with that pressure and blue.

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So in this fight, I like to name

it and talk about it a bit more.

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I noticed would be good

trouble to you here.

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The little tactical fashion blue, or

that I just have a little bit in there.

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So that'd be gray, dark,

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no think like that.

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Well, the sun is the brightest.

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That's the light and it gets darker,

darker, darker, darker, darker,

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darker, darker, darker, every ranch

we decided it's getting darker.

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Steve here.

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Maybe we just can start a little

bit, see, so more alizarin,

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Crimson and Prussian blue, and we

talk very, not so loud about it.

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There you're just fighting.

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Can you see already light and dark over

the red alizarin, Crimson pressure and

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blues and an automatically you get darker.

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Nice and dark here.

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Ready?

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If he wants to paint that water, right.

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I use again.

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I live in Crimson and a

little bit of splash and blue.

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I will not talk too loud about

that and start off like this.

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From here.

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The, I go forward for us, four of us,

four of us, and the light after canvas

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gets into the brush and you use it up.

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It gets lighter, lighter,

light, and his dogs.

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He, then you can straighten

it out this vice fee that

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be careful with blue here because

they have the sun meat in that corner.

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I would like to fire it into here.

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Wash your brush.

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It clean brush again,

yellow fire into the sun,

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into the red sea.

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You mix what we are doing right now.

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We are mixing on the canvas.

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See.

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Clean the brush.

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There's a lot of brush cleaning

necessary here in order to

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have a clean, bright sunset.

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Again, yellow fire enters his

lights here, or the sun should be.

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And then you March off into

the themes that that gala

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turns at the bit orangy there.

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He can go up here, but then if you

are into the blues, you have to

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be careful with the group with the

yellow, because the blue turns green.

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No, I've been mixed it together.

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Like a nice oldest color

and I will fire off, like,

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no, I got the other vibe

you see from the red

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blue stand and maybe more than

like Brown passion blue into

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that, but that we have to see now.

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No, I use yellow alone

fire right in there.

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Oh, lot of brush cleaning that, that,

that first you become brush cleaner.

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And then the painter again, yellow.

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No, we have the whole foundation.

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Is there, here?

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You can just click to us

lines of blinds like this.

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I would create some almighty clouds.

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First I really get the sun.

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Right.

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I get that.

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I might is on the why

I would like to see it.

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Vite, take you a little card and

do a tit Vite into the Gallo and

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attach your forehead with it.

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No, no.

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I fire in the sun.

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See that.

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Can you see all of us out now?

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It starts getting bright.

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No, you fired him that whatever, he would

dance it over off and whatever, whatever.

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See how dodgy the brushes clean

it constantly on the sunset.

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If he wants to keep it clean,

sunset constantly, you would

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have to clean your brush.

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The, maybe that's the

other side and that's it.

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The brush has only two sides.

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There's nothing more you can do with.

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But you get the clean,

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you etch it in, you etch it in again,

white and yellow fire into the sun.

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That's more your fire and

that's more your clean it up.

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Clean your brush

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again, the same treatment, white,

yellow, and the texture of red fire.

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then you can see that you

got nothing out anymore.

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The brush is dirty.

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See her dirty.

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He does clean it up,

but you see what I do?

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I really boil.

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Does the paint divine more or less,

then I have an easy, that's the

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easy way of going on from there.

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He was moved to pain device

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again,

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I had a tattoo over it.

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No, no, we were firing

happy little cloud there.

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Mighty clouds coming through here.

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Oh, dare here.

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yeah.

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Wash your brush.

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Constantly wash your brush

because you need all this new,

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fresh, clean colors there.

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Otherwise we're not giving you what you

want to, what you want to find here.

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Only use more or less allergen

cribs and alone into the sun.

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see, it's a nice store to apply, but

sunshine, it just suddenly colors.

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And you know, as you go on and you see

it's coming out too powerful already.

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You know your own heart

unposed, it's gone.

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Good, because you feel, look

what, look for a star here.

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Look how good that looks.

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And by doing that, you, you

feed yourself with a kind of a

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no at that in a beautiful.

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I love to live like that.

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Maybe a little pet pet, a little

cache of flashing blue into that.

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Now, when I say blue, just look at the

blue Luca, Luca, that she has that little,

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I just looked at the blue and already too

much the, but don't ever use that here.

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Cause you ruined that whole sunset.

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The off here.

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I like to have it a bit darker.

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Here.

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I can have it a bit darker.

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The after sun that I did so much,

maybe he is a little bit darker.

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See?

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Okay.

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Attach.

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When I say blue, take a good look.

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How I do it.

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I just like a cat paw.

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I touch it.

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And it's hot.

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Every little bit of

Louis already too much.

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Look at that dog.

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Cause this precious blue is when I think

about my own home is in everywhere.

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It's I make sure there's an

and the kitchen is on the, on

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the cop, on his soul search.

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As long as it was on the,

on the arms, on the pillow.

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It's everywhere.

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But you see, but I did before I

made a darker, darker, darker,

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and the red, and then you put the

clouds on top and you have that

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background always divided your thing.

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It could be, he should be whatever,

whatever you think of this, your

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taste, make it, make it everything

you're doing and make it your vibe.

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She, no, no, that's not too bad.

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He ever used that big brush now.

251

00:18:56,700 --> 00:19:01,050

And I will hypnotize, but this

hypnotizing is not so easy because it's

252

00:19:01,050 --> 00:19:03,840

such a clear painting, clean painting.

253

00:19:04,170 --> 00:19:11,730

I, well, I wear is one tach and Oh

boy, you better clean your brush.

254

00:19:12,600 --> 00:19:15,150

Don't do it twice on all the other colors.

255

00:19:15,150 --> 00:19:17,879

You can allow yourself to do it twice.

256

00:19:20,640 --> 00:19:21,420

One shot.

257

00:19:22,310 --> 00:19:24,040

If you want, you can stare at it.

258

00:19:24,040 --> 00:19:25,760

Use the other side of the brush.

259

00:19:26,210 --> 00:19:27,980

You have two sides of brushes.

260

00:19:28,010 --> 00:19:30,110

The brush has two sides.

