Bill Alexander's

The Magic of Oil Painting

UNKNOWN Season, Episode, Red Sleep Mountain - AVAILABLE

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That's wonderful.

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The red Zales and his sons that I say it

in my mind and do that beautiful sons.

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That how about you and I, we saved

together in that beautiful sunset.

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You know, when it's ready in your mind, it

is a giant to just get onto that canvas.

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I see a raid, the sky of dare,

but cloudy, but loose, loose,

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happy, happy clouds up there.

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And then a big mountain range

fighting right into that void.

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And the sun is dancing there and, Oh,

this is actually a wonderful thing.

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I got that magic, right, honorary.

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See, that's all done.

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Now.

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We will, we will, I will use.

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Indian yellow, just for the delight

part, the Indian, yellow VITAS on

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the canvas, I would say start off

like this sort of like this that's

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done middle point maybe a little bit.

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See how I take it off.

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Always very easy, very

easy to stay it off.

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So I need a bit more.

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This kind of a tune is nice.

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Um, Indian, yellow, Indian gal

is a good color for sunset.

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Then we will take a little bit

of a, uh, Oh, here, here they go.

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Like an orange color and I rub it in.

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You see, I let that disappear

into the right into who?

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That Indian, yellow there and

there and here, the same thing.

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So that means I build

myself a horizon line there.

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And then it go, uh, no, you can

pull the whole thing together if you

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want, because I don't use much paint.

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I think that's all our headache never,

never used too much paint because obvious

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thing I have to paint on top of paint.

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If I have no paint on, it's easy to paint

on top of that, otherwise we become mud

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makers, but you see, look at my pain.

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The paint I use is absolutely.

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Oh, look at when I fell off, it is a tick

paint because you always have to learn.

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You learn a dinner.

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Paint will stick on the ticket paint.

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That's why I start off.

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You see how hard I rub it in the now I

will go step, step higher with that red

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up there, the red, the over into the red.

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And I, I conditioned my canvas

at the same thing can happen.

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Can happen there?

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Same they have here is he?

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No, I

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in over the red and now ever even

use a tattoo of Alison Crimson.

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See, look at that.

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See there you are.

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That means from the Indian, yellow,

over the orange or red and his darker,

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darker, darker, he seemed to here.

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Now time, you got already, you

conditioned your canvas, but

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you know what I will do here.

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And the voice that should be a

bit more, more powerful there.

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It's always better in the water, more,

more power than, than on the sky.

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But I will use a little touch of move.

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I have a move color here.

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You see, look at that.

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Can you see something then on the

end here, I will use a bit of move.

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That means I create a deep horizon line.

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See look at that move here.

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Didn't touch off move.

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I had too much on the brush, so I

spread it outside the Bible up there.

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See, otherwise if I put the guns would

be too much, you know, I brush it out.

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Hey, there, y'all ready.

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Nice.

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No, you can go over all or same

from the top down like this.

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The see now what I should do really.

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I should make a.here.

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It's a bit too big.

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It's still too busy and put my name

on and there's a modern piece of art

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that get, give me a lot of money.

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That's paid better.

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Okay, good.

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No, we will.

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We will.

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We will.

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We will.

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We will.

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We will.

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We will.

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I use my fan brush a big fan brush

clean and you fire in with movements.

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He does.

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It's very quiet.

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Very, very easy.

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Now I will use white and have

maybe movements there already.

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He like cloudy movement.

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He put it to life, but the

life, but more of right

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just movements there.

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You can have it in the water too.

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good.

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Good, good, good.

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No, we will.

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We will create, I will use move this

time, kind of a mall for my clouds and

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alizarin Crimson and start from the top.

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Start from the top.

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Doesn't matter, but what colors, what

the cloud movements you got in your mind?

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God clouds are clouds.

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They can be the star.

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Me.

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I just would like to flow into

kind of a mood quiet movement.

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Then that's all standing steady there.

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Depends on how the weather is too.

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Pay my clouds.

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You're going to powerful,

close, puffing up there.

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You can have this one.

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I show you here.

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That's a, quite of a nice sunset.

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Here.

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We walk into that or mighty sunset there.

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Movements and overview.

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No nice to live like that.

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Fun excitement.

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And you got this wonderful painting done.

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It did bother you for so long already.

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And now you're unloaded and he move.

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I take it off.

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Don't put more on little bit.

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You can have even maybe

here a bit more powerful,

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maybe up there, a bit darker.

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He the same in the water there.

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no time.

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You got it all.

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Just moving the wind direction and

the nice, happy, direct your own.

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Good, good, good.

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Good.

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Now I will use my big brush clean.

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Okay.

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But don't destroy it.

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I just wants to solve it up a little bit.

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It should be dry, clean it, clean,

dry brush, and do it from the,

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from the light into the light.

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First, the light colors, and then go

up here, but vary how much you want.

