Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Waterfall - AVAILABLE

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everything I can do.

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You can do better.

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Everything I can do.

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All boy you can do to start off like

that with a happy smile, happy thoughts.

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So my dream today, you see a white canvas

magic fighters on, uh, I like to run

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the water, all the waters down the Hill.

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No, I create my own land.

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I create my own sunshine.

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Where's the light coming from.

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I talked to myself before I start off.

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I have to know roughly what

I space my whole canvas.

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I would say I would just

give you a rough idea.

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I would say this side is a sunshine.

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And this side, this side is the dog here.

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Doctor.

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He's just standing there.

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The whole facet, ghost, creative power.

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Again, creative power.

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Everything I can do, you can do better.

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You're are younger.

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And I tell you creative

power is something else.

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I like to live like that right now.

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I'm right after mountains.

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As he, the big mountains coming down

the hair there and happy trees are at

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these in the, in the trees are down.

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I am not over height where the snow is,

but all of this Novartis irony off and

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there will be maybe here we started.

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The I space is just for you, just,

you see it off and this will be all

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avoid the faults coming down here,

coming down here, come down here.

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See how you prepare your canvas

and, and maybe hear some stones,

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big stones coming up there.

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Uh, create your own landscape.

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Can you see already there?

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It's already done bang, bang, bang, bang.

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And then here, maybe we create a little,

little pool that is obviously nice then.

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Like that, all that water coming from

this side, from this side forever.

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And all it was on here, it

comes together and relax, burst

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over again, goes down again.

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And so what you see is what you get.

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So I'm ready in my mind.

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I have it all figured

out and we will fire in.

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So first the dark, not too much paint on

top here, let the sun come in a creative

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kind of, uh, uh, all the there, the

like this far by threes, four by three.

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And this is the front.

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It's the front, but not too

much paint, not too much paint.

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You always have to thank you pain on top

of pain, the, and then maybe here's some

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bigger trees so that they come in ground.

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Now we will use a fan brush.

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That's our mighty fan brush, right?

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The already have that yellow on there.

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I use white and we fire off.

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I have forgotten when I couldn't teach

anymore, because to me it is so simple.

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It is so easy to create

a part of this void.

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In the beginning, I had to have a

photo or it had to have a postcards.

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I had to see it to Dee.

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I think I have seen the board.

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In rain and snow in sunshine in fog in

small name, his name was named names.

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So I just cut out a piece of that

and filed right on the canvas.

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And it works fantastic title.

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Watch me because I think

this is a wonderful idea.

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A creative power.

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I think all men like to, uh, you

know, whom my wife is the boss.

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But she makes me think I am the boss.

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She is always as nice for me

to think, Oh, I run my shower

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alone, but my wife is so smart.

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She, she, with all of us, whether

it wants to tell you, we all

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would like to think it's me.

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Let me do it.

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I will do it to the okay.

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Good.

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Do you know, here, this is the

kind of a distance I create.

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I think I come around around there

and then here, big trees, big trees.

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I just, and it's just simply, it's

just a, he can't even stand up.

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Three's already there.

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Maybe he has the other three and

let them come in and hear me.

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Somebody is hanging over

that doesn't matter.

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Hanging over there.

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No time.

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I got my, my beginning and leave it loose.

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This, you have dark spots, like

you're new into two, three land there.

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You can use the yellow and

the Taylor blue Taylor green.

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The jazz puts in a bit of a

Taylor greenish tune in between

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that gives you three threes.

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You're feeding of trees there.

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They're there, they're there.

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And boy, look how fast it goes.

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The happiness, you know, when

you pain, it is not dragging.

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I have very often artists coming to me

and, and they show me their work and

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they say, Oh my God, I worked so hard.

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And that, and when I hear that

guy works real hard on that.

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He's done.

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Work on your painting.

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It's like music, art, art.

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If art doesn't make you happy.

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If Arthur make you healthy, if

art doesn't give you a better

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tomorrow, don't play art.

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If you have to work hard, then

I rather do some yards, right?

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The, I have fun in giant firing

and have fun when you do it.

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And the dear lot.

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He is happy to see you happy.

