Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Spring Thaw - AVAILABLE
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I'm bill Alexander, the father
and the finder of the magic
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of oil painting forever.
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You have seen me on TV and I
think, you know, me already, so.
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Let's go right into
almighty painting today.
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First I have to bother myself up.
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I have to brainwash my serve
what the devil I runs to do.
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You see a white canvas there
and, and eh, our, you should
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have a mighty painting there.
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And every time I create it is a
different creation to D I have.
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Something lined up with water, running
off the Hill, some kind of Hills in
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the back there and water on your far
via coming close and water run you off.
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Like, like it really is in the
mountains when you live there, the
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water's coming from one side and
they went over here and they come
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up here and they pop up here again.
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And finally is a bigger
enough in the front.
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So maybe a little waterfalls in between.
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You see how you.
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Create already in your mind, something,
whatever it is on this earth.
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And I wish you would learn that.
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I show you how to do it
because I do it for 40 years.
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And naturally I grow into that, but
I want you younger people out there.
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To learn to create, because then
you have originals originally
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painting, but always selling and
copies who wants to buy a copy?
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When you have a, you know, the
neighbor has one, the other
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one has one that's the same.
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Like a lady wants to buy a dress.
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You see everyone running with
the same dress on the street.
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You don't, you don't like it.
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We want something original.
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And that's what I have learned.
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I really have learned
in my lifetime too bad.
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We all get all done and we, you
know, we can only use it so long,
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but I really have learned to use my
inside my brain or my whole feelings
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to create something like today.
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I say running after her,
water's running after her.
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It's a nice one.
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You can say that.
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And the finished product,
then naturally I have to talk.
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Is it, is it on the fields?
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Is it in the mountain?
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It's wherever it is, there could be some
time of water runoff having an event
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mill in between, you know, like a little
house with the water wheel turning, you
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know, you can do all kinds of things.
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You're not devoted enough
after Harold's here.
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And all of a sudden that same water
is turning your boarder wheel.
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Can you scan, you see how easy
it is to create if you just use
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mother nature, but mother nature
tells you there's no problem.
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No problem, the, and that's what
I do today, but then they have to
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say, where's the light coming from?
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That's obvious.
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Number one, light.
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You're the leader of light.
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You are my leader of life and I wish
you would always talk like that.
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Never say I'm the leader of
light armed are my stock chic.
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Um, because it helps the
canvases are at the listen.
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Is there everyone is listening.
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Do you know this threes
are listened to you?
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I really have learned that my trees
home, they are listened to me and
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I can see, I can see somewhere.
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Maybe it's just me.
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Now.
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I can see somewhere the tree is listen.
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Beautiful XE.
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And I believe if you express
yourself, it is S you know,
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it already is on the canvas.
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Something has, something
has happened there.
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The, and then the rest we make it happen.
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Okay.
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Good fire.
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And got the right, right pallet,
right pain is your mighty paint.
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Everything is our mighty round.
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You are my Hebrew rushing my mighty
hand and no on my D creative power
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should the right come in there.
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So I put it on mighty magic
by it and not on my canvas.
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And do you don't feel around you
just fires right into that canvas?
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It's a beautiful vibe of living.
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You know, it's really a wonderful
vibe of being here on this earth.
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And especially when you create and
you don't have to punch the clock.
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That's what I encouraged.
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Especially people about their attire go
and create and paint and do something.
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You leave something behind.
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You know, one day we are all
gone, but it's nice to leave some
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mighty original paintings behind.
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See, look at that covered
already covered already.
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No, I obviously like to mention too much.
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Magic vibe is not good.
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Not enough is not good.
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No, I will show you how I always do it.
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Four and back horizontal vertical,
couple of times with this, you
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know, this all covered nicely.
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Then it slides and slips everywhere.
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D bash your brush, wash your mighty brush.
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Make sure you have a dry brush
brush and a clean brush and
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go over the whole thing again.
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They're the steps they do all the time.
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Then I have the right amount of paint, the
right amount of magic bites on the canvas.
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See, wonderful.
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These that I, I use the, you know, as
long as you paint as more, you get to know
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that it's already the amount you need.
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It's just for beginners actually, but
just you have to do it whom I am zoo.
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Surely I feel the pool.
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There's a certain pool and that's all
you have to have the, I wash my brush.
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No, I will say again,
make a happy little sky.
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Always next comes.
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Next first came the sky.
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Don't matter.
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What kind of a color?
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Happy little blue, maybe again,
having a little blue again.
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And you see when you're,
it's you mix on the canvas?
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I mixing on the canvas.
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When you see the blue here on
the pilot, can you see it here?
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It is your dog and you see
it there it's all light.
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How is it possible?
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I didn't mix it here.
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I mix it because I have the magic right on
the canvas Z and I created sky there, man.
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And I said the light is coming.
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I always liked to run sidelights because
it helps me creating better paintings.
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The maybe here we can clean the
brush, just clean the brush.
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We need that voice on the end of
water's running off somewhere here
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and a sky blue bought the blue.
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Fine.
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You can use any color there.
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You can make it in.
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Depends on what day you got.
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So maybe we put the little
happy cloud in there.
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yes.
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The little happy cloud there.
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There's a couple of that happy movements.
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The, and do with this,
my dude for this vain.
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Dang, you are the cloud.
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You're floating up there.
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Yay.
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Okay.
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Bit more.
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Maybe, maybe
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the, you have to have a little bit
more light because I went to pout
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pound in the mountain part there and
against the light that looks better.
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That's good enough.
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Good enough for start.
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Fine.
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Wash your brush.
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The wash your brush, hypnotize.
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This guy, if you want, you can
leave with some sometime it's just
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a happy right through sloughy cloud.
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And if you want some shadows, we say
the light is coming from the side.
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It's most 10 o'clock in the morning.
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And I, well, I went
then maybe a little bit.
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Uh, I live in Crimson.
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with depression blue,
with the, for in Crimson.
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You see like this, and then you
just attach it to a little bit and
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then you can see as good, yeah.
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To read between it.
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Little bit more blue.
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There's a little bit more blue.
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You just add the, the shadows mother
earth throws the shadows against
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the cloud, obviously, because
the light is coming from there.
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The light will be then,
then on top, you see.
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Oh, there you are.
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Do you maybe hear a little bit
around and we hear that one.
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The,
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if you wants to do that, then
you have me that's close.
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Yeah.
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Maybe hear a little bit of it.
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Yeah, dance dancing in there.
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Good, good hypnotize.
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The whole thing.
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See, here's your ties, the whole thing.
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And you see, by doing
what I do, I hypnotized.
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If you had a loose paint,
it is impossible to do that.
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That's right.
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Everyone wants to talk over and over.
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We need a solid, thick, strong paint in
order to paint better and vetted by show
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you don't ever start with other paint.
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I would not have made up that pain if I
didn't need it so badly, it just came to
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lead for me because I don't teach anymore.
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When I was teaching, it was a joy
to have, there was a time where we
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sent the people out to all the stores
and say, buy a thick, strong paint.
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If you can find them all up the tube and,
and, and see if the oil comes out, if it
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is too soft, put it back in the shelf.
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The, no, we got it.
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We got the pain, but it's just,
just beautiful and wonderful,
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wonderful to live with.
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There's a joy for me.
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It is just a shame that it came too late.
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But you should really, you
should really, I see that and
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think about it when you paint.
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Okay, good.
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No of you filing on mighty
mountain and our mighty knife.
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The look on my deplane
for the clump up there.
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You know, I will do a lot, a lot
of mountain movements because they
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wants to put the waters around
the water running after there.
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I will start far by that Tasha blue.
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There's your blue.
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And, and I couldn't mix the
whole thing up because every the,
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what we do, I mix the mileage.
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I would think about it
as mom said, 30 miles.
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Good.
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Now I put 30 miles up there, 30 miles.
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So in my.
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The Nova and you mix tick
the whole, look at that.
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Look, this, have a good close up on this.
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And you mix it so that it looks
like, Oh, look like marvelous.
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You would like to eat it.
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It is like, ah, it's so wonderful.
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You would think it is nice for your eyes.
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You know, it is wonderful right on
the canvas there, the everything
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around you should be pleasant and,
and, and the joy to, to look at.
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He does.
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What's all art about something wonderful
for your eyes, wonderful for your ear,
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good music, you know, really think about
what, what really make you cry or even,
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even seeing things, but not something
bad, but something that makes you excited.
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Maybe a little bit more darker.
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There's a little bit more though.
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We start off with, uh, with the.
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30 miles.
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I would say before I
created kind of a fall.
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I let's see how it will look.
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It's a bit too light.
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You see, then, then naturally you put
a bit more, more, yeah, a bit more.
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He gone, come on.
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If it does not right.
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It's too easy to put it.
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Is it staring at the same color?
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I live in Crimson.
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And present blue naturally
invite the, now try it again.
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Right.
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So whatever wants to do there, the water
will obviously run off in the Valley.
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I already create two mountain parts.
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Does they have a Valley or opening where
the water collects from all the sides?
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And then we start off from there.
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Maybe here is other, other parts
of a mountain going up there.
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The, and I create this in between the
now, now I can take, the voters can
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run out from there, started from there.
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Can you see how wonderful
the creative power can be?
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Z.
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All right.
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All right.
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And the height is powerful.
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Uh, what a wonderful wife living.
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No.
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I like, I like the, the, you
know, I have a four wheel drive
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and I go into the mountains and
I like to be something all alone.
243
00:14:04,485 --> 00:14:10,785
What did, there's so much that mountain
talks to you wherever you are and the
244
00:14:10,785 --> 00:14:12,435
animals, and you hear the grounds.
245
00:14:13,005 --> 00:14:15,315
Hollering from mountain to mountain.
246
00:14:15,525 --> 00:14:16,455
Is he like this?
247
00:14:16,455 --> 00:14:20,925
I, I cut it in like fog first.
248
00:14:21,075 --> 00:14:30,165
That's far by far by far by
the, maybe even here, even
249
00:14:30,165 --> 00:14:32,055
here, we start off from there.
250
00:14:34,995 --> 00:14:36,855
You see it and you don't see it.
