Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Terra Incognita - AVAILABLE

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Mystery mystery with yellow, red,

and blue and black and white.

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I tried to talk very, very

great because it is a mystery.

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What they have to do.

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I tell you that I have to just

between you and me now, my producer.

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Oh.

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He always tells me, make it as easy

as you can make it as easy as you can.

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All those complicated

things we don't want.

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He gets so much mail and people

write them, always cards that is

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too difficult in this too difficult.

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No today.

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Mystery mystery.

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Isn't that crazy.

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So black and white, yellow, red, and blue.

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Now I use my magic vide and

very, we just missed it.

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Very little missed, and next guy, you

see nothing and you see something and you

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stay have the producer beautiful painting

with the Tod with some happy, happy tots.

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So if you.

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Mine everyday is not good enough.

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How about you write and you write

them and tell him mystery is not,

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is too mystery and it is good.

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Tell him I love it.

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I love it.

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Probably be nice if you would do it

because he has so much mail all the

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time and he says people want it easier.

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Make it not so stiff because

now how can I make it easier?

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no, that's just easy to

put the magic right on.

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And you know, you cannot

put it on too thick.

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I have to say it over and over again.

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Not too much magic.

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Right.

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Then you ruin your whole

day, your whole being here.

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So I have a clean brush and I make

sure that no, I really use yellow,

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red and blue and mystery black have

a bit of red, have a bit of Lou,

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have a bit of blue tea already.

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Can we see the colors in that fog?

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And that was too easy, actually divided.

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It is not, no, that's far too

beautiful fog and it has colors.

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It is not dead.

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You can use black invite too, but

that gets a bit too much in a gray.

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Do you know?

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I put this on the canvas now

I plan very, very simple.

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Just let a bit of land.

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There's a Gander and have one, three.

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There is a tire tree, uh, in the morning

you love fishing and everything is on

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fog and, and then you're out there.

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You know, I fired her and you

know, you wouldn't believe

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that's yellow and blue is not.

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Look,

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my eyes got itchy.

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He had a blue, red, and

blue, again, red, yellow.

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And it's actually blue and

here I got it all figured out

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and you can make it a bit loose,

loose, make it a bit loose,

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not have some bumps there.

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Then, then, then it makes it easier.

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The, that becomes a

painting, becomes a painting.

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The sometime you see,

when you think about wind.

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How wind comes.

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You think it storms in all of us the same.

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Now it doesn't all of sudden under

windows are ratting and then it's

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nothing here even was a rattling.

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And you must think that drive

and that push is going to the

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whole land and draws the mist and

you have openings and closings.

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And that's what they wants to show here.

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Little bit openings and closings.

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Maybe a bit more dark, but more blue

top, but they like to leave it bumpy.

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Oh, you can put a bit more power.

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And I really just discharged

as you have a bit of depth.

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The, otherwise it is too flat.

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I will use again, yellow, red,

yellow, red, and the Tasha blue.

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And now I got it.

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But more blue.

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It makes it a bit more darker.

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I would have said, that's it.

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He asked a bit more here.

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Oh, no, no.

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We put the Vata in.

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Now if that's not easy, I don't know

what this easy yellow, red and blue do.

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Yeah.

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Real red and blue.

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And.

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Yeah, it would be nice if you would write

our producer and I will give you the name.

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His name is hard, man is a hard, hard man.

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Write them because we always

have some time arguments.

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I do my ride, his do, but he is

the producer and he used the bus

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and they have to listen to the bus.

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See what can I do?

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But you are the boss.

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And if you don't like it, tell

him, but if you like it, tell him

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to, but otherwise he wants to have

it easy, easy, easy, easy, easy.

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Now how easy is easy today?

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I make it as easy as that can come.

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Okay.

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Look, yellow, red, and blue.

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And then mix it again.

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That is so easy to mix.

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I wants to have a little catchy,

darker, little darker on the bottom.

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See what I do.

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I pull it up from the bottom.

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Can you see.

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Because he wants tank

that is a close up here.

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And then here you can see the water

ready by the disappears in Gander.

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So then make it darker

there and I make upstrokes.

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Can you see beautiful, happy, happy.

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Upstrokes

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happy.

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Upstrokes.

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see, no, you do it just perfect

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now.

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And we caught her out there and make

it very Misty overlays into lane.

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Bed of water there.