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I think that's what he aimed to

put you on this earth and happy.

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Human being no, I just use white

in the same brush here with all the

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pivots they ever had on and make

a little bit of the fuzz there.

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Let the, let the steam come up there.

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Here's your invoice?

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Us waterfalls are there.

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There is obvious steam.

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I met larder waterfalls in my life.

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And all of that sometime you he's this

steam the time of the year, uh, in the,

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in the spring or an odd time, and lots

of rain comes down and it is all steam.

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When you're on the waterfalls and

the summertime, it gets quite dry.

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Then, then you, it depends on

what you paint the, we put the

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feedings and the atmosphere.

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Ah, look beautiful.

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Beautiful.

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No, no.

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I will set up a bit of a

start off a bit of a tree.

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See how I take it off.

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Very, very easy.

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Very easy.

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Maybe here we add a couple of trees there.

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Yeah, that's a nice.

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No, he retired.

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Yeah.

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Yeah.

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There was the strokes.

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It's just very loosely.

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It's such a distance.

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I know.

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We let the voters come out from there.

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Maybe I vary.

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I will ever use a clean brush.

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It makes it easier.

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Right.

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And maybe a touch of red.

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I live in Crimson.

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And I will create a kind of

a very light thing there.

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Just the very light, like the

peak of the day after my dad is

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everything's coming from there.

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See, and then that is

just dance a little bit.

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You don't know what it is.

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Is she or isn't she, uh, Hey, no fever.

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No, he in order to show light,

I tell you what we do know.

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Watch, see, I conditioned my whole canvas.

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If I, I would fiddle around with

that light and dark light and dark.

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Why not burn that?

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Darken?

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I dog.

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Oh God, no mercy.

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They, then you can just

highlight and you got it done.

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He is the one that's coming down.

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Know little fire in here.

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If I didn't there.

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And just highlight that.

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And then all of a sudden you are done.

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You laugh like great.

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You're happy and you get paid for that.

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That's the nice part.

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What I do here.

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I condition my canvas.

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You know, your Mustang light

is coming from this side.

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If you want to know, there's a lot

of little things you can do, you

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can sometime up, he, but I just

show you, I will not accept it, but

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sometime you open up and that's, um,

sun beams come to the is depends on.

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It depends on what your

imagination goes nuts.

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All of a sudden you said

there, this was there, but all

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the trees are open up there.

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And all of a sudden you have

some zone beams coming through C.

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Can you see what you can do in order to

make our MIT painting your imagination?

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The power of creating is so powerful.

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It's just reply with the sun.

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You say the sunlight here and you break

up whenever you want here or there

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and fire off done beams and or not, or

yes, or whatever, power of creating.

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I wish you could learn that

this is just the artist.

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What I am doing this technique very quick.

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The masters will create the

top artists, but very populate

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America when the divorce, because

the technique is so wonderful.

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It's so powerful because

you have the equipment.

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Look at that on mighty paint.

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I buy yourself that strong

paint and, but see then, then

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you can, you don't make mud.

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And I can work almost anything,

everything, everything I

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can do, you can do better.

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The, you, you become the power

and you, you become the light.

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You are the doctor of the land.

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You make people happy.

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And isn't that nice when you leave

this world and you can say, good bye.

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I made you happy.

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And this is what this new

voyage is coming up right now.

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We make each other happy.

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I will just destroy that, but

I just, you, what you can do.

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See, no, no, no.

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I have a huge rush and I used a bit

of blue, the everything where I think

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I could, I could add for what I want.

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I will say here is where

the boss is coming down.

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He got, he could see water coming

down because they have the black gun.

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And I know you're working on that.

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in the beginning.

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I tell you when I started

painting, it was, I had to draw.

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I had to fill in and

you let it dry on you.

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You're early was a week or two weeks

before you got the painting done.

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Now I just have it in my mind.

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And there are so many ways

of getting to the point.

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But I show you the easiest

to eat easiest, right?

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Because I painted on my life.

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There's more or less 50

or 60 years of experience.

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What you see here?

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I shouldn't say that, but it's true.

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I painted on my life.

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I was born with the brush

and with the violin.

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That was all I had and all I need.