251
00:14:37,035 --> 00:14:39,255
That's that's the mountain.
252
00:14:39,600 --> 00:14:43,680
Part coming in there and maybe here can be
253
00:14:49,200 --> 00:14:52,770
That will give me the next step, the
next mountain all around, but let's
254
00:14:52,770 --> 00:14:54,480
start off with, with what we got there.
255
00:14:54,480 --> 00:14:58,020
First this we start off
with next comes next.
256
00:14:58,230 --> 00:15:02,250
This part first then will be
other mountain and then other,
257
00:15:02,340 --> 00:15:05,460
and you certainly see that water
coming over and over and over.
258
00:15:05,580 --> 00:15:08,670
And finally a little voter file somewhere.
259
00:15:08,880 --> 00:15:12,780
And then it really splatters all
out and runs all out forever here.
260
00:15:14,295 --> 00:15:15,255
That is a start.
261
00:15:15,825 --> 00:15:16,725
Okay.
262
00:15:16,905 --> 00:15:17,655
Okay.
263
00:15:21,005 --> 00:15:21,215
that?
264
00:15:21,215 --> 00:15:26,495
You're white and the texture of red,
but there's a real little touch.
265
00:15:26,585 --> 00:15:28,025
I hide all the time.
266
00:15:28,175 --> 00:15:29,675
I shouldn't hide on you.
267
00:15:30,035 --> 00:15:30,785
I shouldn't hide.
268
00:15:30,785 --> 00:15:32,825
I'd like to show you what I'm doing.
269
00:15:33,485 --> 00:15:34,505
What I am do.
270
00:15:34,505 --> 00:15:34,895
N.
271
00:15:39,350 --> 00:15:43,850
I think to hide, you know, it's just
so too, there are so many galleries.
272
00:15:43,880 --> 00:15:47,300
They don't allow you to have a camera
and they don't allow you to have that.
273
00:15:47,300 --> 00:15:51,680
And that, and I am the most free
Sanibel gun because I love people
274
00:15:51,710 --> 00:15:54,380
to see everything and learn.
275
00:15:54,410 --> 00:16:00,020
And, and because I learned from other
people, I never said, thanks for it was
276
00:16:00,050 --> 00:16:03,920
good for me to know what was the spot.
277
00:16:05,310 --> 00:16:05,670
D.
278
00:16:06,180 --> 00:16:08,160
And can you see that heavy, strong paint?
279
00:16:08,160 --> 00:16:09,180
How that breaks?
280
00:16:10,110 --> 00:16:12,720
He just kind of a mountain side there.
281
00:16:20,600 --> 00:16:24,140
no good that, ah, ah, nice.
282
00:16:24,770 --> 00:16:25,790
That hurts.
283
00:16:26,360 --> 00:16:27,650
It hurts sometime.
284
00:16:27,650 --> 00:16:29,360
And when, when you know.
285
00:16:29,805 --> 00:16:32,175
There are tears of, of, of pain.
286
00:16:32,325 --> 00:16:37,335
And there are tears of,
of, of, uh, of happiness.
287
00:16:37,665 --> 00:16:42,045
And I always sometimes get tears of
happiness because it's such a joy
288
00:16:42,225 --> 00:16:46,815
just to, could you make a close up on
this, that little bit of paint here?
289
00:16:47,205 --> 00:16:52,765
The, all the thousands of details
with one or my art is through, this
290
00:16:52,765 --> 00:16:58,905
is what makes you alive and what
it just too much, just too much.
291
00:16:59,895 --> 00:17:02,295
They maybe hear something's coming down.
292
00:17:02,955 --> 00:17:03,645
Look at that.
293
00:17:04,005 --> 00:17:05,175
Oh God, it hurts.
294
00:17:05,685 --> 00:17:06,704
It is so nice.
295
00:17:07,694 --> 00:17:09,555
It's so nice as you can cry.
296
00:17:12,375 --> 00:17:12,975
Okay.
297
00:17:13,575 --> 00:17:16,065
Now on this side is the shadow side.
298
00:17:16,125 --> 00:17:18,485
So we'll have paint again.
299
00:17:18,485 --> 00:17:20,465
I hide all the time on you.
300
00:17:20,645 --> 00:17:22,355
I will not anymore.
301
00:17:23,125 --> 00:17:25,865
Would be nice if you could
holler back to me and dizzy.
302
00:17:26,250 --> 00:17:27,600
Hey, don't hide it.
303
00:17:28,230 --> 00:17:36,540
Show me the attention of blue into that,
but avoid the red, leave the red alone,
304
00:17:36,660 --> 00:17:39,930
because then you have the wrong blue.
305
00:17:40,260 --> 00:17:42,540
He, that is a nice, clear blue.
306
00:17:42,840 --> 00:17:47,250
And I fired off on this
side just to set aside the.
307
00:17:52,320 --> 00:17:52,440
Yeah.
308
00:18:04,790 --> 00:18:07,520
You know, we, we will start from there.
309
00:18:07,550 --> 00:18:08,750
We will start from there.
310
00:18:09,590 --> 00:18:10,700
We will start from there.
311
00:18:14,690 --> 00:18:15,770
The other side.
312
00:18:16,125 --> 00:18:19,695
The other side is to the sunny side.
313
00:18:20,115 --> 00:18:22,845
The here, here, here, here, here.
314
00:18:22,845 --> 00:18:24,285
That's the sunny side.
315
00:18:25,125 --> 00:18:25,215
Yeah.
316
00:18:38,855 --> 00:18:41,045
Again, I will go over here.
317
00:18:42,035 --> 00:18:43,295
We'll let together.
318
00:18:44,235 --> 00:18:50,595
And now we have to find the vial shown
there some water on the, I maybe use
319
00:18:50,595 --> 00:18:59,295
this pure advice and an olive garden it's
there pops up, disappears, pops up to the
320
00:18:59,295 --> 00:19:02,745
peers, pop up, pops up and disappears.
321
00:19:04,095 --> 00:19:06,735
You just would like to think
that's the way, that's the
322
00:19:06,735 --> 00:19:08,175
way the waters around you off.
323
00:19:08,655 --> 00:19:12,645
But there's a coming down the Hill
here and there and there, and there.
324
00:19:16,445 --> 00:19:16,625
Yeah.
325
00:19:16,625 --> 00:19:20,405
And that's what feeds the leaks,
the valleys and the rivers.
326
00:19:20,405 --> 00:19:22,205
And it starts there,
327
00:19:26,125 --> 00:19:31,294
you know, we will create the other
side of that and mighty mountain
328
00:19:39,330 --> 00:19:45,210
In a nice venue can use one stroke and,
and you have all those details there.
329
00:19:45,960 --> 00:19:53,820
That is the whole secret about our
paint is even when you have beginners,
330
00:19:53,820 --> 00:19:56,220
never know, they never know this.
331
00:19:56,220 --> 00:19:57,660
The paint will help him.
332
00:19:57,930 --> 00:20:01,230
The paint will make you
under paint will break you.
333
00:20:03,320 --> 00:20:03,470
All right.
334
00:20:04,280 --> 00:20:04,580
Perfect.
335
00:20:06,700 --> 00:20:07,560
You hear me?
336
00:20:07,650 --> 00:20:09,480
We, uh, this
337
00:20:14,030 --> 00:20:15,710
tied to put distance in there
338
00:20:22,640 --> 00:20:24,200
and snow, whatever
339
00:20:30,680 --> 00:20:33,740
they start off at the water's right there.
340
00:20:35,535 --> 00:20:38,025
Now you see what I did here?
341
00:20:38,325 --> 00:20:45,045
We say that is 30 miles, but you see
there now I will come down to two.
342
00:20:45,615 --> 00:20:49,815
I use a bit more of an, like a
passionate blue, a bit more alizarin,
343
00:20:49,815 --> 00:20:56,205
Crimson, and a bit more I put
right now I put a little bit of.
344
00:20:57,750 --> 00:21:05,700
When like Browning, you see, my mountains
are 10 miles close now, can you see it?
345
00:21:06,090 --> 00:21:07,320
That's all it was.
346
00:21:07,500 --> 00:21:09,389
I made what I mixed here.
347
00:21:09,389 --> 00:21:13,620
I mixed 30 miles back to 20 miles.
348
00:21:13,690 --> 00:21:15,210
That is 20 miles.
349
00:21:15,660 --> 00:21:19,910
And every show 20 miles Luke,
you see, there is 20 miles.
350
00:21:20,149 --> 00:21:22,879
Now you, you cover up what you don't like.
351
00:21:23,250 --> 00:21:29,310
See, that's the nice part of, of
creating and you create, I do it
352
00:21:29,310 --> 00:21:34,890
here just again, different when
you have to paint a painting, uh,
353
00:21:34,950 --> 00:21:36,870
what is, uh, is a certain mountain.
354
00:21:36,870 --> 00:21:41,100
You have to paint that that's different,
but you see here this mountain, what
355
00:21:41,100 --> 00:21:47,250
I see already appears to me like a
sugar cane, sugar loaf or whatever.
356
00:21:47,460 --> 00:21:51,450
So then, then what did they
ever break it up a little bit?
357
00:21:51,810 --> 00:21:52,320
Z.
358
00:21:55,305 --> 00:21:55,965
Sometimes yeah.
359
00:21:56,525 --> 00:22:00,275
Divided looks, but what
is right and what's wrong?
360
00:22:01,445 --> 00:22:03,395
What is this your taste?
361
00:22:03,425 --> 00:22:09,845
Because then you see, you know, this
talks, what is good looking what's bad.
362
00:22:09,845 --> 00:22:13,325
Looping, you know, it's
a taste of an artist.
363
00:22:14,075 --> 00:22:16,835
What is bad for me might
be good for other one.
364
00:22:18,275 --> 00:22:20,105
As assemblies, you see a graph.
365
00:22:20,910 --> 00:22:25,770
Now you see the poor thing has such
a big body and a long neck and a
366
00:22:25,770 --> 00:22:28,170
small head and it doesn't harmonize.
367
00:22:28,170 --> 00:22:30,120
Something is not harmonizing.