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Even it can be darker.

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See ever stay yellow, red, and blue,

and then make it still a bit darker.

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That gives me, that gave me the closeup

here because it is so open here.

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There's no fog in between anymore.

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so that is nice.

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That is nice.

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I use my fan brush and Oh,

I have to break it out a bit

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here, but make it nice and soft.

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Nice and soft.

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Now that is easy.

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And they know, but there's maybe

the, he has the right ID because

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when you paint all your life, then.

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Then you have forgot.

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I am a bad teacher because

I cannot understand this.

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People cannot paint and

I'm upset about that.

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So actually we should be patient

and to tell the truth, it is not

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too easy to just put a painting on.

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Now I use the same Carlos Shane, Carlos.

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I had too much and I will

make it Misty here too.

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see, I start from this side

where I want it darker.

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I would like to see this as the

land, moving in and get there and

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find a finer, finer and disappears.

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All of a sudden here I start

off and the vibe from my

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canvas course into the, to the.

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To the brush and it makes it

lighter, lighter, lighter.

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And here you whisper here.

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Whisper.

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Actually, it's a wonderful thing.

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I never thought about those kinds

of things to make it easy, easy,

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and it is the truth is the truth.

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I am on his side.

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I'll resign.

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And it's good.

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The way you can show it.

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No, start off.

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Obviously you must think I got the white

on the canvas, so I don't have to mix.

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And then you use the darkest color is

first and the white gets into your brush.

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Yes.

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Lighter, lighter,

lighter, lighter, lighter.

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And then you're this just

whisper, just whisper.

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Okay.

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He here, I would push it in the

water, have ranked the reflection,

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but you don't see it as a soul

Misty, your heart lead on seed.

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When I brush it out, you don't see

it much, but I will still do it.

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You know, I feel it needs that

reflection better for reflection into.

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Two.

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And there you are,

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you know, it's true when you paints

are long, the old-timers David laugh

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about this because they know it, but

you have so many newcomers coming up

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now and they would like to see it easy.

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And then that's true.

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So too, so I keep my mouth shut.

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I to say anything anymore.

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Otherwise you get into trouble and there's

nobody either, either neither, neither.

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So Lexi, you can look it up, but for

no, we just follow it all in more.

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She know, look at Rhonda for, I have

a nice paint, but when move, I just,

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just, ah, Do you follow that in?

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And there's all this mystery.

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What you have there?

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A mystery?

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No, I wear, I wear, he was my loot fan

brush and every tree, a mystery tree.

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Mystery tree topic to use

maybe your cover trees.

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Hey, here's the closest one would be here.

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Go.

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This one is here, eh,

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reflected right into, but that's

hardly, hardly can see if you

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can hardly see it, but just nice.

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See.

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And the fan brush has a good tree maker,

the touch it and make their fan brush.

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Nice and sharp.

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You see how I do it here?

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I just make it nice and sharp.

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Not too much paint.

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Just throw the, no, you can God,

whatever you maybe have one here.

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Yes, lighter.

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perfect perspective perspective.

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Yeah.

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And then you can

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use the side of your brush and you're

not, not the P D that makes it nice.

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It gives you mystery.

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That's not fine.

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And I don't know if I do the same thing

in the water here in the water here.

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It's so little.

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It's so fine as you,

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and there's no light and shadows.

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What makes it nice to know?

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You can put in as many trees as you want.

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But I would just be, I have

to listen to my producer.

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Easy.

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I hear that was always easy.

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He says easy.

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Yeah.

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Yeah.

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Nice.

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This has to be lighter than that.

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if you put the auditory in here, this

really just test and it's not there.

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It's dead.

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If she, or isn't, she.

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there's nothing to Todd.

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Actually.

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It is wonderful to, to pain that kind of

a tune, low key, low key Ray, lucky C.

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And then if you want to, if you want to.

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Ew.

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Ew.

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Ew, Ew.

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Ew.

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Ew.

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Ew.

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Ew.

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Ew.

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Ew.

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Is that fan brushing it that big brush

again and brush it out, make it more far.

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You see, I, I make it this far.

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He air foggy.

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Uh, but otherwise it disappears.

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It disappears and yonder.

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If that is not easy,

what that Darryl is easy.

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And I think it is a good lesson.