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The rest of us had no meaning, but

as so much experienced by, and you'll

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learn the most as more UV paint.

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Now, as more you grow into the Sadie,

you know, the coal boy, when he is

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riding the horse for five, six years,

he has leather right on his heels.

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He is hard and that's the same thing.

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I know exactly the year coming down there.

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And then nice.

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No ever even aha, but a little bit of

blue, blue, blue, blue, blue, blue around

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the waters are, this is already water.

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Can you see, can you see, see, it's

a nice when you can live like this.

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That is what I wants to teach

that for every you could learn.

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That's why I am so happy to be on TV

because I really think it is good.

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We have such powerful new artists.

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There's Bob Vaughn, you

watched us newcomers.

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I tell you, they are, they are.

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Uh, they're young.

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I'm on the end of my

roof, but they are right.

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Really coming off with too much

power and I'm very proud of them.

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He here, I like to have a little food.

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Okay, good.

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Oh, is it use your fan

brush, but having the docks?

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He is so easy now to just add light,

watch the water's coming down there.

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Yeah, I couldn't do it.

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If I didn't have this condition condition,

my canvas, I couldn't do what I show.

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You know,

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I hope that I wants to be a good

sample for you would be nice if

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I can even say one day, my God.

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Inspired lot of people and that

that's really, what was it about?

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Good.

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Dang that water's coming down now.

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Watch, I show you little tricks.

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Now you think the sun is coming

from this side, then let's put

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a little bit of sunshine in

here and there I will use white.

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Indian.

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Yellow would be good.

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I should get up some Indian.

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Yellow.

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Yeah.

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Indian, yellow.

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Do I have it?

252

00:15:03,570 --> 00:15:07,380

Yeah, Indian, yellow.

253

00:15:07,830 --> 00:15:09,450

My eyes are not too good anymore.

254

00:15:10,290 --> 00:15:14,520

The Tetra Indian yellows are very

sunshine, Indian, yellow sunshine.

255

00:15:14,970 --> 00:15:18,390

I take a little bit of

Indian hero and right.

256

00:15:18,600 --> 00:15:21,270

And it right.

257

00:15:21,330 --> 00:15:24,840

He looked at that and watched the

different between all the other colors.

258

00:15:24,840 --> 00:15:27,570

No bit of Indian, yellow invites.

259

00:15:27,810 --> 00:15:30,810

He, and then you create these.

260

00:15:32,685 --> 00:15:36,645

On this side on this, where you think

the sun will hit the best and on the

261

00:15:36,645 --> 00:15:41,475

outside, maybe here attach the, and

then this can be more than the blue and

262

00:15:41,475 --> 00:15:49,895

the shadow E and then you, you, you,

you take your mighty knife and you, you

263

00:15:49,925 --> 00:15:53,765

watch, I create kind of a heavy stones.

264

00:15:53,795 --> 00:15:58,325

I wants to paint some stones and we were.

265

00:15:59,265 --> 00:16:00,435

No mercy.

266

00:16:01,814 --> 00:16:03,074

He, how I mix it.

267

00:16:06,194 --> 00:16:15,974

So like marble, marbleize it, you know, I

will create a bit of a Stony feeling there

268

00:16:19,685 --> 00:16:20,474

in the dark.

269

00:16:20,474 --> 00:16:24,615

And then later on the highlights,

I would fight with the light color.

270

00:16:26,295 --> 00:16:31,725

He then they go on with the lighter

color, just, just on the edge,

271

00:16:32,415 --> 00:16:33,885

but they're for dirty, right?

272

00:16:37,505 --> 00:16:43,135

He's just, he's nice.

273

00:16:48,005 --> 00:16:49,475

No, than I ever think.

274

00:16:50,075 --> 00:16:53,495

I ever think blue Tasha blue.

275

00:16:54,135 --> 00:16:55,095

And right.

276

00:16:56,895 --> 00:16:59,145

And I will figure it out.

277

00:16:59,315 --> 00:17:04,475

I would say, did he ever give him

the beginning of, of a water line?

278

00:17:04,685 --> 00:17:08,405

And we were Pyre powering water.