368
00:22:30,270 --> 00:22:33,020
Then you see, you see,
bro is your horse too.
369
00:22:33,020 --> 00:22:35,310
To me, the horse is so perfect.
370
00:22:35,370 --> 00:22:38,940
Good muscles, the right head to
the right neck, to the right body,
371
00:22:39,090 --> 00:22:40,620
the right length of the foot.
372
00:22:41,130 --> 00:22:46,350
And the, no, there is something
with us as an artist, you see
373
00:22:46,350 --> 00:22:49,380
something, it just doesn't harmonize.
374
00:22:49,440 --> 00:22:49,860
Right?
375
00:22:51,735 --> 00:22:54,885
Some people have no eyes for
that and they should not paint.
376
00:22:55,065 --> 00:22:56,595
They should play piano.
377
00:22:57,885 --> 00:23:00,554
You know, I have to tell
you a lot of people already.
378
00:23:00,554 --> 00:23:05,325
I said, I know you should
not or become modern.
379
00:23:05,534 --> 00:23:09,675
That's the only thing you can do
then become a modern artist because
380
00:23:09,675 --> 00:23:14,205
then you can find him whatever you
want and you can become famous too.
381
00:23:14,355 --> 00:23:15,735
And you can make lots of money.
382
00:23:17,415 --> 00:23:18,405
I better not talk about it.
383
00:23:18,405 --> 00:23:21,885
That's the subject it's
I'm anchored with to me.
384
00:23:22,215 --> 00:23:24,315
Life is so solid, right.
385
00:23:24,315 --> 00:23:28,065
As right and wrong is wrong and
all that baloney in between.
386
00:23:28,245 --> 00:23:29,955
I just can't get along with that.
387
00:23:31,245 --> 00:23:32,415
I just can't live with that.
388
00:23:32,505 --> 00:23:32,835
You see?
389
00:23:32,835 --> 00:23:33,885
And that's what I say.
390
00:23:34,515 --> 00:23:36,345
What is good, Luke and what's bandwagon?
391
00:23:36,345 --> 00:23:40,455
No, I just had the, I started talking
because I felt that that sugar
392
00:23:40,455 --> 00:23:43,065
loop there it's stuck out to me.
393
00:23:43,395 --> 00:23:45,495
It was too clumsy.
394
00:23:45,495 --> 00:23:49,095
All of a sudden it wouldn't
make the, then you cover it up.
395
00:23:50,730 --> 00:23:51,659
Did I talk, right?
396
00:23:51,899 --> 00:23:53,340
I hope you understand all that.
397
00:23:53,379 --> 00:23:54,270
This is IDs.
398
00:23:54,450 --> 00:23:58,169
Maybe, maybe we got in the tire
make exciting mountain right
399
00:23:58,169 --> 00:23:59,399
in front of that mountain.
400
00:23:59,639 --> 00:24:02,120
It makes a double, I make double money.
401
00:24:02,570 --> 00:24:05,090
He makes a better seller.
402
00:24:05,960 --> 00:24:06,350
Mr.
403
00:24:06,350 --> 00:24:10,460
Seller, mr.
404
00:24:10,460 --> 00:24:13,760
Seller, zing me a dream.
405
00:24:15,975 --> 00:24:20,475
Can you see what I did now you saw,
or did you like that mountain behind?
406
00:24:20,595 --> 00:24:22,035
I don't think you liked it either.
407
00:24:22,275 --> 00:24:27,075
It was something I was on clumsy
and then you are the creator.
408
00:24:27,105 --> 00:24:28,425
You are next to God.
409
00:24:28,485 --> 00:24:31,575
You, you make it nice looking.
410
00:24:31,845 --> 00:24:34,215
The, even here, this world is coming down.
411
00:24:34,245 --> 00:24:35,065
It's nice.
412
00:24:35,085 --> 00:24:37,485
Like the, I would like to
show the beginning here.
413
00:24:37,635 --> 00:24:39,705
Maybe not to go right in the center.
414
00:24:39,705 --> 00:24:41,115
I would start off here.
415
00:24:41,655 --> 00:24:46,754
The start of here and,
and Zoe will say, uh,
416
00:24:50,415 --> 00:24:54,885
you know, I cut, I cut ladder, lot
of things down, all of a sudden,
417
00:24:58,274 --> 00:24:59,115
can you see it?
418
00:24:59,865 --> 00:25:00,794
That's the next step?
419
00:25:00,825 --> 00:25:02,205
That's that goes behind?
420
00:25:02,205 --> 00:25:05,254
No, that's in the front and
I can move to the front.
421
00:25:07,725 --> 00:25:08,925
With more mileage.
422
00:25:09,225 --> 00:25:12,795
Uh, here, you can really
cover up that whole corner.
423
00:25:13,185 --> 00:25:16,845
If you want to and run it down here.
424
00:25:20,525 --> 00:25:22,415
I mighty mountain that whole corner.
425
00:25:22,415 --> 00:25:24,995
Can we all fit in?
426
00:25:25,475 --> 00:25:29,645
And you have a narrow look and
all of a sudden that clumsy big,
427
00:25:29,675 --> 00:25:31,835
even that is to me too clumsy.
428
00:25:32,015 --> 00:25:33,455
That still bothers me.
429
00:25:33,545 --> 00:25:34,595
I can't have it.
430
00:25:35,070 --> 00:25:36,810
We all have to live with what we got.
431
00:25:39,090 --> 00:25:40,160
I feel better now.
432
00:25:41,910 --> 00:25:42,540
So, all right.
433
00:25:42,900 --> 00:25:44,730
Let's let's do and do it.
434
00:25:44,730 --> 00:25:48,060
You arrive and ever you
feel, and I showed it.
435
00:25:48,090 --> 00:25:49,290
That's a good lesson.
436
00:25:49,290 --> 00:25:54,510
That's a good lesson because you
learn to do it from far away.
437
00:25:54,530 --> 00:25:57,150
You come close and you
correct all the time.
438
00:25:57,240 --> 00:26:03,150
Something, what bothers you cover up all
the bad things and leave the good things.
439
00:26:03,150 --> 00:26:04,320
And you got a good painting.
440
00:26:04,800 --> 00:26:05,370
Good thinking.
441
00:26:05,370 --> 00:26:05,850
Isn't that?
442
00:26:06,120 --> 00:26:06,570
Okay.
443
00:26:08,260 --> 00:26:11,830
You know, I got the beautiful end
look there and I that mountain
444
00:26:11,919 --> 00:26:20,040
around, well, well really when a
show up, always done nice and pull,
445
00:26:20,280 --> 00:26:22,740
pull it on a split with the swing.
446
00:26:23,490 --> 00:26:24,659
Swing it testify.
447
00:26:24,679 --> 00:26:26,189
You think it could be done?
448
00:26:26,520 --> 00:26:30,600
Maybe here, we would put it like
this and like this and like this and
449
00:26:30,600 --> 00:26:35,010
like this and the firing and fire.
450
00:26:35,010 --> 00:26:42,150
And, uh, the, this year on the radar,
the canvas, I have it highlighted soon.
451
00:26:42,210 --> 00:26:46,590
And, and then we have nice, uh,
the, against that every put the
452
00:26:46,590 --> 00:26:49,380
other one, never leave big blocks.
453
00:26:49,740 --> 00:26:51,030
Then, then, then.
454
00:26:51,389 --> 00:26:56,490
Then the painting, he loses his glory and
hallelujah, you have nothing left anymore.
455
00:26:57,659 --> 00:27:00,419
You obviously need that
glory and the hallelujah.
456
00:27:22,395 --> 00:27:28,375
No, I use my big brush again
and fire and fire and fire.
457
00:27:28,375 --> 00:27:34,665
And there's no paint as less
paint you have as easy as it
458
00:27:34,665 --> 00:27:36,284
is to paint on top of that.
459
00:27:38,085 --> 00:27:41,955
No, I create already new
duffle beginning in between.
460
00:27:42,014 --> 00:27:44,625
Maybe we'll have other boards
run off in between there.
461
00:27:44,625 --> 00:27:46,225
And then we meet here.
462
00:27:46,395 --> 00:27:48,165
It's such a wonderful thing to create.
463
00:27:48,870 --> 00:27:49,800
Creative power.
464
00:27:50,250 --> 00:27:52,170
I thought it would be a good lesson today.
465
00:27:52,200 --> 00:27:56,040
If I fly with water, how the
waters around you afterwards?
466
00:28:03,800 --> 00:28:06,590
And that's just what I got
and the guy lives up there.
467
00:28:06,680 --> 00:28:12,470
They call him his Gruber
because it digs did digs.
468
00:28:12,860 --> 00:28:14,000
Who's in the Hill.
469
00:28:15,470 --> 00:28:15,860
Mr.
470
00:28:15,860 --> 00:28:16,640
Hare Gruber.
471
00:28:21,000 --> 00:28:26,610
So now again, what you see there is
something, again, light on light.
472
00:28:26,639 --> 00:28:31,110
If I highlight that all light,
no, this against that light.
473
00:28:31,169 --> 00:28:34,979
I lose all that glory
and hallelujah again.
474
00:28:35,340 --> 00:28:37,649
So watch, watch what I do.
475
00:28:37,740 --> 00:28:41,550
Watch what I do see here.
476
00:28:41,639 --> 00:28:45,899
Maybe put that peanut and I will
see here is not there's no problem.
477
00:28:45,899 --> 00:28:47,070
There is no problem.
478
00:28:47,400 --> 00:28:48,810
The against the dock.
479
00:28:48,960 --> 00:28:50,340
There is no problem.
480
00:28:51,720 --> 00:28:57,390
You have no nothing to worry there,
but soon you come into that corner.
481
00:28:57,630 --> 00:29:00,450
What I do, usually I leave it open.
482
00:29:02,340 --> 00:29:05,010
I leave it open and slide off.
483
00:29:05,820 --> 00:29:06,420
You see?
484
00:29:10,290 --> 00:29:13,350
Neve that you can, you can
take them a little bit.
485
00:29:13,560 --> 00:29:17,040
You can take them a little bit because
the sunny side of the trip is very
486
00:29:17,040 --> 00:29:22,290
light there, but because you are
the creator, you are next to God,
487
00:29:22,350 --> 00:29:25,740
you created the value you'll feed.
