Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Rocky Shore - AVAILABLE
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the Rocky shore.
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That's the contemporary living.
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You see to see you guys here and there,
what the hearing are, and that, that
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is such a wonderful thing to be there.
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I I'm a professional fisherman.
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And, uh, this is actually
what I really like most.
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This is why they can paint it like that.
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So I, a shower,
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the magic of oil painting is made possible
by a grant from Aaron brothers, art Mars.
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Oh, yeah.
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On mighty brainwash, but I
know that I'm home there and
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it is just a wonderful dream.
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And you sit in your boat, you are out
there against us on some time and you
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see hundreds of seagulls flying up
and down and they hearing her there
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on the salmon, eating the hearing
and you just drop in your fishing
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line and you catch the salmon there.
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So.
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And, but otherwise butter yourself up
and be a ride and that seascape there,
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and then it becomes easy to paint.
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Now, the colors we use a bit different
magic white is on the canvas.
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So I will use a, kind of a turquoise
color Veridian or what you call it.
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They have funny names for their paint,
uh, kind of, uh, a turquoise color.
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That's maybe the best name I can say, but
Tola, but you know, I never, I don't know
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why we not use English names for our pain.
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I still don't understand it because
I still forget it all the time.
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Alizarin Crimson there is.
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Payload green.
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That's Taylor green.
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That's telling you now I know that's
tailored green and to me at the
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star guys, happy little turquoise.
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You see?
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And I put the happy little turquoise
on my canvas and you can fire it
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right in to the water to three.
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That makes it nice condition.
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The whole thing.
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You see all the swimming pools aligned
with this kind of a paint at the
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assemblage water, it makes you feel bad.
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Maybe that's the whole idea.
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Okay.
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Now on top I will use a
touch of pressure and blue.
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I don't wash my brush.
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If you see how I want you to
do it now, you see the brushes
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soaked with that Taylor green now.
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Touch a little bit of pressure and
blue and, and fire in here on top
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kiss, the lady bed make a dark on top.
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That turns a funny color.
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They're as good, you know, the next
step, the next step, you can hear the
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fan and you you're, you, you, you, you
can use kind of a, uh, I live in Clemson.
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I live in Clemson and a
bit of mud, bit of mud.
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And you create a couple of clouds there.
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Mud.
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That means van Dyke Brown.
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When Dyke Brown is earth color.
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Create some clouds, very
one and make it perspective.
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Right.
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But smaller then, but smaller there,
but smaller there, wherever he wants
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to put the cloud and fired him.
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But fire then like a show, you don't
go out and look at them and say,
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here's one cloud in this other cloud.
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They're moving now time that you
have them spread out everywhere.
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Just fire them in like that area.
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Three, use your big brush now.
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Use your big brush, your mighty brush
and hypnotize it a little bit like this.
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Eh, then you, you, you,
you highlight that.
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Put the light in some rare, I use a
touch of red and white touch of red,
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and I take, you could look on that here.
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The, like this is off-white and then file
wherever you think that the light will be.
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We say the sun is here somewhere.
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The highlights that the is on
hiding behind that color there.
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And then you've highlighted here
a little bit and delve a little
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bit, and then a little bit,
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and that the sun hits it
there, there, then Dana.
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Hey, Don Don, because light is everywhere.
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Highlights on the clouds.
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They can be on the side.
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They can be tougher.
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They can be everywhere, but for the
next step, make sure you have a dye
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brush, hypnotize, the whole thing.
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Okay.
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No I've been fired in that water.
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There, you can run a little bit
of your lines out if you want to
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give you a little bit more spark.
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So Alison Clemson.
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And precious blue, a little Tash of that,
and you create a kind of a horizon line
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or waterline the end of the proceed,
uh, and a bit more on the side there,
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the, another light, the light, let
that lighter flex into the water there.
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And then you are always in, other than
you get harder there, again, like this.
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Alison Crimson and attach your passion.
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Blue is in that color in terms, and I
know you create kind of a water movements,
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whatever you just bought, the movements
that, that water moved forward and back.
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Okay.
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What movements, what movements.
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Yeah.
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I ran a dance, dad and dad, every baby.
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So, and let that light in the
center there or wherever you
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have the light on the canvas.
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he, then we create recreate, recreate
kind of a wave coming up here.
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I rolling in.
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Hey, let it stand up there.