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You know, we, we get too much stormy

into a painting when, you know, I was

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saying you have to have big mountains or

big farms or big something powerful in

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the middle that you can have a painting,

but she just has no has nothing special.

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It has a mood I put on my team mood into

that painting, and I think it's wonderful.

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Let's do that.

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I don't want really, I don't want to

make it more difficult card because they

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know, they know they got into turnover.

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That's habit that right.

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That's it.

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That's right.

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for sure.

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Lane Dawn and it's dead.

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It's not dead.

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Can you see in a wonderful, I don't

know if the camera picks that up.

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There is such a delicate thing, but

it's a wonderful, it's really wonderful.

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I really enjoy it.

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I really do enjoy this.

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I have to just three modern my thinking

and they have to see my friends on TV.

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Now I see your home sitting

there and watching me and

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depends on mood you're in.

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Depends on what storm yard.

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I like it, obviously with the

rough, I am a rough guy, but

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some people are very fine.

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They're fine.

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Tune.

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And that's where before

fine tune people here.

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Fine tune.

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I can see if you put a nice frame around

that it will be not the bad painting.

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Hmm.

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I really liked that.

259

00:18:32,415 --> 00:18:35,355

But it be nice if you write mr.

260

00:18:35,355 --> 00:18:39,195

Hartman and time, no

matter how hard you are.

261

00:18:40,425 --> 00:18:42,105

I like it, or I don't like it.

262

00:18:43,545 --> 00:18:47,655

Well, he is the guy that

has to bring it out.

263

00:18:48,915 --> 00:18:50,265

So there's everyone likes it.

264

00:18:50,325 --> 00:18:51,495

And I think he's right.

265

00:18:51,795 --> 00:18:57,195

It's obvious too much to star me

too powerful to overtake over.

266

00:18:57,465 --> 00:19:00,495

And this is such a

wonderful, easy breezes.

267

00:19:01,785 --> 00:19:06,405

I can, I can feel the breeze here

right now, standing in that painting.

268

00:19:06,765 --> 00:19:08,025

I feel the breeze.

269

00:19:08,025 --> 00:19:14,055

I feel that the easy day is gone

by and you can cry sometime.

270

00:19:14,295 --> 00:19:17,385

You know, you have the blues,

you have the blues and you could

271

00:19:17,565 --> 00:19:19,305

sit there here on the stone.

272

00:19:20,325 --> 00:19:22,605

I shouldn't be put some

stones in there in front.

273

00:19:23,295 --> 00:19:25,695

When I sit on that stone

and look into that mess.

274

00:19:26,535 --> 00:19:32,205

And see the board go by and

she, the board called by that,

275

00:19:32,205 --> 00:19:34,305

just run there on the floor.

276

00:19:35,435 --> 00:19:36,395

So let's do it.

277

00:19:46,415 --> 00:19:47,015

So.

278

00:19:47,925 --> 00:19:54,735

He is all just very delicate, very light,

light, light, light movements there.

279

00:19:55,455 --> 00:19:56,475

Now what I do now,

280

00:20:00,875 --> 00:20:01,024

yeah.

281

00:20:01,135 --> 00:20:05,915

Could say it could be finished, but

I like to have a bit more movement.

282

00:20:05,915 --> 00:20:09,064

Like when movements she used very gentle.

283

00:20:09,335 --> 00:20:11,975

I use white alone.

284

00:20:12,034 --> 00:20:14,794

Just write alone and heritage here.

285

00:20:15,995 --> 00:20:16,375

He.

286

00:20:21,524 --> 00:20:22,095

You see?

287

00:20:22,725 --> 00:20:22,784

Yeah.

288

00:20:26,855 --> 00:20:28,385

Nice movements.

289

00:20:29,074 --> 00:20:30,845

Nice little move, man.

290

00:20:31,385 --> 00:20:33,455

Me or you put it right in the water too.

291

00:20:37,054 --> 00:20:38,495

Nice and move man.

292

00:20:51,199 --> 00:20:56,689

but if you think, uh, it's just

not too good, then tell him

293

00:21:03,800 --> 00:21:04,159

for him.

294

00:21:04,159 --> 00:21:05,199

It's very important.

295

00:21:05,210 --> 00:21:08,215

Uh, Yeah, it's very important

296

00:21:11,375 --> 00:21:12,555

to do.

297

00:21:13,895 --> 00:21:17,225

There are movements to have it easy, easy.