488
00:29:26,820 --> 00:29:31,800
I don't want to lose maybe here
and then bed then a bit there.
489
00:29:34,140 --> 00:29:35,460
The dark against the light.
490
00:29:35,490 --> 00:29:38,460
That that's very, very good here.
491
00:29:38,460 --> 00:29:39,750
You slip it down.
492
00:29:42,760 --> 00:29:43,320
Okay.
493
00:29:45,350 --> 00:29:51,410
You know, and, and on this side
again, you use the blue, you use the
494
00:29:51,410 --> 00:29:58,640
blue, the touch of blue and you fire
and the, again, blue against blue.
495
00:29:58,640 --> 00:30:00,440
I wouldn't like to ruin the whole thing.
496
00:30:04,230 --> 00:30:06,720
That is your, that is your business.
497
00:30:06,720 --> 00:30:12,900
Is your, your vibe of creating,
uh, you always have to have
498
00:30:12,900 --> 00:30:17,100
a feeling of it separates.
499
00:30:17,160 --> 00:30:21,030
Otherwise if you put it all
together, then it doesn't make sense.
500
00:30:24,420 --> 00:30:30,870
The nicest, the blues shed, the blues
are there are the, the blues, the
501
00:30:30,870 --> 00:30:39,440
he, a fire in the beard, happy the,
in that pain and that, in that isn't
502
00:30:39,470 --> 00:30:48,550
that something, Oh, God, look at the
money you make that alone is 50 bucks.
503
00:30:51,345 --> 00:30:52,145
And you do it.
504
00:30:52,455 --> 00:30:53,985
It's not the truck time.
505
00:31:07,145 --> 00:31:09,545
Lifesaver compass strokes.
506
00:31:10,025 --> 00:31:14,675
A good artist is the one, but can
they pay, but 10 express themselves
507
00:31:14,945 --> 00:31:16,745
with a couple of my district folks.
508
00:31:17,430 --> 00:31:18,510
And he shows something.
509
00:31:18,930 --> 00:31:21,990
That's the artist, the
other guy for diabetics.
510
00:31:23,300 --> 00:31:23,659
It's funny.
511
00:31:23,659 --> 00:31:28,010
People always think you have to work
for hours and years on a lousy painting.
512
00:31:29,149 --> 00:31:32,990
There was once I never forget that
in the newspaper, the guy painted
513
00:31:32,990 --> 00:31:38,210
the queen in England and it took
him three years to paint the horses.
514
00:31:38,240 --> 00:31:38,990
There was a Hawk.
515
00:31:39,050 --> 00:31:40,700
He must sit on a horse naturally.
516
00:31:40,940 --> 00:31:43,070
Beautiful, done, although perfect.
517
00:31:43,575 --> 00:31:46,335
No it was, but I think he
painted obviously a half an
518
00:31:46,335 --> 00:31:48,615
hour every day or every week.
519
00:31:49,145 --> 00:31:50,865
That's what I really think it was.
520
00:31:51,105 --> 00:31:56,055
He painted the half an hour every
week and it ended up to a year and
521
00:31:56,055 --> 00:32:00,435
then he made three years so that
when the queen pace I would do too,
522
00:32:00,435 --> 00:32:04,485
as an artist, I would stretch it
and stretch it to make a happy buck.
523
00:32:05,730 --> 00:32:11,220
You know, I wasn't the prison camp in
Marcy and I painted American colonists,
524
00:32:11,250 --> 00:32:18,240
you know, and, and majors and all the
army people, but all their, their buttons,
525
00:32:18,240 --> 00:32:20,460
you know, and all the Eagles and ribbons.
526
00:32:20,460 --> 00:32:25,020
And it never took me more than three
days and had a beautiful portrait done.
527
00:32:25,110 --> 00:32:30,240
But with all the little details, you could
see every letter, every little thing.
528
00:32:31,620 --> 00:32:34,740
And the mustache had to be okay
529
00:32:39,170 --> 00:32:42,200
again, is this, this is what
I really wants to express.
530
00:32:42,710 --> 00:32:44,960
Shout to you, did this
531
00:32:48,290 --> 00:32:49,670
to make it close up.
532
00:32:49,700 --> 00:32:55,040
Could you show that in a beautiful, all
the details and Warren or my distro?
533
00:32:57,330 --> 00:33:01,740
And if you have a paint, but
smears, you got the smeary painting
534
00:33:05,240 --> 00:33:07,850
light, nice little light
tach, and you got it.
535
00:33:08,810 --> 00:33:11,660
So you guys, you should kiss
me for showing you all that.
536
00:33:12,410 --> 00:33:12,620
Hello.
537
00:33:18,145 --> 00:33:18,265
Yep.
538
00:33:21,905 --> 00:33:24,995
That's the light side again and there.
539
00:33:25,235 --> 00:33:29,495
No, we will create, again, the butter
on FCB become, become closer here.
540
00:33:29,795 --> 00:33:33,845
So we create kind of a it's going
here and there and running out.
541
00:33:33,845 --> 00:33:35,885
And the olives on this
comes over dead again.
542
00:33:36,785 --> 00:33:36,875
Okay.
543
00:33:37,440 --> 00:33:42,240
Do you have to think, then don't have
to go down and comes up and up and down.
544
00:33:42,510 --> 00:33:47,430
It could be just tapping resistor
it's uh, it's it's flat there.
545
00:33:47,580 --> 00:33:52,770
So maybe if it create kind of a, that
flat feeling there from, from there on,
546
00:33:56,880 --> 00:33:58,290
see, you can do all that.
547
00:34:05,475 --> 00:34:07,295
little bit extra Barack, but it's good.
548
00:34:08,345 --> 00:34:12,275
They know you have, have it running here.
549
00:34:12,905 --> 00:34:20,465
Use maybe attach your white and blue
and the board is just coming out there.
550
00:34:27,270 --> 00:34:31,100
SI make it nice and perspective.
551
00:34:31,880 --> 00:34:33,590
Nice and perspective.
552
00:34:36,200 --> 00:34:37,910
Nice and perspective.
553
00:34:48,255 --> 00:34:52,315
Maybe the here, but extra work involved
because you have to make it through.
554
00:34:52,355 --> 00:34:53,944
Does it make sense?
555
00:34:55,025 --> 00:34:58,115
It must make sense that okay.
556
00:34:58,625 --> 00:35:02,134
The, uh, all right.
557
00:35:02,165 --> 00:35:02,825
All right.
558
00:35:02,915 --> 00:35:03,515
All right.
559
00:35:03,605 --> 00:35:03,995
All right.
560
00:35:05,010 --> 00:35:06,690
And all he has a Cockney.
561
00:35:06,900 --> 00:35:07,980
We got the cooking
562
00:35:14,660 --> 00:35:18,590
yeah, all does all this
beautiful lines coming in there.
563
00:35:25,460 --> 00:35:28,880
so what we will do here, we
create a little bit of a,
564
00:35:29,240 --> 00:35:30,710
we create a little bit of a.
565
00:35:36,035 --> 00:35:37,905
Create a little bit of a leak there.
566
00:35:39,195 --> 00:35:40,655
See, that's beautiful device.
567
00:35:40,655 --> 00:35:48,015
You can, uh, then it turns out like
a little mound leak up there, hard
568
00:35:48,015 --> 00:35:50,595
to get down there, hard to get on it.
569
00:35:51,015 --> 00:35:56,145
But if you are the nature, boy, you
hike up there and, and they had the
570
00:35:56,145 --> 00:35:58,305
tower that's full of fish, usually.
571
00:35:58,545 --> 00:35:58,965
So.
572
00:35:59,400 --> 00:36:01,279
Few people that are coming up there.
573
00:36:05,520 --> 00:36:10,800
Debra, I live, we have some leaks that
are just hard to get honest, but boy,
574
00:36:10,830 --> 00:36:15,690
full of fish, just so you forgive me when
I dive in a little bit here, but I would
575
00:36:15,690 --> 00:36:20,670
like to give you that feeling of, uh,
of water's coming down, burgeoning and
576
00:36:20,670 --> 00:36:26,775
leak, uh, Then coming down again, every
put the other big stones they're coming
577
00:36:26,775 --> 00:36:28,785
in between the stones and coming forward.
578
00:36:29,385 --> 00:36:38,255
As far as far as for, uh, it is the
sunny side on the sunny side on here.
579
00:36:39,515 --> 00:36:41,135
um,
580
00:36:48,380 --> 00:36:50,660
CNN, you create a vote
or something like that.
581
00:36:50,960 --> 00:36:52,820
The, on this side, I keep it darker.
582
00:36:53,030 --> 00:36:55,490
That will be the shadow of
the mountain on the water.
583
00:36:55,760 --> 00:36:56,630
And on this side.
584
00:36:57,240 --> 00:36:59,069
I, I make it nice and light.
585
00:37:00,029 --> 00:37:05,790
And then if you, you can have,
you can have the, I use the same
586
00:37:05,790 --> 00:37:10,890
mountain colors and this and that
distance as goosey around voters.
587
00:37:10,919 --> 00:37:12,750
All of us, a little bit of grout.
588
00:37:12,859 --> 00:37:13,310
Yeah.
589
00:37:17,089 --> 00:37:18,980
Oh, that's a little bit of grout.
590
00:37:19,399 --> 00:37:22,279
The, this, the little
tattoo off there, and then.
591
00:37:23,009 --> 00:37:27,450
And you know, this, this, this,
this, this has to be done right?
592
00:37:28,170 --> 00:37:36,180
The dark, no ever put a bright on a
sunny side, pull, pull some there.
593
00:37:41,120 --> 00:37:41,330
Yeah.
594
00:37:46,610 --> 00:37:49,880
can you see, how about you make a
close up if you could really make a
595
00:37:49,880 --> 00:37:52,550
good, nice, happy little shot on this.
596
00:37:52,550 --> 00:37:58,730
As you can see, uh, this side, keep it
darker because types of have obviously
597
00:37:58,730 --> 00:38:03,620
the sunny side and the shadow side, the
ever put even a bit more dark in here.