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okay.
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You can have a little bit of
a movement in the back there.
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Like the other swelling is behind the
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Okay.
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Yeah.
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And then you can come forward for us,
for us with the big, bigger one there.
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And as you come forward, as
you have more colors, you got
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more, more parks, more input.
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Yeah.
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This is darker.
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This lighter, lighter, lighter, lighter,
lighter as you are doing the things.
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you know, you come out and our
risk, you see whatever you see.
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It is a philosophy of all I do.
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You make a mountain, you have
light on the bottom and power
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for on top light on the bottom.
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Powerful on top.
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That means if you have the
same color all the way through,
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you have no beginning hours.
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From the dog into the light and dark
against the light, dark against the light.
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And you confirm as far as, for,
as far as that's the whole thing.
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When you paint, it's not only on the sea,
it's in the land is whatever you will do.
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That is a wonderful idea to do.
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Oh, okay.
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Clean that on mighty brush the next
step, white and a touch of red, right.
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And a touch of red, but look
off white, see off white.
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It is, it is more white, but the
tactical for ed, no, you can even
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pronounce it a bit more in that
cloud because you wants to have that.
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That's what goes into the vote and no.
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Okay.
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Hey, daddy, dancing with value
one here, your beautiful,
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the word, close to the light.
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As the most power and after light,
it gets easier and easier and,
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and darker and darker and darker.
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You can, even if you want, you can
brush it out a little bit like this.
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Good.
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No, the same colors, the same color.
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And the sun is here on the horizon line.
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You see the water, Dan, the sun, or
the light is dancing into that water.
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There
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it start.
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It started.
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Exciting.
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You just excited.
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Now you can create kind of a
highlight on this little wave
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there, the highlight here, but,
but let that disappear in the dog.
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Don't worry too much.
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What's going on there?
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Have that lead, that light, right
to the middle of the painting now,
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whatever you can have it on this side,
but this happened to be, have a dare.
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So it got to be, we have
to lead it like that.
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Eh,
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No.
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If you highlight this again,
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And now you come closer, you can already
give them kind of in a closer look.
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You can give them a little
bit of water down movements.
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The water's coming down.
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You see, can you see that?
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You hear the stairs, but further
off that unwanted too much
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there if you do, it's fine.
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But I think as close as you
come as more, yeah, see it.
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Okay.
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Now we got to stand closer.
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The same color, white and red,
and highlight crown this here
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to they with, to fan brush.
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You can really look at
that, just press it hard.
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And you get already the foam
standing on top of whatever there
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No, you can have show them more
of this kind of movements down.
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Cause you have clothes.
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Oh, okay.
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We do it like this.
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It was just moving in like this,
and now it comes to trouble.
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Now comes the problems, the problems we
have to put stones and use your almighty
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knife and put the stones in wherever you
are, wherever you see them or wherever you
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are, wherever you feel the look the best.
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Okay.
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So let's put in the stone maybe here.
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uh, one, I do it with a knife and
you can, if you want to, you can, you
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can settle that stone right into the
water by, by cutting it off there.
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And that the water around
it would look like this.
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The, you can let that
come around like this
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yeah, they'd been shown a little bit
show that stone because they caught us
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there anyway, but that means the water.
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You can even dance the water up
on that stone, if you want to.
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Eh, that's fine.
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The next one, the next one.
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Now you can put so many stones in.
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If you love other stones,
put them in fireman.
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another movements rather than
movements, louder movements.
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Maybe here we put one in.
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no, I better bury all the stones.
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The Vata has to be around the
water has to be around there.
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And, uh, he ever made at the water on off
first, see up like this, they are easy.
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That is.
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Now you can move up, you can move up,
like what is running off all the time.
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You see that little bit of up
sweep gives you water running down
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and he had the same.
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What happened now, if I sweep it
up a little bit like this, he see,
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look, no, the water's running off.
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Can you see it?
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It comes from, it clears the stone on top.
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Okay.
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That's very important
too, to get this ideas.
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okay.
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Let's put the cup in more stones in.
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I live in Clemson when
Dyke Brown, passion blue.
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If you get those caught
us, they're good together.
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Mix it to call us.
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00:15:31,145 --> 00:15:32,525
You think it would be nice.
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Maybe hear me make a beggar one
standing there under Crocket side.