261

00:19:31,280 --> 00:19:31,730

The

262

00:19:44,060 --> 00:19:44,810

brush cleaning.

263

00:19:45,455 --> 00:19:46,695

You know, here in the dark.

264

00:19:46,725 --> 00:19:47,985

I don't worry too much.

265

00:19:48,595 --> 00:19:50,085

I don't worry too much.

266

00:19:56,645 --> 00:19:58,745

but soon I come back to the light here.

267

00:20:00,215 --> 00:20:03,605

Soon you come in there, make

sure you got to clean again.

268

00:20:07,085 --> 00:20:09,725

yeah, just a little touch

or that with too much.

269

00:20:09,905 --> 00:20:10,205

No.

270

00:20:10,205 --> 00:20:10,595

Good.

271

00:20:12,660 --> 00:20:13,530

Clean brush.

272

00:20:13,680 --> 00:20:14,430

No problem.

273

00:20:16,680 --> 00:20:16,980

Yeah.

274

00:20:17,910 --> 00:20:18,570

Okay.

275

00:20:20,490 --> 00:20:22,050

No, I can just go over it.

276

00:20:22,380 --> 00:20:29,490

If you want, you can just go

divide the sun, sun beams.

277

00:20:29,640 --> 00:20:32,700

We'll hit the, hit the sky.

278

00:20:45,135 --> 00:20:49,565

So let's start again.

279

00:20:50,045 --> 00:20:58,055

I will use a nice fresh brush, clean

white and yellow, and the texture of red.

280

00:20:58,165 --> 00:20:59,855

I just take it off here, whatever.

281

00:21:00,645 --> 00:21:04,695

Because there's a bit yellow, that

little bit of yellow, red around the

282

00:21:04,995 --> 00:21:07,695

it's good to, for what I want you to do.

283

00:21:08,115 --> 00:21:08,895

And right.

284

00:21:08,925 --> 00:21:11,284

And that's all I have no fire.

285

00:21:11,284 --> 00:21:15,575

And I would say that it's the sun

here is where the sun starts to best.

286

00:21:16,565 --> 00:21:17,615

Then you can.

287

00:21:26,505 --> 00:21:28,425

No, no.

288

00:21:28,455 --> 00:21:35,295

I would love to love to love

to have me go from there.

289

00:21:39,195 --> 00:21:40,125

Very careful.

290

00:21:42,735 --> 00:21:43,875

Very careful.

291

00:21:47,925 --> 00:21:50,804

Yeah, maybe, maybe

292

00:21:55,895 --> 00:22:02,764

then the next and the next and the next

and the next always wash your brush.

293

00:22:03,395 --> 00:22:06,455

It's most impossible

to get the vibe of it.

294

00:22:14,160 --> 00:22:16,470

It's stuffed and stuffed.

295

00:22:16,560 --> 00:22:19,200

I show you how hard it is here.

296

00:22:24,410 --> 00:22:25,970

the brush had two sides.

297

00:22:26,000 --> 00:22:27,170

That's the nice part.

298

00:22:32,879 --> 00:22:34,220

mom is cleaning your brush.

299

00:22:34,820 --> 00:22:37,580

Make sure you have a nice clean brush.

300

00:22:46,605 --> 00:22:48,105

There's the other side of the brush.

301

00:22:54,524 --> 00:22:55,514

It's a little bit of a red.

302

00:22:55,535 --> 00:22:57,605

Yes, the match there in a moment.

303

00:22:58,115 --> 00:23:00,455

But when you're two,

then, then you're happy.

304

00:23:01,595 --> 00:23:04,325

But let me show you the difficulty stare.

305

00:23:05,010 --> 00:23:09,930

Because I do it for so long and I paint

so many sunsets and I know already

306

00:23:09,930 --> 00:23:12,240

the headaches, but you have to expect.

307

00:23:12,650 --> 00:23:12,860

Yeah.

308

00:23:37,940 --> 00:23:40,490

no, we were everywhere.

309

00:23:40,700 --> 00:23:46,190

We keep that as the sunny spot,

we, that we tied in more, but what

310

00:23:46,190 --> 00:23:53,180

I want wants to do there, but are

a little bit kind of a warm, warm,

311

00:24:09,755 --> 00:24:16,625

he here maybe more orangy called us,

stare more yellow, my yellow and red.

312

00:24:17,765 --> 00:24:19,235

Can you see how.

313

00:24:20,370 --> 00:24:22,620

It looks to me, it looks better.

314

00:24:22,620 --> 00:24:23,310

That's why,

315

00:24:26,490 --> 00:24:28,710

you know, you break into the sun,

316

00:24:48,240 --> 00:24:49,290

you know, here.

317

00:24:51,030 --> 00:24:55,500

But even monitor that thinking,

let the sun, the sun beams

318

00:24:55,860 --> 00:24:58,350

just come the right dry.

319

00:24:59,490 --> 00:25:00,929

The, that just the sun.

320

00:25:00,929 --> 00:25:01,290

No,

321

00:25:05,689 --> 00:25:05,899

no.

322

00:25:05,899 --> 00:25:08,810

From there on, okay.

323

00:25:10,250 --> 00:25:14,449

In the sun by putting so much

paint on, I take my knife

324

00:25:14,480 --> 00:25:16,250

and I take lots of paint off.

325

00:25:17,340 --> 00:25:18,030

The Bay.

326

00:25:18,030 --> 00:25:23,370

You remember, we went into this on, into

the sun and you pounded too much paint on.

327

00:25:24,389 --> 00:25:29,310

I just take all that paint off

and then it's easy blending.

328

00:25:31,409 --> 00:25:33,450

Take your knife and take that paint off.

329

00:25:35,490 --> 00:25:37,080

The colors should be stood on.

330

00:25:37,139 --> 00:25:39,540

You have no trouble to

keep the colors on there.

331

00:25:40,560 --> 00:25:43,530

Then you can take it off of

every good thing to see too much.

332

00:25:49,685 --> 00:25:51,784

so remember that is a good, good trick.

333

00:25:55,235 --> 00:25:58,655

No, I will use my big brush.

334

00:25:59,314 --> 00:26:01,504

Make sure there's no paint in the end.

335

00:26:31,970 --> 00:26:32,570

see.