598
00:38:03,950 --> 00:38:07,700
More of the mountain colors,
the there's a bit more.
599
00:38:08,115 --> 00:38:13,365
So does you see the different, that's the
why you should create the, and then all
600
00:38:13,365 --> 00:38:15,165
of a sudden, let the sun hit it there.
601
00:38:21,815 --> 00:38:25,625
I really hope you learn
something creative power.
602
00:38:25,955 --> 00:38:28,805
That's what makes me so happy when I can.
603
00:38:31,140 --> 00:38:37,080
Create a painting, but with so much
being in it, I'm in it completely.
604
00:38:37,080 --> 00:38:39,030
I'm in it completely.
605
00:38:39,450 --> 00:38:45,180
The happy little shoreline, the
almighty distance, you know,
606
00:38:45,190 --> 00:38:47,160
distance sometime makes me cry.
607
00:38:47,700 --> 00:38:50,190
It's so far and I wish I could be dead.
608
00:38:50,760 --> 00:38:50,850
Okay.
609
00:38:51,570 --> 00:38:53,510
I wish I could be dead, obviously.
610
00:38:53,520 --> 00:38:58,530
I wish I wish I wish I wish I
wish it would be as would be.
611
00:38:59,000 --> 00:39:00,990
And sometime you wish comes true.
612
00:39:15,075 --> 00:39:16,605
And that's a disappear in the shadow.
613
00:39:16,905 --> 00:39:17,465
Can you see it?
614
00:39:17,515 --> 00:39:22,695
It'd be a beautiful little
happy mountain leak there.
615
00:39:23,175 --> 00:39:25,755
The couple of lines like this.
616
00:39:26,445 --> 00:39:30,165
I know you, you, you, you fighting again.
617
00:39:30,495 --> 00:39:33,765
You remember we had the, this was.
618
00:39:34,695 --> 00:39:36,645
30 miles, 20 miles.
619
00:39:36,855 --> 00:39:42,375
Now this will be, uh, that would
be 15 miles to get 15 miles.
620
00:39:42,585 --> 00:39:44,745
I have to make 15 miles out of that.
621
00:39:45,155 --> 00:39:49,865
What I do, I put van Dyke Brown
and progression blue and Alison
622
00:39:49,865 --> 00:39:51,845
Crimson, the same colors.
623
00:39:52,175 --> 00:39:53,735
They are beautiful colors.
624
00:39:53,765 --> 00:39:58,109
If you can live with those
colors, you really, eh, Can copy.
625
00:39:58,529 --> 00:39:59,939
Copy mother nature.
626
00:39:59,939 --> 00:40:00,750
So perfect.
627
00:40:01,020 --> 00:40:04,649
Or you can put it a part of
mother nature out, out the board
628
00:40:04,919 --> 00:40:06,660
and fire right on the canvas.
629
00:40:07,020 --> 00:40:09,029
The here, here, here, here, here.
630
00:40:09,359 --> 00:40:09,779
Yeah.
631
00:40:12,589 --> 00:40:13,399
Yeah.
632
00:40:37,055 --> 00:40:40,745
that's up to you, create
you are next to God.
633
00:40:41,045 --> 00:40:43,174
You are the, our mighty creator.
634
00:40:45,725 --> 00:40:50,045
He, God gives you all that
talent and all that impa.
635
00:40:50,700 --> 00:40:55,200
To do whatever you feel you can
do you want to do sometime nice
636
00:40:55,200 --> 00:41:00,330
to hang over, let the tank over
there like, Oh, that's beautiful.
637
00:41:00,330 --> 00:41:00,900
Are there.
638
00:41:01,560 --> 00:41:05,580
And then I feel sometime, you
know, I, I used to travel.
639
00:41:05,580 --> 00:41:12,320
Does, does mountain the roads, the logging
roads, the logging roads at just the joy.
640
00:41:15,860 --> 00:41:16,550
Let me do it.
641
00:41:16,550 --> 00:41:16,790
Dang.
642
00:41:16,820 --> 00:41:18,020
No, all of a sudden I really.
643
00:41:19,530 --> 00:41:25,500
We think here's a road coming up
there and going out there and you
644
00:41:25,500 --> 00:41:29,010
have to go through, there is all
that's blown out there in order
645
00:41:29,010 --> 00:41:30,750
to get the road to the mountain.
646
00:41:30,990 --> 00:41:34,320
It's easy to run the road
into the bit more dark.
647
00:41:34,350 --> 00:41:36,000
I have to have a bit more dark.
648
00:41:36,630 --> 00:41:39,090
It's easy to run the
road, cross the desert.
649
00:41:39,570 --> 00:41:40,890
No problem there.
650
00:41:41,850 --> 00:41:44,820
But as I said, devil of a job
to make a road in the mountain.
651
00:41:49,515 --> 00:41:52,775
Yeah, all kinds of, uh, cruel stories.
652
00:41:53,555 --> 00:41:57,815
When you read up on mountain,
how they're buried the roads and
653
00:41:57,815 --> 00:41:59,975
the railroads to the mountain.
654
00:42:00,455 --> 00:42:05,915
There were so many accidents and so many
people died and the greediness of men,
655
00:42:05,915 --> 00:42:11,075
how they, how they did it, actually,
they did it sometime with no fairness.
656
00:42:11,970 --> 00:42:14,820
But it seems to be, that's
what we are men on earth.
657
00:42:16,170 --> 00:42:17,400
That's what I painted right now.
658
00:42:17,400 --> 00:42:23,340
Whom we can help sometime we have
to hurt the other guy sometime
659
00:42:23,640 --> 00:42:25,830
just for that on mighty buck.
660
00:42:27,840 --> 00:42:29,190
Then that comes right in my mind.
661
00:42:29,400 --> 00:42:33,960
It's hard to put the road right up there
and do whatever, whatever, whatever.
662
00:42:41,520 --> 00:42:44,270
No here you need it.
663
00:42:44,270 --> 00:42:45,410
Very dark there.
664
00:42:45,980 --> 00:42:48,350
Let me, let me have a
good beginning there.
665
00:42:48,590 --> 00:42:53,450
Maybe here we have a little
bit of a extra overhang there
666
00:43:00,020 --> 00:43:01,970
you create those kinds of things.
667
00:43:02,480 --> 00:43:05,540
Uh that's sometime some plateaus.
668
00:43:06,375 --> 00:43:06,734
He,
669
00:43:12,694 --> 00:43:18,455
and that's beautiful to have in Luke and
the waters are coming down here, here, and
670
00:43:18,455 --> 00:43:24,154
no, we will let the waters run off here
and that's a happy, happy ending there.
671
00:43:42,365 --> 00:43:45,845
Maybe we finish up this,
this side here too.
672
00:43:51,335 --> 00:43:51,815
Beautiful.
673
00:43:53,010 --> 00:43:58,590
I just can't no, I paint so many years
already, but I can stare since I see
674
00:43:58,590 --> 00:44:00,840
my own paint is made the right way.
675
00:44:01,560 --> 00:44:04,260
I am so happy to see
those kinds of strokes.
676
00:44:05,010 --> 00:44:12,380
And I bet you, when you get that pain, you
Gurtz, you will love me ever get louder.
677
00:44:12,500 --> 00:44:14,240
I do get louder love letters.
678
00:44:14,300 --> 00:44:14,690
It's nice.
679
00:44:15,320 --> 00:44:19,040
It's nice people, you know, I
like to be in good, close touch
680
00:44:19,040 --> 00:44:20,720
with people and there are, we are.
681
00:44:21,300 --> 00:44:21,990
We are
682
00:44:26,630 --> 00:44:29,779
here's the sunny side, eh,
683
00:44:35,180 --> 00:44:41,240
and then a nice to see, see that, uh,
paint in insomnia or mighty shape.
684
00:44:46,520 --> 00:44:51,170
See, I don't paint actually ideas that,
that paint fly on the right should be
685
00:44:54,320 --> 00:44:54,410
okay.
686
00:44:54,590 --> 00:45:02,029
Maybe here just a little, little touch
of sunshine was too much paint on knife.
687
00:45:09,980 --> 00:45:10,430
yay.
688
00:45:10,490 --> 00:45:11,150
There you are.
689
00:45:11,660 --> 00:45:17,660
So no, we filing this, fill in
here, whatever you think and make
690
00:45:17,660 --> 00:45:19,430
it so that it looks like stones.
691
00:45:20,600 --> 00:45:24,740
You a little bit more of a Dyke
Brown into that again, because
692
00:45:24,770 --> 00:45:26,660
that's close and far and close.
693
00:45:26,750 --> 00:45:28,520
We are quite close up there.
694
00:45:29,174 --> 00:45:37,964
The bit of darker, whatever the,
you have dark Oh, like caves and
695
00:45:38,024 --> 00:45:39,165
whatever, whatever, whatever.
696
00:45:39,404 --> 00:45:41,685
And you got to bring that in
697
00:45:47,745 --> 00:45:48,645
the first.
698
00:45:50,085 --> 00:45:50,955
All right.
699
00:45:51,225 --> 00:45:53,805
On this side, maybe here.
700
00:46:03,830 --> 00:46:09,860
the agent read the mountain scene with
heavy, heavy stones, the all that, even
701
00:46:09,860 --> 00:46:15,440
that dark paint Duke, how that breaks and
you feel the stones rolling down the Hill.
702
00:46:21,380 --> 00:46:24,440
Yeah, I'm on, he did talk to
you, the mountain talked to you.
703
00:46:25,010 --> 00:46:25,850
It's just so true.
704
00:46:33,350 --> 00:46:34,790
That's the shadow side.
705
00:46:45,740 --> 00:46:47,780
so much power and so much power.
706
00:46:47,780 --> 00:46:53,300
And in that paint now, here,
here, here, here, here.
707
00:46:53,300 --> 00:46:55,370
I wants to make it just nice looking.
708
00:46:55,670 --> 00:46:58,760
Little bit of a stone is
sticking out of the water.
709
00:46:59,570 --> 00:47:01,220
Maybe here's the other one.