298

00:21:17,285 --> 00:21:20,545

E V E the

299

00:21:25,895 --> 00:21:27,275

well, it's such a delicate thing.

300

00:21:27,275 --> 00:21:28,565

You hardly can see it.

301

00:21:28,625 --> 00:21:29,585

That's the problem.

302

00:21:29,855 --> 00:21:30,605

I see it.

303

00:21:30,785 --> 00:21:32,735

And I hope the camera can bring it out.

304

00:21:34,695 --> 00:21:37,665

Oh, we receive, we receive

when we're done, then I'd like

305

00:21:37,665 --> 00:21:39,795

to get that, that light here.

306

00:21:40,695 --> 00:21:49,095

Can you see it for do do good, but

just the, just the background in there.

307

00:21:50,925 --> 00:21:51,105

Yeah.

308

00:21:51,105 --> 00:21:51,885

In between.

309

00:22:02,310 --> 00:22:06,000

So, uh,

310

00:22:15,770 --> 00:22:19,429

no, you have to be very quiet

when you're paying like that.

311

00:22:20,179 --> 00:22:23,209

You can fall asleep and

you're paying later.

312

00:22:24,945 --> 00:22:29,985

And when you hear me snoring, then

you know, the, the painting is done.

313

00:22:32,765 --> 00:22:34,205

Oh, we have to have fun.

314

00:22:34,205 --> 00:22:35,495

You have fun.

315

00:22:36,095 --> 00:22:37,875

Otherwise it will not work.

316

00:22:37,875 --> 00:22:43,145

If I just tried to put with movements

in this, get loose, loose, like a goose.

317

00:22:44,610 --> 00:22:45,540

See what I do.

318

00:22:45,780 --> 00:22:50,460

I just bring out a bit more that up,

down, up, down, up, down, up, down, and

319

00:22:50,460 --> 00:23:01,640

that's it, but leave it dark here, but,

and that has a ring arrest laws and, uh,

320

00:23:07,155 --> 00:23:09,274

Yeah, it's nice.

321

00:23:09,274 --> 00:23:12,665

When you can paint with feelings

and this is really a lot of feelings

322

00:23:12,665 --> 00:23:15,365

in it and that makes it Nick.

323

00:23:18,754 --> 00:23:20,524

Well, be nice if you say it is good.

324

00:23:22,085 --> 00:23:23,284

I don't know what to do.

325

00:23:24,575 --> 00:23:29,044

I don't know what to do with

you don't know what to do.

326

00:23:32,810 --> 00:23:34,070

He was nice.

327

00:23:34,070 --> 00:23:37,310

Can you see when you do this

little bit of that helps a lot.

328

00:23:42,410 --> 00:23:43,400

I just correct.

329

00:23:43,400 --> 00:23:45,950

Know what I wish I could have?

330

00:23:54,560 --> 00:23:55,160

No.

331

00:24:01,080 --> 00:24:13,200

So that the breeze go by and let the

world is called by the divorce or by no,

332

00:24:18,750 --> 00:24:19,380

we are.

333

00:24:24,255 --> 00:24:33,225

Yeah, just put a couple of movements

and Ooh, man, that was go by.

334

00:24:33,735 --> 00:24:39,845

I want us to feed a little bit of a breeze

going through the, and I'm next to God.

335

00:24:39,875 --> 00:24:41,375

You are the creator.

336

00:24:41,405 --> 00:24:43,985

You are the mighty

creator of your painting.

337

00:24:44,435 --> 00:24:49,955

You have to put that nude in

and you have to live with that.

338

00:24:50,375 --> 00:24:50,645

Yeah.

339

00:24:53,865 --> 00:24:54,525

No, everything.

340

00:24:54,525 --> 00:24:57,375

Every touch is such a light,

light, light, light touch.

341

00:25:06,545 --> 00:25:08,285

The, I can see it here.

342

00:25:08,575 --> 00:25:09,845

It's very, very light.

343

00:25:10,235 --> 00:25:13,055

I hope you can see it on TV too.

344

00:25:14,160 --> 00:25:16,920

Mystery mystery.

345

00:25:17,340 --> 00:25:19,680

I hope you enjoyed mystery.

346

00:25:20,010 --> 00:25:21,840

And Dan, thank you for watching.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Terra Incognita - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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