336

00:26:32,960 --> 00:26:34,190

Nice start.

337

00:26:34,730 --> 00:26:36,470

It's a nice start.

338

00:26:37,430 --> 00:26:40,010

No, we very, very well.

339

00:26:47,460 --> 00:26:49,129

Yes, more or less.

340

00:26:49,129 --> 00:26:55,100

I wants to have big trees in the front

and there really be a little bit water.

341

00:26:55,430 --> 00:27:01,700

But then on this side, we'll be, we'll

be land again where I can grow my trees.

342

00:27:02,270 --> 00:27:07,460

So the having that you need

the reflection, you will see

343

00:27:07,470 --> 00:27:09,409

the sun is dancing in here.

344

00:27:10,465 --> 00:27:15,554

See is dancing in there

and I have to have this,

345

00:27:19,814 --> 00:27:24,885

I would say the main point of

the sun would be, would be,

346

00:27:26,084 --> 00:27:28,574

I would say, make it here.

347

00:27:39,044 --> 00:27:39,675

See

348

00:27:42,705 --> 00:27:43,514

common sense.

349

00:27:43,544 --> 00:27:48,435

Now you have to work with law of comes

and then they have to destroy it.

350

00:27:48,435 --> 00:27:51,135

You have to have that thread in here too.

351

00:28:13,140 --> 00:28:14,910

No, let's fire off.

352

00:28:15,584 --> 00:28:18,135

We would give him the horizon line.

353

00:28:18,165 --> 00:28:20,115

We would put the little bit land in there.

354

00:28:20,475 --> 00:28:22,844

No, I pulled everything down like this.

355

00:28:22,865 --> 00:28:23,284

Yes,

356

00:28:29,225 --> 00:28:32,405

he, I lost, I lost all the

sun beams in the water.

357

00:28:32,915 --> 00:28:36,844

It's hard to hold the

light colors in there.

358

00:28:36,995 --> 00:28:37,824

So what are they doing now?

359

00:28:39,695 --> 00:28:41,554

I find again.

360

00:28:49,290 --> 00:28:50,550

And the sun there.

361

00:28:53,520 --> 00:28:54,540

SI no,

362

00:29:01,160 --> 00:29:03,020

uh, something like this.

363

00:29:05,450 --> 00:29:08,930

No, what I will do, I will, I will.

364

00:29:10,064 --> 00:29:12,284

Use kind of called us.

365

00:29:12,314 --> 00:29:18,225

I live in Crimson and I

create far by land there.

366

00:29:18,804 --> 00:29:19,784

It's kind of a

367

00:29:34,740 --> 00:29:36,780

Alizarin Crimson alone more or less.

368

00:29:36,780 --> 00:29:40,350

Now here's four for underneath the sun.

369

00:30:01,470 --> 00:30:07,140

She asked if I come after sun, now

I can use pressure blue already.

370

00:30:07,500 --> 00:30:11,940

She, you know, I can use pressure

and blue and do whatever I think

371

00:30:12,000 --> 00:30:15,330

I have in my mind to do there.

372

00:30:29,764 --> 00:30:32,195

he, you can grow the trees there.

373

00:30:40,475 --> 00:30:45,544

no, you create your own little litter,

whatever you have in your mind.

374

00:31:15,440 --> 00:31:19,310

you know, you can think that's

just kind of a strip of land there.

375

00:31:20,940 --> 00:31:26,430

Like going to the water and then

there are some summer colleges.

376

00:31:26,940 --> 00:31:30,960

The, we create maybe here, we created

a little bit of a house there.

377

00:31:41,540 --> 00:31:48,020

created kind of a summer cottage there,

but have a read, let the sun hit in there.

378

00:31:57,290 --> 00:32:00,860

on the other side here

underneath you make it very dark.

379

00:32:02,120 --> 00:32:03,230

It's very dark.

380

00:32:03,709 --> 00:32:09,919

You fired into the board to

see kind of what this kind of

381

00:32:09,919 --> 00:32:12,679

a thinking here and the need.

382

00:32:13,820 --> 00:32:15,709

You got to be dark because the light.

383

00:32:16,520 --> 00:32:24,120

The Gabriel and Charlotte, she was

just kind of a mood there more.

384

00:32:24,150 --> 00:32:26,910

No, you, you, you, you,

385

00:32:42,560 --> 00:32:43,610

no, here.

386

00:32:46,245 --> 00:32:55,055

Like this C and you can use a little bit

387

00:32:58,955 --> 00:33:01,325

bluish green tach.

388

00:33:03,965 --> 00:33:05,764

Like there will be some vendors,

389

00:33:08,945 --> 00:33:11,825

like a reflection of the sun in there.

390

00:33:13,155 --> 00:33:15,945

See fires right into the water.

391

00:33:19,535 --> 00:33:21,485

it's playing the dark in there too.

392

00:33:36,970 --> 00:33:37,120

Yeah,

393

00:33:52,790 --> 00:33:55,490

the no here, no watch you.

394

00:33:55,610 --> 00:33:56,720

It really happened to you.

395

00:33:56,720 --> 00:33:57,560

The same thing.

396

00:33:57,740 --> 00:34:05,930

You miss making a mistake by, by having a,

too much over then try to push it around.

397

00:34:06,314 --> 00:34:07,574

Tried to push it back.

398

00:34:07,604 --> 00:34:09,764

Cause he see how I lost it.

399

00:34:10,995 --> 00:34:11,955

What am I to say?

400

00:34:12,074 --> 00:34:14,625

There is no such thing

as you make mistakes.

401

00:34:15,045 --> 00:34:18,734

If it just happened, you just

are out of focus or you're out

402

00:34:18,734 --> 00:34:20,534

or this you're find all of us.

403

00:34:20,534 --> 00:34:21,855

Have I of getting rid of it.

404

00:34:25,174 --> 00:34:27,484

now here in Nevada, you

don't have to worry too much.

405

00:34:27,484 --> 00:34:28,344

We did.

406

00:34:28,344 --> 00:34:32,404

The roof is hardly not shown

maybe a land tach off the roof.

407

00:34:34,290 --> 00:34:35,879

Yes, the little Tetra off the roof,

408

00:34:42,969 --> 00:34:44,040

something like that.