710
00:47:07,245 --> 00:47:10,605
See now use your big brush
and pull it all in here.
711
00:47:10,634 --> 00:47:11,595
Pull it all in.
712
00:47:16,365 --> 00:47:19,845
You need a doc in order to
show light without dark.
713
00:47:19,845 --> 00:47:21,615
There is no light.
714
00:47:23,235 --> 00:47:24,825
Yeah, no, that'd be cool.
715
00:47:24,835 --> 00:47:25,485
I'd be tired.
716
00:47:25,815 --> 00:47:27,345
Maybe say I start there.
717
00:47:27,975 --> 00:47:29,355
The water that comes from there.
718
00:47:35,745 --> 00:47:39,255
Do you have any pain like this and
you already see what your, what
719
00:47:39,255 --> 00:47:41,595
your, what the outcome will be?
720
00:47:48,315 --> 00:47:49,095
No.
721
00:47:49,305 --> 00:47:49,635
Ew.
722
00:47:49,635 --> 00:47:50,005
Ew.
723
00:47:50,155 --> 00:47:50,825
Ew.
724
00:47:50,935 --> 00:47:52,275
Ew, Ew.
725
00:47:52,845 --> 00:47:54,255
Fire in here.
726
00:47:54,615 --> 00:47:58,605
I fire in a happy little
copy, little happy trees.
727
00:47:59,069 --> 00:48:03,720
Standing there on the hair, uh,
ever save and Dyke Brown and attach
728
00:48:03,720 --> 00:48:06,390
your PSAP green when Dyke Brown.
729
00:48:06,509 --> 00:48:11,250
These, if I do it here, when Diane
Brown and attach your SAP green to
730
00:48:11,259 --> 00:48:12,810
it just, you have it in between.
731
00:48:13,080 --> 00:48:14,160
That has a good Darius.
732
00:48:14,540 --> 00:48:15,650
I see.
733
00:48:15,650 --> 00:48:21,020
And then you have a happy that a
tree standing there, other one there.
734
00:48:51,049 --> 00:48:54,589
He is the shadow side, the shadow side.
735
00:48:56,089 --> 00:49:02,240
Um, maybe here it's the
other tree standing there,
736
00:49:06,190 --> 00:49:14,649
dark more Vandyke, Brown, more van like
Brown and then a more van Dyke Brown.
737
00:49:21,245 --> 00:49:24,305
You have to highlight it
anyway, but it needs it.
738
00:49:24,335 --> 00:49:25,385
Can you see it?
739
00:49:25,415 --> 00:49:29,705
It needs a solid power for
whatever we put in there.
740
00:49:37,925 --> 00:49:41,255
No, no, no, no, no.
741
00:49:41,285 --> 00:49:41,825
We will.
742
00:49:41,825 --> 00:49:43,275
We will create kind of a.
743
00:49:44,279 --> 00:49:55,759
And the on top of this here, they on top
of, uh, Marquis covered with no, they.
744
00:49:56,190 --> 00:50:01,440
Yeah, a little bit of a grassy
feeling and you know, it's beautiful.
745
00:50:01,860 --> 00:50:05,009
The law, the guys that come on
Sunday, here they go fishing.
746
00:50:05,009 --> 00:50:07,170
And there there's a road in the back.
747
00:50:07,170 --> 00:50:10,650
They parked their cars or in the
back here and they walked to the
748
00:50:10,650 --> 00:50:12,630
Bush there and come to that point.
749
00:50:12,660 --> 00:50:16,860
And then they draw the fishing lines
in there and Oh God, about the life.
750
00:50:18,049 --> 00:50:19,250
Well, the life.
751
00:50:25,695 --> 00:50:28,095
Here I will run.
752
00:50:37,325 --> 00:50:43,355
Can you see what you have on
creative power to, to create
753
00:50:43,355 --> 00:50:45,335
a beautiful all around there?
754
00:50:47,315 --> 00:50:48,995
These on we highlight all that.
755
00:50:49,690 --> 00:50:53,130
Just, just cut it in the
way you think it should be.
756
00:50:53,610 --> 00:50:55,440
Now we will go a little bit on that.
757
00:50:55,799 --> 00:51:01,049
If you're sick and tired to paint all
of us on one side and start off here, I
758
00:51:01,060 --> 00:51:06,450
have a little bit of red and white and
I quit lights coming from that side, as
759
00:51:06,450 --> 00:51:09,930
they would say, it just happened hits.
760
00:51:09,930 --> 00:51:10,980
They're quite good.
761
00:51:18,605 --> 00:51:23,675
that little stone is just in the
middle at very breakdown one day
762
00:51:23,675 --> 00:51:29,045
too, because all the ma all the other
waterfalls, I see the RVs have some
763
00:51:29,045 --> 00:51:33,995
kind of a extra stone standing there,
either on the side or in the middle.
764
00:51:34,105 --> 00:51:38,075
And, and you always think
one day it's all gone.
765
00:51:43,020 --> 00:51:43,500
Yeah,
766
00:51:58,610 --> 00:51:59,420
beautiful.
767
00:52:00,830 --> 00:52:03,890
D no, I use the other fan brush.
768
00:52:04,590 --> 00:52:08,280
Other fan bras and I will, I will.
769
00:52:08,370 --> 00:52:12,180
I have a day where he was.
770
00:52:12,570 --> 00:52:13,980
I take, take a little bit.
771
00:52:14,160 --> 00:52:18,870
I put a little touch of Kelwin here, but
my God, just a little touch already, too
772
00:52:18,870 --> 00:52:23,850
much, really too much, too much sunshine.
773
00:52:24,570 --> 00:52:27,480
Maybe like this, the
evidence to yellow, then go.
774
00:52:28,185 --> 00:52:32,085
Up a little bit and have a test just
to why you think you should have it.
775
00:52:32,355 --> 00:52:37,694
Maybe here should be couple of sunshine,
sunshine spots in the water there.
776
00:52:38,384 --> 00:52:43,875
And then I come closer there, the
like the boat, they get shallower
777
00:52:43,875 --> 00:52:48,794
and shallower there and you prepare
ready for that water running over.
778
00:52:49,504 --> 00:52:50,645
Oh, I
779
00:52:55,865 --> 00:52:56,194
see.
780
00:52:57,045 --> 00:53:01,275
But then here on this side, I would
love to do it in different colors.
781
00:53:01,275 --> 00:53:06,725
We will see it's as sunshine,
maybe up to here then mr.
782
00:53:06,734 --> 00:53:11,585
Dark, but see, by having dark there, then
you better, better, better, better habit.
783
00:53:11,615 --> 00:53:14,375
Dark even do stare darker.
784
00:53:14,855 --> 00:53:17,375
I stared with a run it in darker.
785
00:53:18,185 --> 00:53:19,565
That's what makes it nice.
786
00:53:20,190 --> 00:53:24,029
As Dava you put it as,
as better than the whole.
787
00:53:24,150 --> 00:53:24,930
Can you see it?
788
00:53:25,290 --> 00:53:26,220
Uh, that's good.
789
00:53:29,299 --> 00:53:30,170
That's a shadow.
790
00:53:31,130 --> 00:53:31,220
Okay.
791
00:53:31,700 --> 00:53:33,500
It depends on what color you use.
792
00:53:33,560 --> 00:53:34,640
Blue and alizarin.
793
00:53:34,640 --> 00:53:36,140
Crimson is a good color.
794
00:53:36,410 --> 00:53:43,100
Maybe here I will have a little bit
of a shadow from this stone and this
795
00:53:43,100 --> 00:53:46,759
side here, maybe more dark, more dark.
796
00:53:47,060 --> 00:53:48,920
I hear you can fire him.
797
00:53:49,379 --> 00:53:50,459
More dark.
798
00:53:51,569 --> 00:53:52,950
Eh, don't be shy.
799
00:53:56,390 --> 00:53:59,750
Nah, take the big brush
and pull it all down.
800
00:53:59,750 --> 00:54:00,229
Nice.
801
00:54:04,129 --> 00:54:05,419
now we will apply again.
802
00:54:06,290 --> 00:54:11,629
Uh, we would think, we will think
the borders are coming down.
803
00:54:11,629 --> 00:54:12,859
He.
804
00:54:21,815 --> 00:54:27,695
I'd like to stroke with a couple of times
to Tony, bit more than the blue turns
805
00:54:27,705 --> 00:54:29,465
a little bit more in the blue there.
806
00:54:37,745 --> 00:54:38,195
see.
807
00:54:38,405 --> 00:54:41,105
And then turn it a bit more in the blue.
808
00:54:42,165 --> 00:54:45,525
Here to here on this side.
809
00:54:45,735 --> 00:54:46,065
See
810
00:54:52,715 --> 00:54:55,444
no, we were deigned to be with dank.
811
00:55:03,605 --> 00:55:06,634
yeah, use two brushes.
812
00:55:07,325 --> 00:55:08,134
Be greedy.
813
00:55:09,210 --> 00:55:13,320
The brush with sunshine and the
brush would shadow is sunshine.
814
00:55:13,320 --> 00:55:15,000
Brush does is the sunshine brush.
815
00:55:15,630 --> 00:55:17,820
So we
816
00:55:25,860 --> 00:55:30,390
see be nice, make it, make it park.
817
00:55:30,390 --> 00:55:32,970
It's got the spark and has to come around.
818
00:55:33,420 --> 00:55:36,780
It's got to come around and
then the test to spark these.
819
00:55:36,780 --> 00:55:39,960
That's why we have to have
that dark without that dog.
820
00:55:39,990 --> 00:55:40,890
It would be nowhere.
821
00:55:40,910 --> 00:55:41,210
Yeah.
822
00:55:41,960 --> 00:55:44,720
They, here, here, we got this.
823
00:55:44,720 --> 00:55:48,410
Why the thank you.
824
00:55:48,410 --> 00:55:52,460
Yeah, but I was the sunny side, the shadow
side, the sun decided to share the site.
825
00:55:52,940 --> 00:55:56,990
And if you do that, you are
the greatest artist ever lived
826
00:55:56,990 --> 00:56:00,020
on earth, including the moon.
827
00:56:00,780 --> 00:56:04,020
And even in Alaska, you
already are the biggest one.