279

00:17:08,945 --> 00:17:10,275

half the hair there.

280

00:17:11,155 --> 00:17:20,435

Eh, eh, blue here on this side, the

more blue on this side and the shadow.

281

00:17:24,660 --> 00:17:26,069

See, that's it?

282

00:17:26,690 --> 00:17:32,660

No, you can, you can put

stones maybe here a big stone.

283

00:17:33,800 --> 00:17:35,210

Oh no.

284

00:17:35,300 --> 00:17:38,060

Before I do that, I'd

rather finish that up.

285

00:17:40,879 --> 00:17:42,139

Let me show you, let me show you.

286

00:17:43,040 --> 00:17:44,030

I use my knife.

287

00:17:44,629 --> 00:17:45,470

I like to have.

288

00:17:46,515 --> 00:17:48,105

Kind of a powerful water edge.

289

00:17:48,105 --> 00:17:50,925

There he is all coming together.

290

00:18:00,875 --> 00:18:01,325

Yeah.

291

00:18:01,355 --> 00:18:04,504

Something like this, something like this.

292

00:18:09,335 --> 00:18:11,495

He is coming to get her.

293

00:18:12,810 --> 00:18:19,320

And again, I will use Indian, yellow,

and white, Indian, yellow, and white.

294

00:18:19,620 --> 00:18:20,730

I will prepare it.

295

00:18:20,730 --> 00:18:22,379

The little block of that here.

296

00:18:23,010 --> 00:18:28,260

See like this much, this C and

then here on this side, watch

297

00:18:28,649 --> 00:18:30,300

that the sun hits it there.

298

00:18:31,710 --> 00:18:33,240

Can you see the power of that?

299

00:18:33,300 --> 00:18:33,990

Indian, yellow?

300

00:18:33,990 --> 00:18:38,820

All of a sudden, if you, if you

can think in this direction in

301

00:18:38,820 --> 00:18:40,740

here, Indian, yellow, again.

302

00:18:42,540 --> 00:18:48,120

See the, I take to off and maybe

here, Indian, yellow, pull it down,

303

00:18:48,930 --> 00:18:52,290

whatever that the knife do a good job.

304

00:18:53,340 --> 00:18:57,110

He, that that's what makes

it painting bud light.

305

00:18:57,200 --> 00:18:59,030

All the light is, comes behind.

306

00:18:59,450 --> 00:19:00,710

It goes this way.

307

00:19:00,740 --> 00:19:04,970

It will hit here, there, and

there and there and were hit.

308

00:19:05,000 --> 00:19:06,500

Even that stone.

309

00:19:10,395 --> 00:19:10,905

See.

310

00:19:12,275 --> 00:19:12,655

Good.

311

00:19:13,575 --> 00:19:14,715

Good, good, good, good.

312

00:19:15,345 --> 00:19:21,525

And now I will put the other

stone right in front of here.

313

00:19:26,885 --> 00:19:30,335

you can hardly see it, but

I highlight that first.

314

00:19:30,335 --> 00:19:33,605

I can you see it as a gray and now ever?

315

00:19:33,785 --> 00:19:40,085

Oh, he was blue and white and a bit

of dirt and we highlighted like this.

316

00:19:42,275 --> 00:19:47,885

They look like a stone,

whatever, whatever, just

317

00:19:47,885 --> 00:19:50,045

details you bring it out there.

318

00:19:51,660 --> 00:19:56,430

Um, and then you say I

started off here again.

319

00:19:58,560 --> 00:20:08,970

He and we were, we were, we

were, he was white and we are

320

00:20:08,980 --> 00:20:13,230

on the water from here and here.

321

00:20:13,995 --> 00:20:16,995

So you tried to create your own water.

322

00:20:17,145 --> 00:20:22,425

It comes down here, but it came around

the stone and just up to you, whatever

323

00:20:22,425 --> 00:20:26,205

you do with that, wherever you are, God,

when you are into the mountains and you

324

00:20:26,205 --> 00:20:30,165

see the waters come from any direction,

sometimes you think it's underground

325

00:20:30,185 --> 00:20:38,855

on the, no, on this side, I like to

keep the blue, the dark, and here,

326

00:20:38,855 --> 00:20:42,455

I like that heavily pool water pool.