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can you imagine your board get out of
control and you're on into the stones.
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That's a beautiful feeling.
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That is a beard for feeling I had
that problem once at the time.
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I don't want it to have it anymore.
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Okay.
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Look at that.
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Yeah.
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And I think back they called
the coast guard even, and I
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feel ashamed of myself after
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Okay.
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If he, again, now here's
a good make it close.
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Close.
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Nice.
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Look on that particular stone here, which
when you put the water movements and Vino,
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they moved up, up, up, up a little bit.
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00:16:47,840 --> 00:16:50,330
And by doing that, you get that feeling.
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The water is running off.
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Yeah, you're on top.
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You can just use what on top.
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No watch.
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And you can run it out from the top again.
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See your watch.
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They know you from the top.
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So you learn a lot of wonderful
things right now already.
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You can have the voter
coming over like this here.
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00:17:10,545 --> 00:17:15,405
You can have a watch
over that other stone.
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That stone is behind C
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no, I got ya.
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I got ya.
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Then you have that, that it's just water.
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00:17:29,310 --> 00:17:31,620
And then you can run
that off too, if you want
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00:17:35,040 --> 00:17:39,560
And I go to find the details, but that
is the one I usually do my water scenes.
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00:17:39,800 --> 00:17:43,639
And then in the front, sometime you let
it come down like this, you know, like
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it's dripping off steep or here, you
know, let it drip off the drip off there.
243
00:17:59,150 --> 00:18:01,740
it's always wrong when you have
to paint in between, because
244
00:18:02,270 --> 00:18:03,620
then that means you goofed.
245
00:18:03,680 --> 00:18:05,660
When I go, sometimes I
have to go in between.
246
00:18:05,660 --> 00:18:06,740
That's not the right ID.
247
00:18:09,410 --> 00:18:09,710
See?
248
00:18:09,830 --> 00:18:11,270
No, you can run low.
249
00:18:11,270 --> 00:18:14,060
The lights in between the sun is.
250
00:18:14,460 --> 00:18:15,060
Up there.
251
00:18:15,060 --> 00:18:18,990
It's the light and you're on the
same happy light between the stones,
252
00:18:18,990 --> 00:18:20,670
knowing that will be all this here.
253
00:18:21,150 --> 00:18:23,010
Let that the light dance there.
254
00:18:23,010 --> 00:18:23,820
Someway
255
00:18:28,970 --> 00:18:30,500
let the light dance there.
256
00:18:34,189 --> 00:18:36,110
he make it all dance in the center.
257
00:18:36,120 --> 00:18:39,949
Another disappeared to the
outside, darker hair, darker, dead.
258
00:18:39,990 --> 00:18:41,209
That's just perfect.
259
00:18:41,629 --> 00:18:43,100
But in the center make it live.
260
00:18:43,110 --> 00:18:46,070
So that leads your whole
eyes coming through like this
261
00:18:50,060 --> 00:18:50,659
okay.
262
00:18:50,659 --> 00:18:51,860
Let's just get here.
263
00:18:51,860 --> 00:18:57,560
Run one or mighty stone,
one or mighty stone.
264
00:19:06,500 --> 00:19:09,980
but she's you press hard and
you don't mind having all
265
00:19:09,980 --> 00:19:11,570
those funny movements there.
266
00:19:11,570 --> 00:19:11,810
Yeah,
267
00:19:22,250 --> 00:19:23,090
no paint.
268
00:19:23,390 --> 00:19:26,630
Try to paint with no paint because it.
269
00:19:27,225 --> 00:19:30,855
As more pain you plast on as
hard as to go over it again.
270
00:19:35,804 --> 00:19:36,554
Okay.
271
00:19:37,245 --> 00:19:38,835
Next on mighty step.
272
00:19:39,225 --> 00:19:40,905
You hear a mighty fan brush again,
273
00:19:44,385 --> 00:19:47,475
use your mighty fan brush again.
274
00:19:49,125 --> 00:19:53,325
Maybe he'll be the light that the little
bit, he tried to go with the light now.
275
00:19:55,435 --> 00:19:58,005
That hits it wherever
the here a little bit.
276
00:19:59,145 --> 00:20:03,615
Can you see what the does the
son bang, bang, let it hit now on
277
00:20:03,615 --> 00:20:08,205
here a little bit that hit there.