828
00:56:17,480 --> 00:56:22,340
can you see how beautiful the void that
enough start up there comes up there.
829
00:56:22,550 --> 00:56:25,100
No, here we really formed a little happy.
830
00:56:25,100 --> 00:56:26,630
Then the mountain leak there.
831
00:56:27,020 --> 00:56:28,160
I know become.
832
00:56:28,740 --> 00:56:40,080
And to the, to divinely slowly but steady,
still slowly but steady as you could not.
833
00:56:40,170 --> 00:56:41,040
We were not doing more.
834
00:56:42,150 --> 00:56:43,680
And I do more because then.
835
00:56:59,120 --> 00:57:04,759
the all of a sudden, let the
water hit down and let it boil up.
836
00:57:05,180 --> 00:57:08,690
Let it boil up the no, you
can make him that water.
837
00:57:09,045 --> 00:57:10,755
That water is sweating.
838
00:57:10,905 --> 00:57:16,635
The stone that water is under a
stone and the stone is vet the, and
839
00:57:16,635 --> 00:57:22,695
you pull it up, pull that water up
there to someway somehow some he,
840
00:57:26,795 --> 00:57:28,305
then you are doing it right.
841
00:57:28,695 --> 00:57:29,985
And you're doing it right.
842
00:57:30,645 --> 00:57:36,315
Then that looks back
the same on this side.
843
00:57:36,555 --> 00:57:37,575
Then I use my.
844
00:57:38,415 --> 00:57:39,375
She had a brush.
845
00:57:41,084 --> 00:57:47,444
I touch your blue and you
have that dripping off there.
846
00:57:47,745 --> 00:57:52,875
Or you go from the top down or from
the bottom of the letter that give
847
00:57:52,875 --> 00:57:58,125
that feeling of it's wet, it's wet,
848
00:58:05,075 --> 00:58:06,424
pull it down or whatever.
849
00:58:12,080 --> 00:58:13,190
you're on the shadow side.
850
00:58:13,550 --> 00:58:14,810
There's dang about.
851
00:58:14,840 --> 00:58:15,890
Don't be so loud.
852
00:58:16,190 --> 00:58:17,450
Don't be too powerful.
853
00:58:17,450 --> 00:58:22,220
There that's makes a nice painting,
you know, stand back sometime.
854
00:58:22,220 --> 00:58:24,350
Then you have perspective is better.
855
00:58:24,530 --> 00:58:27,110
You can see what you're doing the already.
856
00:58:27,110 --> 00:58:30,320
I see it should be the
darker hair to the left.
857
00:58:30,490 --> 00:58:33,020
This is what you do, then you can correct.
858
00:58:33,320 --> 00:58:34,280
Then you can correct.
859
00:58:34,980 --> 00:58:38,190
The bit darker and then
make it a bit darker.
860
00:58:38,370 --> 00:58:42,180
Don't let that run away
from you when you feel it.
861
00:58:42,180 --> 00:58:42,750
It's not right.
862
00:58:42,750 --> 00:58:47,360
Like I talked about that to get off, see,
you're you're, you know, it's not right.
863
00:58:47,370 --> 00:58:49,950
And then why you leave it there.
864
00:58:50,670 --> 00:58:54,540
So he doesn't get mad at herself
and say fixed that up before
865
00:58:54,540 --> 00:58:56,760
you say that painting is done.
866
00:58:58,050 --> 00:58:59,160
Can you see what it does?
867
00:58:59,160 --> 00:59:01,320
All of a sudden that
little bit of dark there.
868
00:59:03,345 --> 00:59:04,995
Yeah, no, no.
869
00:59:04,995 --> 00:59:07,695
It starts showing up at Eddy.
870
00:59:08,895 --> 00:59:12,884
No, I can go and give
him an extra accelerator.
871
00:59:14,115 --> 00:59:18,815
It doesn't matter shadow side, but
I will this dank, I will just think
872
00:59:18,945 --> 00:59:23,315
the light is just in between and
hits it a little bit harder, dead
873
00:59:23,315 --> 00:59:27,845
and, and all of a sudden there's a
little bit of a zone Zen spot there.
874
00:59:30,315 --> 00:59:36,435
Because you are next to God and
you are the MIT creator is all
875
00:59:36,445 --> 00:59:39,435
you, you can do all those things.
876
00:59:46,565 --> 00:59:47,075
Beautiful.
877
00:59:48,005 --> 00:59:49,145
I really do like that.
878
00:59:51,345 --> 00:59:51,755
See?
879
00:59:51,845 --> 01:00:01,105
No, you, you, you, you fire in
whatever you, uh, Never used it or no.
880
01:00:01,115 --> 01:00:02,945
He got the copy of
brushes gone for myself.
881
01:00:03,665 --> 01:00:08,555
I ever used the sunshine, Carlos
on the sunny side, on the sun
882
01:00:08,555 --> 01:00:13,925
knees side, tried to keep the
brush nice and flat, nice and flat
883
01:00:18,875 --> 01:00:20,435
then create, create.
884
01:00:21,815 --> 01:00:23,945
They create kind of a diverse there.
885
01:00:26,535 --> 01:00:28,605
XE, very loose, very loose.
886
01:00:28,605 --> 01:00:31,424
Like water's moving has all
kinds of movements there.
887
01:00:31,935 --> 01:00:35,565
We can thank the borders,
moving off this way.
888
01:00:35,835 --> 01:00:37,395
Or V one one, man.
889
01:00:37,424 --> 01:00:37,875
I have a show.
890
01:00:37,875 --> 01:00:38,504
You, I have a shot.
891
01:00:39,015 --> 01:00:39,495
There you go.
892
01:00:39,495 --> 01:00:40,785
On stairs.
893
01:00:40,815 --> 01:00:42,315
Lots of creative power.
894
01:00:48,725 --> 01:00:48,964
yeah.
895
01:00:48,964 --> 01:00:52,955
And, uh, uh, and then here,
you're dabbling again.
896
01:01:01,440 --> 01:01:02,490
Good again,
897
01:01:09,530 --> 01:01:15,170
but then here again, blue, you come into
the shadow side, then use that blue.
898
01:01:15,830 --> 01:01:20,960
The, I got rid of, of the sun, the
colors go into the shadow colors.
899
01:01:34,400 --> 01:01:36,650
you know, you can rein all that.
900
01:01:37,130 --> 01:01:39,050
You can, Oh, let's finish up all that.
901
01:01:39,050 --> 01:01:44,240
Now, first we highlight that you put
a little bit of sunshine on the tree.
902
01:01:45,450 --> 01:01:47,640
And not sunshine and sunshine.
903
01:01:48,029 --> 01:01:52,049
They said that three has not much
sunshine, but that one, I wants to think
904
01:01:52,500 --> 01:01:55,320
it has a little bit more sunshine though.
905
01:01:58,799 --> 01:01:59,880
this one too.
906
01:02:01,380 --> 01:02:02,520
And then attached.
907
01:02:02,520 --> 01:02:03,900
You have sunshine there.
908
01:02:08,220 --> 01:02:08,549
See.
909
01:02:20,089 --> 01:02:21,710
uh, something like that.
910
01:02:23,569 --> 01:02:28,870
See, and this one, you just put a
little bit of a greenish green statue
911
01:02:28,870 --> 01:02:34,879
on here that it becomes a tree there.
912
01:02:37,215 --> 01:02:40,155
Then maybe you can put the
little tree trunk in there too.
913
01:02:40,155 --> 01:02:47,565
If you want to just, just like
this, maybe use the texture of
914
01:02:48,105 --> 01:02:50,505
vitamins and touch with red.
915
01:02:50,925 --> 01:02:53,265
They, something like this.
916
01:02:54,495 --> 01:02:58,545
Maybe he had a bit of a tongue, they
had a little bit of a treat I'm shown.
917
01:03:03,845 --> 01:03:05,045
that makes it nicer.
918
01:03:07,625 --> 01:03:12,125
You maybe here just side
movements, like it's hanging over.
919
01:03:12,965 --> 01:03:14,645
He has a hangover.
920
01:03:20,495 --> 01:03:21,515
that's fine.
921
01:03:22,415 --> 01:03:23,375
That's fine.
922
01:03:24,870 --> 01:03:28,700
No vetted.
923
01:03:28,700 --> 01:03:32,339
Create the Marcy stone, Marcy.
924
01:03:32,939 --> 01:03:36,770
That's our mighty mighty store here.
925
01:03:38,029 --> 01:03:44,210
Uh, look at that as just fighting
in there, just fighting in
926
01:03:44,210 --> 01:03:47,839
there, but that's very close now.
927
01:03:49,040 --> 01:03:49,480
He.
928
01:03:50,430 --> 01:03:51,600
Very close.
929
01:03:51,960 --> 01:03:54,150
The, how far we came from far by next.
930
01:03:54,150 --> 01:03:57,930
Next, next, no, we come
already, quite close there.
931
01:03:58,470 --> 01:04:03,240
That's on mighty stone in the water
or mighty block of, uh, whatever.
932
01:04:05,130 --> 01:04:08,160
Now we will highlight all
the sides a little bit.
933
01:04:08,910 --> 01:04:13,640
Just we can, uh,
934
01:04:20,654 --> 01:04:21,944
He that brings it to life.
935
01:04:25,065 --> 01:04:31,325
Pull it with the swing of the mountain
for, to just bring up the mountain.
936
01:04:31,535 --> 01:04:32,015
See here.
937
01:04:32,015 --> 01:04:36,904
I don't want to do much because like
I talked before light, it can slide.
938
01:04:36,935 --> 01:04:38,495
Wouldn't be good here.
939
01:04:38,495 --> 01:04:42,095
I don't mind, eh, you can go up there.
940
01:04:42,095 --> 01:04:42,605
You can have.
941
01:04:43,049 --> 01:04:44,879
Some lines coming down.
942
01:04:45,149 --> 01:04:45,750
Yes.
943
01:04:47,490 --> 01:04:49,379
Put a bit of sunshine on there.
944
01:04:50,250 --> 01:04:51,240
On that hole.