327

00:20:43,254 --> 00:20:44,235

That would be nice.

328

00:20:45,105 --> 00:20:47,475

And then from here we

can spread out again.

329

00:20:48,185 --> 00:20:48,915

Okay.

330

00:20:49,245 --> 00:20:54,615

But then on this side, on this side,

I'm able to use Indian gentleman, right.

331

00:20:54,675 --> 00:21:02,715

Again, see that is what we make your

painting and let the sun hit here.

332

00:21:03,014 --> 00:21:09,314

See, like here, see

maybe here a little bit.

333

00:21:10,050 --> 00:21:11,400

Indian yellow, right?

334

00:21:11,880 --> 00:21:13,830

Indian, yellow, and right.

335

00:21:14,520 --> 00:21:18,900

C S I would take it

off in yellow and white

336

00:21:27,405 --> 00:21:28,784

And that's, that's deep.

337

00:21:28,784 --> 00:21:30,375

That's behind there.

338

00:21:30,524 --> 00:21:35,205

That's in the shed there because,

because, because there is a

339

00:21:35,415 --> 00:21:38,415

mighty, there's a mighty cliff.

340

00:21:38,834 --> 00:21:40,754

Uh, we put it right in there.

341

00:21:41,324 --> 00:21:44,294

That's our mighty cliff boy.

342

00:21:44,355 --> 00:21:46,905

Powerful, very powerful.

343

00:21:52,395 --> 00:21:55,875

Eh, uh, let's go right into that pool.

344

00:21:56,265 --> 00:21:58,905

That was the purpose behind that.

345

00:21:59,595 --> 00:22:05,895

Um, he, he is one big block

of stone, whatever moving

346

00:22:10,175 --> 00:22:12,575

P here.

347

00:22:18,365 --> 00:22:18,605

Yeah.

348

00:22:18,625 --> 00:22:21,005

Highlight that, highlight that.

349

00:22:27,515 --> 00:22:28,595

Uh, blue dang.

350

00:22:28,595 --> 00:22:33,215

That's in the shadow, but you can,

you can create, you are next to God.

351

00:22:33,245 --> 00:22:35,795

You have that creative

powers in your blood.

352

00:22:36,545 --> 00:22:37,025

353

00:22:40,145 --> 00:22:41,495

blue is always nice.

354

00:22:41,705 --> 00:22:43,805

Blue and Volta was good together.

355

00:22:44,405 --> 00:22:45,815

It's a wonderful thing.

356

00:22:47,075 --> 00:22:48,275

Oh, let's see.

357

00:22:49,610 --> 00:22:52,050

He was here with here and here.

358

00:22:52,649 --> 00:22:56,610

So you just let the knife do

the job, whatever sticks is.

359

00:22:56,610 --> 00:22:57,090

Good.

360

00:22:57,750 --> 00:22:59,189

You need details.

361

00:22:59,810 --> 00:23:03,740

And when you have stones and

stone, for me, since you,

362

00:23:04,429 --> 00:23:06,709

uh, I just highlight, right?

363

00:23:06,740 --> 00:23:06,949

Thanks.

364

00:23:06,949 --> 00:23:08,149

The sun is coming from there.

365

00:23:08,479 --> 00:23:10,520

It's got to hit there.

366

00:23:10,689 --> 00:23:13,879

Hit there, hit there,

and it comes down there.

367

00:23:17,909 --> 00:23:21,149

Then you play in your

water, into the pool here.

368

00:23:21,200 --> 00:23:21,530

Yeah.

369

00:23:25,620 --> 00:23:31,010

You use your little fan

brush and make that water.

370

00:23:31,990 --> 00:23:36,710

See, and then in the meantime, in

the meantime, I look for the other

371

00:23:36,710 --> 00:23:42,830

nicely brush and I will air reflect

that dark right into the water here.

372

00:23:43,290 --> 00:23:47,400

Yeah, and flexing to the

water there and brush it out.

373

00:23:48,960 --> 00:23:56,190

And now I just aim for, for a new

beginning, a new beginning of fourth run.