409

00:34:49,879 --> 00:34:52,639

No, you can create more

houses if you want.

410

00:34:52,639 --> 00:34:57,020

You can have other ones standing

here, maybe just, just like this.

411

00:35:05,845 --> 00:35:06,884

like this

412

00:35:12,214 --> 00:35:17,075

and here you can have the side,

maybe that's from the side, like this

413

00:35:21,665 --> 00:35:22,955

it's the sunny side.

414

00:35:23,225 --> 00:35:25,805

You can, you can create.

415

00:35:26,445 --> 00:35:34,395

Uh, kind of light, light sides where the

sun hits it fires right into the water

416

00:35:37,635 --> 00:35:43,875

and have that dark right in there

too fires right in there too.

417

00:35:51,509 --> 00:35:54,120

And you put it together now.

418

00:35:54,130 --> 00:35:59,040

The why you think it should be

done if I, you want to do it?

419

00:35:59,759 --> 00:36:00,150

No.

420

00:36:00,150 --> 00:36:04,650

I put a copy of trees around

cover trees around production

421

00:36:04,650 --> 00:36:07,770

blue and, and alizarin Crimson.

422

00:36:08,460 --> 00:36:10,050

And maybe here.

423

00:36:20,405 --> 00:36:26,255

see, there's a tree maybe here, here,

you put a little bit of, uh, uh,

424

00:36:31,295 --> 00:36:36,005

leaves on at least shout,

something like that.

425

00:36:36,005 --> 00:36:40,235

Leaves hanging there fires

right into the water too.

426

00:36:40,235 --> 00:36:41,195

If you want to.

427

00:36:48,345 --> 00:36:48,944

SI.

428

00:36:49,355 --> 00:36:49,835

No.

429

00:36:49,865 --> 00:36:56,855

Then here you can add the little bit of

reflection from the streets in the water.

430

00:36:59,944 --> 00:37:03,185

Me that's how is all that reflection?

431

00:37:03,545 --> 00:37:09,095

Other reflection on the side, you

have two, three standing there, eh,

432

00:37:17,705 --> 00:37:18,484

he is.

433

00:37:18,484 --> 00:37:22,745

And you get the nice,

happy feeling for, for

434

00:37:27,154 --> 00:37:31,565

No, here we would put the bigotry

in there as you were off there.

435

00:37:39,420 --> 00:37:44,670

I believe the site open as much

as they can, because there's

436

00:37:44,670 --> 00:37:46,200

so much more coming up there.

437

00:37:47,550 --> 00:37:49,770

Maybe I put something

in between the houses.

438

00:37:56,460 --> 00:38:00,420

See, maybe that's all, that's all there.

439

00:38:00,630 --> 00:38:01,770

Let's see like that.

440

00:38:02,280 --> 00:38:05,700

And that's here as a, no,

we will finish that all up.

441

00:38:05,700 --> 00:38:06,210

Nice.

442

00:38:07,875 --> 00:38:10,935

Here's your big brush, use your arms

443

00:38:17,235 --> 00:38:19,095

and I will do it like this.

444

00:38:36,365 --> 00:38:37,055

he hear me?

445

00:38:37,055 --> 00:38:41,105

You can make upstrokes to upstrokes

446

00:38:45,225 --> 00:38:48,425

he has been had pure cleaning the whore.

447

00:38:49,605 --> 00:38:56,345

That whole gang there and no, you

fire and take your knife and you can

448

00:38:56,345 --> 00:39:00,365

fire then kind of shoreline there.

449

00:39:00,935 --> 00:39:01,325

Yeah.

450

00:39:01,535 --> 00:39:03,875

Happened where the sun is, the brightest.

451

00:39:04,085 --> 00:39:05,555

I started off right there.

452

00:39:07,025 --> 00:39:13,295

And your fire in the shoreline there

and off the sun off you come here.

453

00:39:46,325 --> 00:39:51,305

see, no, here you can get

darker as you come down here.

454

00:39:52,785 --> 00:39:56,325

It's bright and yellow and

the texture of her red.

455

00:40:00,935 --> 00:40:01,355

Yeah.

456

00:40:01,355 --> 00:40:05,225

You can run the same shoreline

line because it's darker

457

00:40:15,575 --> 00:40:16,085

458

00:40:38,674 --> 00:40:41,105

he no highlights that a little bit.

459

00:40:41,315 --> 00:40:42,365

Hit the sun.

460

00:40:42,545 --> 00:40:44,495

Let the sun hit the trees a little bit.

461

00:40:44,495 --> 00:40:46,985

No, he that's the next big step.

462

00:40:48,095 --> 00:40:54,345

Red and what I mix here, kind of a

red and orange, like orangy, nice

463

00:40:54,375 --> 00:40:59,685

orange, more yellow, more yellow,

kind of a really light orange color.

464

00:41:00,734 --> 00:41:02,024

And that would be nice.

465

00:41:02,024 --> 00:41:03,495

Now you fire in there

466

00:41:09,845 --> 00:41:10,444

again.

467

00:41:11,615 --> 00:41:16,535

Nice orange color fire in there.

468

00:41:18,690 --> 00:41:23,040

Let the sun, but make sure you don't

have blocks there and blobs, she

469

00:41:23,040 --> 00:41:27,569

has a nice little shot like that.

470

00:41:28,170 --> 00:41:30,150

The here you're here.

471

00:41:30,150 --> 00:41:34,560

You firing against this

little highlights there.

472

00:41:35,400 --> 00:41:37,920

Let the sun dance industry's there.

473

00:41:42,410 --> 00:41:42,890

474

00:41:43,530 --> 00:41:47,940

That automatically here, you can lighten

it up here too, but that will all

475

00:41:47,940 --> 00:41:52,530

disappear a lot because I have to get the

waterlines in and, and then it's good.

476

00:41:52,680 --> 00:41:54,300

Maybe here to light it up.

477

00:41:54,540 --> 00:41:57,930

I will try a little touch of red here.

478

00:41:58,350 --> 00:42:04,650

The more red there, just kind of a

sun, the sun beams hitting there.

479

00:42:06,150 --> 00:42:06,510

Here.