278
00:20:09,045 --> 00:20:10,845
We already shouted there.
279
00:20:14,205 --> 00:20:16,265
It gives you a happy
tune in that painting.
280
00:20:18,335 --> 00:20:20,945
And it's really exciting.
281
00:20:25,195 --> 00:20:28,875
exciting if he did about
this dancing in between.
282
00:20:29,175 --> 00:20:33,345
And you know, it's nice sometimes sitting
there barefoot just on that little stone
283
00:20:33,345 --> 00:20:34,725
and watch what's going on underneath.
284
00:20:34,725 --> 00:20:40,155
There are those little traps
and sometime little ugly, ugly
285
00:20:40,155 --> 00:20:41,835
animals floating around there.
286
00:20:46,215 --> 00:20:47,045
Okay.
287
00:20:47,585 --> 00:20:49,055
He ever do the same.
288
00:20:49,995 --> 00:20:54,855
He was do the same light against
light is not the right thing to do
289
00:20:55,065 --> 00:20:58,155
is not the right thing to do light
290
00:21:05,565 --> 00:21:06,465
against that light.
291
00:21:06,465 --> 00:21:07,935
Here is always better.
292
00:21:07,935 --> 00:21:13,155
You have a card, a harder,
harder movement there.
293
00:21:14,100 --> 00:21:18,000
Then as you come forwards, that
stone gets lighter, lighter, lighter
294
00:21:18,000 --> 00:21:19,440
as you put it into the water.
295
00:21:19,640 --> 00:21:19,850
Yeah.
296
00:21:23,770 --> 00:21:28,970
Then you can create, you can
create, uh, uh, movements here.
297
00:21:28,970 --> 00:21:34,640
What I do here, you create kind
of running movements, but I
298
00:21:34,640 --> 00:21:36,230
won't touch the top too much.
299
00:21:36,320 --> 00:21:38,210
Create a new beginning there.
300
00:21:39,140 --> 00:21:39,920
And then.
301
00:21:40,620 --> 00:21:47,430
That's the nature of when you paint, you
create illusions, even you would argue,
302
00:21:47,430 --> 00:21:52,740
sometime we say that stone is as light
there too, but then light against light,
303
00:21:52,770 --> 00:21:54,690
nothing against nothing is nothing.
304
00:21:55,350 --> 00:21:59,040
And if you don't understand
it, it's hard to paint.
305
00:22:01,400 --> 00:22:07,850
It's hard to paint nicely to put
the little bit of blue sparks and.
306
00:22:14,865 --> 00:22:20,195
He that makes that stone really,
really jumped out now kind of a blue
307
00:22:20,195 --> 00:22:25,565
alizarin, Crimson and blue that gives
you this just is kind of a mountain
308
00:22:25,565 --> 00:22:29,284
color, kind of a mountain color.
309
00:22:37,440 --> 00:22:43,040
And then the shadow side, I wouldn't
worry too much would worry too much.
310
00:22:43,040 --> 00:22:43,280
Yeah.
311
00:22:44,930 --> 00:22:51,590
And no, here, let's just try to, I
understand this already sand maybe
312
00:22:51,590 --> 00:22:58,250
type parts of sand movements and,
and, and you see other as needed the
313
00:22:58,250 --> 00:23:04,760
bottom, so will be very creative in
this direction and this direction.
314
00:23:13,610 --> 00:23:17,600
and I asked you to come
forward with there like that.
315
00:23:18,530 --> 00:23:23,179
And maybe here we lift the whole
side up, left the whole side up.
316
00:23:23,179 --> 00:23:24,610
That becomes me that they're on this end.
317
00:23:24,629 --> 00:23:25,639
Like this
318
00:23:32,280 --> 00:23:33,510
Whatever he wants to see.
319
00:23:35,220 --> 00:23:39,780
I just want to complete fill in that
whole deal there and can be done any good.
320
00:23:39,780 --> 00:23:40,190
All right.
321
00:23:40,200 --> 00:23:41,690
You can have drift foot line there.
322
00:23:41,690 --> 00:23:48,030
There's all kinds of, of stuff flying
there, but you can have more time.
323
00:23:48,030 --> 00:23:48,330
I could.
324
00:23:48,825 --> 00:23:51,735
Show you all kinds of crazy ideas.
325
00:23:51,975 --> 00:23:54,045
Sometimes we had paintings done.