374

00:23:56,640 --> 00:24:08,730

You start off here, dank E and you

pull it down, put it in a knife.

375

00:24:09,990 --> 00:24:10,680

Look at that.

376

00:24:15,045 --> 00:24:20,285

He, and then all of a sudden what

this, what you see is what you get.

377

00:24:20,585 --> 00:24:24,305

I would have to have a little bit

of a waterline there and a little

378

00:24:24,305 --> 00:24:26,765

bit of a dividing line there.

379

00:24:27,605 --> 00:24:31,085

See, and then you're

just dreaming your water.

380

00:24:31,295 --> 00:24:36,425

Now, the next, the last big step

would be a big, big stone there.

381

00:24:38,050 --> 00:24:44,600

The big stone here and pull it

out as much as you want and have

382

00:24:44,600 --> 00:24:46,550

other copies stores line here.

383

00:24:52,670 --> 00:24:54,230

He, and there you are.

384

00:24:56,690 --> 00:25:01,070

I have to work fast cause a lot of the

details in this particular painting.

385

00:25:02,760 --> 00:25:06,470

But with all of us, I like to show

you how easy it is just to create,

386

00:25:06,950 --> 00:25:08,659

to create those kind of things.

387

00:25:09,230 --> 00:25:14,360

He and a couple of movements there

and movement stair movement here, like

388

00:25:14,360 --> 00:25:16,669

a big stone block this on this side.

389

00:25:23,915 --> 00:25:27,784

and then you just highlight that

you would just highlight that I

390

00:25:27,784 --> 00:25:31,715

would even use a bit of Indian,

yellow there, certain spots there.

391

00:25:35,975 --> 00:25:36,514

yeah.

392

00:25:38,594 --> 00:25:40,145

Then maybe it just depends on you.

393

00:25:40,145 --> 00:25:40,655

What you are.

394

00:25:40,895 --> 00:25:44,604

I can say here is a bit of

blue, the, uh, in the shadow

395

00:25:44,614 --> 00:25:47,014

bit of blue come down like that.

396

00:25:47,044 --> 00:25:47,975

A bit of blue.

397

00:25:48,690 --> 00:25:49,950

But it was blue here.

398

00:25:51,030 --> 00:25:52,200

And look at that.

399

00:25:52,320 --> 00:26:02,310

That's a nice bit more blue maybe here,

bit of blue in the shadow side, voice out.

400

00:26:03,090 --> 00:26:04,620

Fantastic.

401

00:26:07,620 --> 00:26:09,840

And then maybe here, just

a little bit of right.

402

00:26:10,350 --> 00:26:12,750

Just a bit of fights around here.

403

00:26:13,335 --> 00:26:17,085

Bring it out a bit on the light

side, there's other stone hanging

404

00:26:17,085 --> 00:26:22,545

over C then here they were

just, just either to their vet.

405

00:26:22,905 --> 00:26:27,135

He must think closer to the water,

the stone, the stones have that.

406

00:26:27,615 --> 00:26:29,235

Give him that VAT feeling.

407

00:26:29,235 --> 00:26:30,375

Just bad feeling.

408

00:26:30,385 --> 00:26:30,945

That's all.

409

00:26:32,985 --> 00:26:33,265

Yeah.

410

00:26:34,185 --> 00:26:36,285

And here that the water runoff.

411

00:26:36,885 --> 00:26:42,375

Let the wind blow higher

and you got that right?

412

00:26:42,375 --> 00:26:43,515

The way you want it.

413

00:26:44,355 --> 00:26:44,685

Yeah.

414

00:26:46,125 --> 00:26:53,295

And if you want to side and look at

that, wasn't that the nice walk to

415

00:26:53,295 --> 00:26:57,965

the Bush coming out there, out the

mountains, the mountains are behind.

416

00:26:58,395 --> 00:27:01,665

And the sun hits on the side.

417

00:27:01,905 --> 00:27:05,895

And look, you have dreamed up

a nice, happy you enjoyed it.

418

00:27:06,615 --> 00:27:07,365

Thank you for watching.

419

00:27:07,785 --> 00:27:08,115

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Waterfall - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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