480

00:42:06,540 --> 00:42:11,790

Well, you can have a little bit the tops,

a little bit to tops, scraping the sun.

481

00:42:12,375 --> 00:42:14,685

Then, but you can have here attached.

482

00:42:14,685 --> 00:42:15,345

You have this.

483

00:42:15,995 --> 00:42:16,384

I see.

484

00:42:21,995 --> 00:42:26,225

By having a cloudy sky, you can

have this, the sun hitting in there.

485

00:42:30,694 --> 00:42:30,964

Again.

486

00:42:30,995 --> 00:42:35,705

Can you run in Buford for

happy water lines there?

487

00:42:40,145 --> 00:42:40,504

SI.

488

00:42:41,520 --> 00:42:45,360

No, the next big step

would be a clean brush

489

00:42:50,750 --> 00:42:54,830

and you make water out of the holes.

490

00:42:54,860 --> 00:42:55,430

They know

491

00:43:05,299 --> 00:43:09,799

I make some little uplines

little upstrokes there again.

492

00:43:10,770 --> 00:43:13,380

And that is the background there.

493

00:43:13,680 --> 00:43:22,549

And now you fire in sharp, powerful

polar for sunlight's in there, right

494

00:43:22,549 --> 00:43:24,350

there where the sun is the brightest.

495

00:43:31,880 --> 00:43:31,970

Okay.

496

00:43:32,060 --> 00:43:36,020

Well, the sun is the

brightest Vite yellow.

497

00:43:39,015 --> 00:43:43,215

And the Tetra for ed that have

more yellows and you can see,

498

00:43:43,245 --> 00:43:44,565

can you see what they mix here?

499

00:43:44,985 --> 00:43:48,795

You can see it as a

mighty sunny color here.

500

00:43:49,305 --> 00:43:53,445

Maybe I bring it out here

more, maybe here, even more.

501

00:43:54,255 --> 00:43:59,055

The brightest colors you have there

for the sun hits that shoreline there.

502

00:43:59,715 --> 00:44:03,135

See then get darker,

darker, darker, but now.

503

00:44:03,540 --> 00:44:11,900

Also, so you, you fighting here,

maybe you let the sun be in there

504

00:44:15,170 --> 00:44:16,970

and you fire and

505

00:44:29,810 --> 00:44:30,620

isn't that beautiful.

506

00:44:31,460 --> 00:44:32,720

How did you get her going?

507

00:44:40,505 --> 00:44:44,255

But don't worry about how good

it is because I go over with the

508

00:44:44,255 --> 00:44:51,185

big brush and then I, I will have

it on C no, he was a big brush

509

00:44:56,825 --> 00:44:57,845

when you put it.

510

00:45:08,000 --> 00:45:12,800

you know, here, you can just make

copies of water lines forever.

511

00:45:12,980 --> 00:45:15,560

It can go a bit more

in the red colors here.

512

00:45:41,495 --> 00:45:46,565

use your big brush

again, fire in like this.

513

00:45:49,455 --> 00:45:50,925

Orange was on mighty swing.

514

00:45:51,495 --> 00:45:55,425

The no, no, we have the background there.

515

00:45:55,815 --> 00:46:02,235

I have a filing on mighty foreground,

the same colors, the sunset colors.

516

00:46:02,235 --> 00:46:08,205

You can hardly use any green, the

alizarin, Crimson, and Prussian blue here.

517

00:46:09,375 --> 00:46:11,775

And I create kind of a.

518

00:46:14,805 --> 00:46:15,794

Full grown there.

519

00:46:27,665 --> 00:46:31,924

Lots of religion, Crimson nudge, Clemson.

520

00:46:33,125 --> 00:46:33,274

Okay.

521

00:46:42,450 --> 00:46:42,810

Business?

522

00:46:42,830 --> 00:46:44,549

No, you come into the watch.

523

00:46:45,090 --> 00:46:46,380

I have here.

524

00:46:47,150 --> 00:46:50,960

I lived in Crimson and Prussian

blue and I tried to, to.

525

00:46:59,325 --> 00:47:04,835

and as you come into the sun, go right

over the whole thing into the red, go

526

00:47:04,845 --> 00:47:10,865

right into the red, let the sun be in

that grass there, as you see the sun

527

00:47:10,865 --> 00:47:15,755

is in that grass, just in the land.

528

00:47:19,980 --> 00:47:22,800

And that just get darker, darker,

darker, darker after the sun.

529

00:47:23,130 --> 00:47:27,810

So in other words, even gasp

delete the sunshine there.

530

00:47:28,980 --> 00:47:40,710

No, we really, we really, we were

firing even firing mighty tree there.

531

00:47:40,990 --> 00:47:42,360

Mighty tree there.

532

00:47:42,990 --> 00:47:45,540

Oh, the cover of what you think.

533

00:47:46,609 --> 00:47:49,669

I will not do too much there,

but maybe here is a big, big one.

534

00:47:49,669 --> 00:47:52,700

There that's a really

big one standing there.

535

00:47:54,379 --> 00:47:59,180

That's going to ride out that your

canvas that's right out as your canvas.

536

00:48:01,819 --> 00:48:03,350

Nice big tree.

537

00:48:03,680 --> 00:48:04,370

More or less.

538

00:48:04,370 --> 00:48:07,730

You have your easiest standing there

and you're laying on those streets.

539

00:48:08,355 --> 00:48:11,145

There are big ones, small

ones, whatever he wants to pay.

540

00:48:11,145 --> 00:48:15,945

Now, I would like to show you, just,

you see between the trees, you see

541

00:48:15,945 --> 00:48:17,805

that what's in the background there.

542

00:48:21,395 --> 00:48:27,585

Hey, in between the streets, you see

what's going on in the background.

543

00:48:27,635 --> 00:48:27,935

Yeah.

544

00:48:40,700 --> 00:48:42,950

fire in the sun into that tree.

545

00:48:43,819 --> 00:48:47,540

They would use the garden called us there

546

00:48:56,750 --> 00:49:00,230

and make the tree around, make

that almighty tree around.

547

00:49:00,770 --> 00:49:01,880

No rush cadet.

548

00:49:01,890 --> 00:49:03,440

All of a sudden you.