326
00:23:54,615 --> 00:23:58,815
The Navy had a, they came by and
they had a party there and the beer
327
00:23:58,815 --> 00:24:00,525
bottles was hanging in the water.
328
00:24:00,525 --> 00:24:05,385
And, and what then what then what,
and you just paint along with
329
00:24:05,385 --> 00:24:07,995
that, you can put that all in.
330
00:24:10,115 --> 00:24:15,275
He, uh, just to make it kind of,
uh, what the sweeping down there.
331
00:24:18,885 --> 00:24:19,935
Something like that.
332
00:24:23,645 --> 00:24:29,165
Try to make it shiny looking and it can
be only done by, by, by sparking it.
333
00:24:29,385 --> 00:24:35,675
It is not the, the long line, but
it's that little spark dots, little
334
00:24:35,675 --> 00:24:40,955
dots will do a great job on water,
but on the right spot all the time.
335
00:24:40,985 --> 00:24:42,905
If you do it on the right side here.
336
00:24:43,620 --> 00:24:48,360
You got little dots doing more to, to
the shine and the water, then I would put
337
00:24:48,360 --> 00:24:53,700
the tons of save on your paint glasses.
338
00:24:55,350 --> 00:24:58,320
Is that little duct, what brings
that thing out of the glass?
339
00:25:00,530 --> 00:25:02,820
Mm mm.
340
00:25:04,100 --> 00:25:04,880
You see?
341
00:25:05,660 --> 00:25:08,030
No, we come to a happy Annie.
342
00:25:08,360 --> 00:25:12,200
Well, if you will, do you put the happy
couple of happy seagulls in there?
343
00:25:13,965 --> 00:25:15,525
Flying happy there.
344
00:25:15,645 --> 00:25:20,685
See what it is, this bang, bang,
you know, how many seagulls he want?
345
00:25:20,955 --> 00:25:24,405
That's one, that's two.
346
00:25:27,795 --> 00:25:32,175
That's the other one flying that by me.
347
00:25:32,175 --> 00:25:33,645
One is flying upside down.
348
00:25:33,645 --> 00:25:34,995
He's dipping into the water.
349
00:25:34,995 --> 00:25:40,815
He's just, he's just, he's a fish down
there and all that is gone this way.
350
00:25:43,485 --> 00:25:44,475
And all that this way,
351
00:25:49,635 --> 00:25:54,735
Hey, are more and more and more and more.
352
00:25:56,805 --> 00:25:57,285
And
353
00:26:01,655 --> 00:26:07,264
no you want, I saw the painting once
and the guy said, I want more seagulls.
354
00:26:07,264 --> 00:26:08,795
They say, but I think there are enough.
355
00:26:09,330 --> 00:26:12,750
He said, but I want more than he
said, I gave you a dollar Siegel.
356
00:26:12,810 --> 00:26:14,700
I said, all right, then how many you want?
357
00:26:15,389 --> 00:26:18,000
So I painted the best years of my life.
358
00:26:18,450 --> 00:26:21,179
Always the dollar, always a
dollar that's the way you do it.
359
00:26:21,750 --> 00:26:24,120
But I thought I had enough
seagulls in that already.
360
00:26:25,760 --> 00:26:27,500
So there we are.
361
00:26:28,129 --> 00:26:29,300
That is it.
362
00:26:29,570 --> 00:26:30,649
I hope you like it.
363
00:26:30,679 --> 00:26:32,330
Thank you for watching me.
364
00:26:32,419 --> 00:26:33,080
Bye bye.
365
00:27:03,130 --> 00:27:08,730
In response to overwhelming viewer
requests, K O C E has prepared personal
366
00:27:08,730 --> 00:27:11,130
guide to bill Alexander's magic of oil.
367
00:27:11,130 --> 00:27:12,000
Painting three.
368
00:27:12,570 --> 00:27:16,830
To receive your copy of this instructional
book on bill Alexander's painting
369
00:27:16,830 --> 00:27:20,190
technique, please send $8 to magic.
370
00:27:20,220 --> 00:27:25,110
Three post office box to seven
Oh three Huntington beach,
371
00:27:25,110 --> 00:27:28,290
California nine two six four seven.
372
00:27:33,110 --> 00:27:37,970
the magic of oil painting is made possible
by a grant from Aaron brothers art marts.
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