945
01:04:55,250 --> 01:04:56,299
Mountainside.
946
01:04:57,529 --> 01:04:58,160
There you are.
947
01:04:59,149 --> 01:05:02,240
They know the next step we have.
948
01:05:02,299 --> 01:05:04,730
We have to make it look good.
949
01:05:04,730 --> 01:05:08,270
This one here, Stoney.
950
01:05:08,960 --> 01:05:10,910
You use the same mountain colors.
951
01:05:10,940 --> 01:05:11,839
This tester.
952
01:05:12,180 --> 01:05:14,910
Too high, give them
highlights there and whatever.
953
01:05:15,350 --> 01:05:19,279
Luke's not too dead that
doesn't look much dead.
954
01:05:19,310 --> 01:05:21,799
Maybe with alizarin
Crimson and all the dust.
955
01:05:22,100 --> 01:05:22,520
Yes.
956
01:05:22,609 --> 01:05:25,730
Just to have a bit more powerful.
957
01:05:27,379 --> 01:05:31,970
He'd hit the red button a little
bit gives you that except one.
958
01:05:32,299 --> 01:05:38,660
And then, then we fire him as our
mighty mighty tree standing there.
959
01:05:44,674 --> 01:05:51,085
and that our mighty tree is standing
right on the, on that, on that stone.
960
01:05:56,855 --> 01:05:57,455
lots of fun.
961
01:05:57,455 --> 01:06:00,484
Dyke Brown, even the little
touch of pressure blue you can
962
01:06:00,484 --> 01:06:04,625
put in there in order to get
that, get that power in there.
963
01:06:05,375 --> 01:06:07,625
It's such a close up here ready?
964
01:06:07,625 --> 01:06:08,315
Because you.
965
01:06:08,940 --> 01:06:11,430
You are home here.
966
01:06:13,549 --> 01:06:17,870
And that, that tree is standing
on that Masia rock here.
967
01:06:17,870 --> 01:06:19,160
And that must stone.
968
01:06:21,890 --> 01:06:24,049
Then you would say, how is it possible?
969
01:06:24,049 --> 01:06:27,470
This stones trees grow on this stone.
970
01:06:27,855 --> 01:06:32,385
You just have to see that you wouldn't
believe it, what stores, but what trees
971
01:06:32,385 --> 01:06:34,635
are doing to be alive in the mountain.
972
01:06:35,115 --> 01:06:39,345
They're hanging on, they're hanging
out the there's, the cracks of
973
01:06:39,345 --> 01:06:41,535
a stone and the tree is there.
974
01:06:41,535 --> 01:06:42,735
There's three wood verse.
975
01:06:42,745 --> 01:06:43,455
The stone.
976
01:06:49,715 --> 01:06:51,515
Yeah, something like that.
977
01:06:52,055 --> 01:06:56,765
Now we have a very close up here and
this, we will just drawn at nicely off.
978
01:06:57,960 --> 01:07:01,380
And that water can go behind if
it, if you would think in that
979
01:07:01,380 --> 01:07:04,500
direction, see, no, we will.
980
01:07:04,560 --> 01:07:08,160
We will, we will, we will
981
01:07:12,150 --> 01:07:13,170
put three Thompson.
982
01:07:14,970 --> 01:07:18,150
Um, why did you trunk, eh,
983
01:07:23,810 --> 01:07:29,870
but I do, I plow a PLOS to paint the
way the, I plowed that paint away.
984
01:07:46,185 --> 01:07:51,104
No you use, you use the textural
sunshine green because the
985
01:07:51,104 --> 01:07:52,634
sun is coming from that side.
986
01:07:52,634 --> 01:07:53,774
You can do that.
987
01:07:54,484 --> 01:07:58,274
I will highlight a little bit
the tree trunk here and their
988
01:08:00,645 --> 01:08:02,174
highlight is to let it bad,
989
01:08:07,055 --> 01:08:09,754
whatever you would think
that would be opening.
990
01:08:12,330 --> 01:08:12,630
Yeah.
991
01:08:13,670 --> 01:08:19,550
And no, you, you, you, you,
you, you fire in a little bit
992
01:08:19,550 --> 01:08:22,190
of green on the sunny side.
993
01:08:23,150 --> 01:08:26,360
It didn't, the paint will stick
on a ticker paint because we have
994
01:08:26,360 --> 01:08:28,100
to paint a lot of paint there.
995
01:08:28,400 --> 01:08:32,779
The thin it down a little bit with magic
bite, just go right into the magic.
996
01:08:32,779 --> 01:08:33,200
Right.
997
01:08:33,590 --> 01:08:38,210
And, and then it down attach,
then watch what happens.
998
01:08:38,984 --> 01:08:41,415
I was on a trip at rusty there,
999
01:08:53,344 --> 01:08:55,474
but leave the docks in between.
1000
01:08:57,214 --> 01:08:57,484
Yeah,
1001
01:09:05,224 --> 01:09:07,205
he has like branches hanging around there.
1002
01:09:08,790 --> 01:09:16,470
Maybe here, we make it a little
bit of a Marcy Marcy, eh,
1003
01:09:21,240 --> 01:09:24,120
and maybe you can make a
couple of bits of upline stair.
1004
01:09:24,930 --> 01:09:28,560
Uplines make it a bit softer,
like water that's vet.
1005
01:09:29,175 --> 01:09:32,055
It's bet, maybe hit the sun.
1006
01:09:32,235 --> 01:09:35,535
You would think that would need
the little textural for gender.
1007
01:09:35,545 --> 01:09:37,215
See no creative power.
1008
01:09:37,535 --> 01:09:39,605
Sometimes it's just inviting you.
1009
01:09:39,815 --> 01:09:41,435
It would be wrong not to do that.
1010
01:09:41,615 --> 01:09:44,285
See, can you see it now?
1011
01:09:44,555 --> 01:09:48,785
Can you understand when I talk about the
year off and, and, and is this certain
1012
01:09:48,785 --> 01:09:51,305
thing you can type it got to be done?
1013
01:09:51,815 --> 01:09:55,025
I couldn't, if I wants to go
over with mother nature wants to
1014
01:09:55,025 --> 01:09:57,155
harmonize with mother nature, then.
1015
01:09:57,510 --> 01:10:02,430
I would have to, I know light I'm
the almighty leader of light, right.
1016
01:10:02,430 --> 01:10:07,500
We'll hit there and give them, even
if I want to watch, if I want to, you
1017
01:10:07,500 --> 01:10:13,690
can, you can use a fan brush and the
watch for, I do know, but white with
1018
01:10:13,860 --> 01:10:19,410
lots of white with kind of a white with
yellow, and then you can make it pull up.
1019
01:10:28,665 --> 01:10:30,375
T just a little bit of whatever.
1020
01:10:39,605 --> 01:10:40,355
That's good.
1021
01:10:41,105 --> 01:10:43,775
The, no, we come to this
side, this is a shadow side.
1022
01:10:43,775 --> 01:10:45,215
We don't have to worry too much.
1023
01:10:45,425 --> 01:10:47,255
I'd rather have a darker than light.
1024
01:10:47,705 --> 01:10:50,315
So we were filing a little bit of dark.
1025
01:10:51,660 --> 01:10:56,000
Hey here on that tree, even a
little bit more dark on that side.
1026
01:10:57,260 --> 01:11:01,190
When like Brown, I live van
Dyke Brown and Seth green.
1027
01:11:01,670 --> 01:11:03,380
He fires in there.
1028
01:11:04,290 --> 01:11:06,960
Yeah, that gives you a tree completely.
1029
01:11:07,380 --> 01:11:14,160
And maybe here we here, we just run it
in and make, create a shoreline there and
1030
01:11:14,160 --> 01:11:20,969
have it all green, all green there, Dave
into the water usually was, is moist.
1031
01:11:21,179 --> 01:11:22,980
Sometime there grows a lot.
1032
01:11:24,030 --> 01:11:29,580
Now you can create a
certain, certain lines there.
1033
01:11:30,750 --> 01:11:37,200
I would not choose direct sunshine colors,
but I would use lighter, yellow and green.
1034
01:11:37,200 --> 01:11:41,340
And I would say that it's
not as this happened.
1035
01:11:41,639 --> 01:11:43,080
They're bad.
1036
01:11:43,469 --> 01:11:44,519
They're bad.
1037
01:11:45,120 --> 01:11:46,349
They're bad.
1038
01:11:46,349 --> 01:11:51,690
Seeing you walk up there and hear a
little bit, see, and then you walk
1039
01:11:51,690 --> 01:11:59,519
up there, see against the dark or
loose, very bright, very bright.
1040
01:12:02,490 --> 01:12:11,009
Yeah, there are no, you can create kind
of a blue and white, blue and white.
1041
01:12:13,049 --> 01:12:14,309
Thank you, shoreline.
1042
01:12:15,990 --> 01:12:18,480
Yeah, they did.
1043
01:12:18,549 --> 01:12:20,219
Of course do that on there.
1044
01:12:35,225 --> 01:12:36,395
know, maybe here a little bit.
1045
01:12:36,575 --> 01:12:37,475
No, but I do.
1046
01:12:38,225 --> 01:12:42,455
It comes a point when you start
dabbling, when you look for, when you
1047
01:12:42,455 --> 01:12:48,755
look for, for something, you look for
something, you know, then is the time.
1048
01:12:49,650 --> 01:12:50,370
To quit.
1049
01:12:50,880 --> 01:12:53,880
Now they just hear that 10
bothers me a little bit.
1050
01:12:54,090 --> 01:12:58,860
It could be a little bit though, for
more, more growth up there in here.
1051
01:12:58,950 --> 01:13:02,820
See, little bit of what I do.
1052
01:13:03,240 --> 01:13:10,290
There's little dabbling of colors
and , if you make a good close up on
1053
01:13:10,290 --> 01:13:15,000
this whole deal at this nice, it's
not, they may be here because have a
1054
01:13:15,000 --> 01:13:16,680
couple of lines around me up there.
1055
01:13:18,105 --> 01:13:24,465
This underpinning is finished
and I thank you for watching me.
1056
01:13:25,155 --> 01:13:25,695
Bye bye.
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