549

00:49:05,265 --> 00:49:06,525

Cut the whole thing down.

550

00:49:06,555 --> 00:49:09,465

You're just your eyes

will be on the foreground.

551

00:49:09,495 --> 00:49:14,325

So I didn't worry too much on what I

did there in the background, because

552

00:49:14,535 --> 00:49:19,365

lots of it would be covered up and your

eyes are going to write on here and the

553

00:49:19,365 --> 00:49:23,925

trees you're having your car parked here.

554

00:49:23,925 --> 00:49:27,575

You don't see the car, but you.

555

00:49:31,185 --> 00:49:34,635

Actually, it's not nice to say on the

spot like that you should walk up.

556

00:49:35,505 --> 00:49:38,295

The car is far by, far around a minute.

557

00:49:38,295 --> 00:49:41,115

Old car was spoiled.

558

00:49:41,115 --> 00:49:42,015

The whole thing there.

559

00:49:48,185 --> 00:49:48,785

see.

560

00:49:48,785 --> 00:49:49,535

There you are.

561

00:49:49,715 --> 00:49:53,915

Now you use, you use

your little liner brush.

562

00:49:53,945 --> 00:49:55,985

You use your little liner brush.

563

00:49:57,570 --> 00:49:59,160

Uh, doesn't matter.

564

00:49:59,370 --> 00:50:01,860

It didn't have paint to

stick on the thicker paint.

565

00:50:02,370 --> 00:50:03,780

No, that's not the right one.

566

00:50:03,840 --> 00:50:04,680

That's not the right thing.

567

00:50:06,200 --> 00:50:07,310

I haven't said this one.

568

00:50:07,520 --> 00:50:08,240

Try that one.

569

00:50:08,720 --> 00:50:09,320

Okay.

570

00:50:10,070 --> 00:50:10,580

Uh,

571

00:50:13,670 --> 00:50:20,570

same colors and your run

and mighty branches there.

572

00:50:22,820 --> 00:50:23,180

See.

573

00:50:24,480 --> 00:50:26,400

And you're on the branches in there.

574

00:50:27,020 --> 00:50:33,680

Try to think, try to think again, the

sun where the sun hits and about the

575

00:50:33,680 --> 00:50:36,110

sun and how you connect it to the tree.

576

00:50:36,530 --> 00:50:40,730

The, in this case, I would have

that the sun is coming from there.

577

00:50:40,730 --> 00:50:46,280

I would have that tree, that branch

reflecting on the tree and give them

578

00:50:46,280 --> 00:50:47,960

a little bit of a shadow around there.

579

00:50:49,380 --> 00:50:53,160

They, and then you come here

and try whatever he wants.

580

00:50:57,680 --> 00:51:01,820

All the little heavy power

for branch maybe here.

581

00:51:05,090 --> 00:51:06,470

Yeah, it'd be fire.

582

00:51:06,480 --> 00:51:07,160

That's fine then.

583

00:51:07,790 --> 00:51:07,880

Okay.

584

00:51:08,330 --> 00:51:13,610

See, uh, the happy little branch.

585

00:51:27,525 --> 00:51:30,165

Hey, there you are.

586

00:51:33,525 --> 00:51:37,545

Maybe he is the little one standing there.

587

00:51:39,435 --> 00:51:44,385

Then offspring obvious, next

to a tree there obviously.

588

00:51:45,015 --> 00:51:47,654

Branches because you never

cut the gas that I own.

589

00:51:47,665 --> 00:51:50,245

The tree is always where the stones are.

590

00:51:50,285 --> 00:51:55,424

You have the big bundle of, of grout

where the, where the big trees are.

591

00:51:55,424 --> 00:52:00,645

You're you have all their garages around

there and so-and-so, and so-and-so,

592

00:52:12,735 --> 00:52:23,225

No, you, you, you, you, you,

you wash the brush or as I use

593

00:52:23,235 --> 00:52:25,005

a second brush might be better.

594

00:52:25,515 --> 00:52:30,375

RVs, have two brushes, handy, a light

from the dark one that makes it easier.

595

00:52:30,585 --> 00:52:32,265

I go into the magic, right?

596

00:52:32,715 --> 00:52:36,045

And I give myself a

nice sunny color there.

597

00:52:37,475 --> 00:52:40,125

I know you start stop

breezing for a while.

598

00:52:41,790 --> 00:52:44,339

I have to put the sun on that branch here.

599

00:52:44,410 --> 00:52:45,779

You see the

600

00:52:52,370 --> 00:52:53,299

That's nice.

601

00:52:54,049 --> 00:52:57,620

As long as you are steady enough

to do it, it's just wonderful.

602

00:52:58,700 --> 00:53:02,509

See, this comes already to a

point where I have it here.

603

00:53:02,509 --> 00:53:03,740

I have the sun here.

604

00:53:14,660 --> 00:53:19,610

See, and if you dang come scent,

the sun would hit underneath here.

605

00:53:22,460 --> 00:53:26,120

See, this is bending enough to

see what things she's always

606

00:53:26,120 --> 00:53:29,240

tied to aim like a dark.

607

00:53:29,480 --> 00:53:31,790

And you're saying maybe here

there's a spot, but it's

608

00:53:31,790 --> 00:53:36,320

unsteady with hit and that's it.

609

00:53:36,915 --> 00:53:41,355

You see, otherwise you that's the

way I operate on my paintings.

610

00:53:41,355 --> 00:53:43,065

They always go up and the sun is there.

611

00:53:43,245 --> 00:53:51,225

I try to lead it up to the point

where I think a com scent tells me

612

00:53:51,225 --> 00:53:52,785

I have to light up the branches.

613

00:54:00,630 --> 00:54:03,950

could be the tree could

be the tree as a shadow.

614

00:54:03,950 --> 00:54:05,510

It draws a shadow on there.

615

00:54:05,870 --> 00:54:10,010

And then I don't worry too

much, but it could be sideways.

616

00:54:10,010 --> 00:54:12,710

It could be just a little

bit of a sideways move.

617

00:54:13,070 --> 00:54:16,820

And you have maybe a little

bit of sunshine up there.

618

00:54:17,690 --> 00:54:18,980

See, there you are.

619

00:54:28,715 --> 00:54:30,725

like branches are far behind

620

00:54:54,545 --> 00:54:59,585

so the next one, but to our other on

mighty tree, wherever you think they

621

00:54:59,585 --> 00:55:01,265

would like to put the cup in there.

622

00:55:02,315 --> 00:55:04,234

And I hate to cover up that house.

623

00:55:04,625 --> 00:55:07,865

Maybe I should go there.

624

00:55:07,884 --> 00:55:10,265

That's why you have to

make all my decision.

625

00:55:12,045 --> 00:55:15,615

And sometimes it becomes quite

tough, but I wanted to show and

626

00:55:15,615 --> 00:55:17,265

would like to show more trees there.

627

00:55:17,415 --> 00:55:20,145

Maybe we have a smaller

tree standing right there.

628

00:55:20,985 --> 00:55:23,085

There's a smaller tree

standing right there.

629

00:55:34,475 --> 00:55:36,305

you make your own decisions?

630

00:55:36,335 --> 00:55:38,465

How to, how to.

631

00:55:39,884 --> 00:55:44,745

Set the T's up there

because you are next to God.

632

00:55:44,745 --> 00:55:48,435

You are the mighty creator.

633

00:55:48,975 --> 00:55:51,524

You have to show what you can do.

634

00:55:52,484 --> 00:55:53,774

See, okay.

635

00:55:56,384 --> 00:56:00,345

There is a shadow side

and that's a shadow side.

636

00:56:07,850 --> 00:56:08,450

That's good.

637

00:56:09,350 --> 00:56:13,810

No, again, you highlight that you

put the sunshine on that tree, so

638

00:56:13,820 --> 00:56:15,350

I'm just coming from that side.

639

00:56:20,390 --> 00:56:21,500

Hey, there you are.

640

00:56:33,370 --> 00:56:37,880

pulling good painters, putting

nice painters pulling desk.

641

00:56:37,910 --> 00:56:38,420

Perfect.

642

00:56:41,915 --> 00:56:45,575

He again, he was really

liner brush the dark one.

643

00:56:45,785 --> 00:56:49,505

I got already two prepared, one with

light colors from the dark colors.

644

00:56:49,835 --> 00:56:52,175

And now you fire in branches again.

645

00:57:11,564 --> 00:57:12,645

It's a slow job.

646

00:57:12,734 --> 00:57:14,714

When you have to put branches in like this

647

00:57:21,365 --> 00:57:25,745

then down to paint a little bit with

painting and this case, the evidence, the

648

00:57:25,745 --> 00:57:29,285

darker pain, and it becomes too thick.

649

00:57:29,555 --> 00:57:33,665

Then, uh, it doesn't draw the right

identity down with paint dinner.

650

00:57:45,620 --> 00:57:48,050

more pain than that

because they're too thick.

651

00:57:48,980 --> 00:57:50,950

They did it down to a certain point.

652

00:57:50,960 --> 00:57:57,410

As you have no problem to,

to hear you put the copy.

653

00:58:06,815 --> 00:58:08,105

but Andrea is in too.

654

00:58:27,335 --> 00:58:27,815

good.

655

00:58:28,145 --> 00:58:34,055

No, we highlight that he was at other

little brush and other than the brush,

656

00:58:34,205 --> 00:58:36,755

I can take a little bit of magic, right.

657

00:58:36,755 --> 00:58:37,655

For this dinner.

658

00:58:38,015 --> 00:58:40,925

And then down that paint

with a bit of magic, right?

659

00:58:41,825 --> 00:58:42,425

You see?

660

00:58:43,385 --> 00:58:50,105

No, I got the nice then soupy paint

and you highlight us branches.

661

00:58:52,815 --> 00:58:54,465

Light and light is no good.

662

00:58:54,525 --> 00:59:00,675

If it comes here, you can,

uh, that's easy there.

663

00:59:02,475 --> 00:59:05,985

What is so light leave

a dark like this one.

664

00:59:05,985 --> 00:59:06,465

That's good.

665

00:59:06,465 --> 00:59:07,065

In the dark.

666

00:59:07,065 --> 00:59:11,355

That's where Shaw, uh, here.

667

00:59:11,355 --> 00:59:13,095

Yeah, we can go right from there too.

668

00:59:13,095 --> 00:59:13,905

If you want to.

669

00:59:27,815 --> 00:59:30,185

no, here, it might be like this.

670

00:59:41,475 --> 00:59:45,425

and you can have a light line on top.

671

00:59:46,845 --> 00:59:48,165

Going by the vendor.

672

00:59:54,315 --> 00:59:55,725

It's all the little tree.

673

00:59:56,265 --> 00:59:56,715

No.

674

00:59:56,715 --> 00:59:58,635

While you put the other little tree in,

675

01:00:03,345 --> 01:00:10,005

I did to them about putting larder

for three and then look through

676

01:00:10,005 --> 01:00:11,925

the trees and to the background.

677

01:00:14,134 --> 01:00:17,685

. There's an art, uh, we can have on here.

678

01:00:35,195 --> 01:00:35,705

see.

679

01:00:36,035 --> 01:00:38,195

No, on this side is the dark side.

680

01:00:39,035 --> 01:00:41,795

That's the dark side fire

right into the dark side.

681

01:00:41,795 --> 01:00:42,665

First.

682

01:00:54,529 --> 01:00:59,359

and then the fire right in with

the highlights with the sunlight

683

01:00:59,359 --> 01:01:05,089

there, that's on us going from

this side with more light, but

684

01:01:05,120 --> 01:01:11,750

more yellow with more white and.

685

01:01:15,840 --> 01:01:17,550

Hey, Dan, no choice.

686

01:01:44,090 --> 01:01:45,440

Make it spotty.

687

01:01:45,560 --> 01:01:47,000

That's very nice too.

688

01:01:51,140 --> 01:01:55,730

Again, we have to go into the

branches to the almighty branches.

689

01:01:58,250 --> 01:02:01,820

Boy, that's just slow job,

penny blemishes and painting

690

01:02:01,820 --> 01:02:04,670

branches and tree trunks forever.

691

01:02:32,564 --> 01:02:38,714

The next branch and the next branch,

and then the next branch and the double

692

01:02:38,714 --> 01:02:44,745

door and to everyone and whatever,

whatever, whatever, that'd be very free.

693

01:02:44,745 --> 01:02:46,785

That's just fighting and fighting.

694

01:02:50,705 --> 01:02:51,214

that's good.

695

01:02:52,055 --> 01:02:56,435

No, if we highlight that again

with the nice light color.

696

01:02:58,020 --> 01:02:58,620

Nice.

697

01:02:58,620 --> 01:03:01,050

Light color again, yellow.

698

01:03:01,350 --> 01:03:06,960

And the Tetra Fred, no, the sun

will lie right on top of that.

699

01:03:19,040 --> 01:03:24,250

See more hair comes from and the need.

700

01:03:30,935 --> 01:03:31,595

here.

701

01:03:31,625 --> 01:03:39,635

You fire in you fire in this

side I had from the top down.

702

01:03:43,085 --> 01:03:43,535

Yeah.

703

01:03:43,535 --> 01:03:45,965

You can come, whatever,

whatever you think.

704

01:03:53,730 --> 01:03:53,850

Yeah.

705

01:03:54,020 --> 01:03:54,470

Yeah.

706

01:03:54,470 --> 01:03:59,810

You can give him a little touch of

light here, but light and light.

707

01:04:00,259 --> 01:04:00,700

Nothing.

708

01:04:00,780 --> 01:04:01,759

Nothing is nothing.

709

01:04:01,759 --> 01:04:03,890

So we wouldn't worry

too much about that one.

710

01:04:06,380 --> 01:04:06,650

Okay.

711

01:04:09,890 --> 01:04:12,320

Now you use your two inch brush.

712

01:04:13,859 --> 01:04:20,430

Maybe a bit of a darker color, bit

of a darker color I in Crimson.

713

01:04:21,089 --> 01:04:27,839

And I would say you put a big care for no.

714

01:04:45,605 --> 01:04:50,195

see how you put it in very loose,

very loose shower, lots of the sky.

715

01:04:58,440 --> 01:04:59,940

Show lots of the sky.

716

01:04:59,970 --> 01:05:05,370

Maybe here I hang the

branches down in the water.

717

01:05:07,640 --> 01:05:09,230

Hey, that's nice.

718

01:05:12,020 --> 01:05:16,700

Maybe I just cared for, I was

very careful hanging down there.

719

01:05:25,609 --> 01:05:26,569

Maybe me here.

720

01:05:32,265 --> 01:05:38,355

Whatever you think fire and

something not to overload.

721

01:05:38,955 --> 01:05:40,905

It can be easy, be overloaded

722

01:05:46,065 --> 01:05:48,525

right in front, whatever.

723

01:05:51,105 --> 01:05:55,275

No, you use the other light

brush and you fire some.

724

01:05:56,055 --> 01:05:57,705

Some light,

725

01:06:01,964 --> 01:06:03,165

light leaves.

726

01:06:03,464 --> 01:06:04,634

The sun hits him.

727

01:06:11,345 --> 01:06:13,774

the sun then down to paint with magic.

728

01:06:13,774 --> 01:06:14,314

Right?

729

01:06:14,794 --> 01:06:17,104

See you take a little bit

of, Lukoil do it here.

730

01:06:17,640 --> 01:06:19,710

Then down the paint with magic, right?

731

01:06:19,950 --> 01:06:24,930

And now you just bit of red, bit of hello.

732

01:06:26,220 --> 01:06:29,460

No, whatever you think

you can spark it up.

733

01:06:32,210 --> 01:06:35,510

See wherever you think you put the

bit too hard to block in there.

734

01:06:35,840 --> 01:06:36,980

You're just,

735

01:06:44,150 --> 01:06:45,530

just light it up there.

736

01:06:47,069 --> 01:06:48,360

Maybe here in the bed

737

01:06:51,930 --> 01:06:53,220

and then in bed,

738

01:06:57,810 --> 01:07:03,480

see, it didn't have band

for stick on a ticket paint.

739

01:07:04,770 --> 01:07:06,990

Didn't it down a little bit,

because otherwise he would

740

01:07:07,500 --> 01:07:09,270

have trouble to get those

741

01:07:12,900 --> 01:07:13,589

right now.

742

01:07:14,265 --> 01:07:14,865

Oh here.

743

01:07:14,865 --> 01:07:16,695

Maybe I hang something down there.

744

01:07:39,125 --> 01:07:40,985

No lighten up your grass.

745

01:07:41,910 --> 01:07:49,290

Firing a little bit of highlights

stare into the sun like this,

746

01:08:01,649 --> 01:08:03,569

see here, red.

747

01:08:03,600 --> 01:08:06,750

He was red, the red stare into the dark.

748

01:08:19,595 --> 01:08:20,585

and watch this.

749

01:08:20,585 --> 01:08:24,125

You don't get blocks are

loose, just loose shrubbery.

750

01:08:24,125 --> 01:08:29,495

They're nice, loose, loose

shrubbery, uh, here against the dark.

751

01:08:29,524 --> 01:08:29,915

Maybe.

752

01:08:37,729 --> 01:08:40,790

he ain't there he be here a little bit.

753

01:08:51,560 --> 01:08:54,890

I use the site, decide

movement of the brush.

754

01:08:55,729 --> 01:08:59,660

See the side dress,

maybe here a little bit.

755

01:09:00,345 --> 01:09:04,635

He in the bed, that's the better for

lying there and light line coming through.

756

01:09:07,125 --> 01:09:12,224

Then if you want, you can just use a fan

brush and pull it a little bit up here

757

01:09:12,984 --> 01:09:15,644

in this case, pulling a bit up there.

758

01:09:28,920 --> 01:09:29,349

Thank you.

759

01:09:29,349 --> 01:09:32,819

Who wants to shout a little bit

of grassy stuff there in front?

760

01:09:33,540 --> 01:09:36,929

He has little bit points,

like put the grass up there

761

01:09:40,910 --> 01:09:41,660

and that's it.

762

01:09:42,740 --> 01:09:47,149

See how about we call it finish

and I thank you for watching me.

763

01:09:47,660 --> 01:09:48,200

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Sunset IV - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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