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As long as you're happy with what

you're doing, because you can overdo

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it and you get it back to nothing.

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This leave the movements, but

I want to make it just soft.

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And it's all little bits of

the here and there that paint

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you have seen on my palette.

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It is such a powerful, strong paint.

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I don't destroy it.

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It's good.

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The, no, I will use a touch

of red or orange rather.

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The orange color here.

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I take it off here.

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Maybe you touch your vitae with

it, and then you can, you can

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you can infiltrate it.

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Like this gives you a nice onset.

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Same here.

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Same day.

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Yes, dabblers and like that, that is good.

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Now you take your mighty knife and

I very put some right over here.

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I want you to create a really wonderful

mountain, but look at that paint.

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Oh God, love it.

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Look, can you see, can you see, you have

to have a solid, strong paint, then you

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can create a wonderful mountain scene.

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I will use a bit of move into that.

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and the little touch of

black and to death, you see?

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And then we will see

what the outcome will be.

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It's this quite very hard

to make some that's good.

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You know, that gives you a beautiful.

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Yeah, something like this is good.

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No, I will put my knife on.

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I think that's just what I want.

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And yeah, that's, doesn't matter what

kind of a mountain you have in your mind.

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Any, any mountain you live

around or you want to unload,

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put it just on and that's it.

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Or you go live next to a mountain.

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I live for my bike bike on, you

can see a beautiful mountain Mount.

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Uh, Aerosmith Mount Aerosmith in

Canada, but the people make up beautiful

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stories about mountains and no with the

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C knife, just the right color too.

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But I saw it so solid.

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He must after pain on top of that

and the details you get already.

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Mountain, mountain feelings.

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He look at, look at her rough.

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Look at that.

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See, can you see the mountain grouse

without even you even touch the canvas?

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It is the paint.

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What we'll do that for you?

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If you find the right

paint, then you got at me.

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Yeah.

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I just create my own mountain

here to make a nice painting that,

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and they only gave me 28 minutes.

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I wish you would phone in and

tell him, look the hell with that.

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Give them a bit more time than all gods.

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We would have fun because

paint more things.

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They can put more in now.

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I have to cheat after cheat and

I feel so bad about you girls.

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I don't feel bad over the guys

they're held with them by then.

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I, I know, see here,

here, here, here, here.

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Yeah, they create the happy

habitat of a mountain there.

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leave the details and that's

wonderful how we can hammer that out.

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no, I will highlight that with

Vite touch, Vite and Tetra for

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this wonderful red, I like to put

the sky right into that mountain.

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The, this kind of a

color would be beautiful.

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Beautiful.

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Beautiful.

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and you fire him.

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No mercy on mercy.

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He keep up that nice color.

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I put a bit more orange in this.

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Beautiful.

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Nobody does those details.

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One stroke is on my distro.

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Can I have it all in there?

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You don't have to fit it.

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Can you imagine you have to

do it with little brushes?

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It would murder me.

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It would murder you too.

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And we all did it.

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When I started painting,

I did the same thing.

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You know, we had always, we had to draw

it on sometime we had the pantograph,

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then we had projected, we projected it

on and whatever, whatever, whatever.

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And it was still a copy here.

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I can unload the top of the mountain.

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I think I live around

and that's wonderful.

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Never have to paint a certain mountain.

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You're done fine.

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And then you would have

to use a picture to,

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to make it exactly the way you see it.

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But then mountain around the

mountain from every side, from the

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East side, from the West side, from

the North side, every little move,

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it's a different mountain again.

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So I learned it doesn't matter.

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When I painted my own TruSTAR

it's from every little corner.

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It's a different mountain again.

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Oh, that's nice.

224

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Oh, that's all nice.

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No, no.

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I would use my big brush

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and kind of a reddish, maybe even.

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White kind of a touch of move.

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I like to pull in there and this color

here touch with move would be nice.

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And we'll see how we come

out there on the bottom.

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Amanda further.

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Now I use the same paint here,

but I used my mountain and I will

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just fire in little details there.

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Like it reflects you.

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I like to reflect parts

into the water there.

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See, I can't do it with a big brush.

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Oh, you're putting it out like this,

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pull it up, pull it out.

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The Heights, the here, this

height has to be in here.

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This here.

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Yeah.

242

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And when you're through with

that show, you have a show.

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You, I will show you that's a fun

then humic, upstrokes see from

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here, make upstrokes see, let it

disappear into the horizon line.

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Make upstrokes see.

246

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He did a different between here and there.

247

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No, I make upstrokes and the

upstairs looks, they look like, I

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mean the downstroke, so that's good.

249

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That's a good

250

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there.

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Then you can stare, eh, Put

to sky movements and those

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movements you have there, he ever

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is a little bit of that.

254

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Yeah.

255

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yeah, that gives you, it breaks it up.

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It gives you that feeling of, uh,

or for the peaks of that mountain

257

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special here, you were fired at one

in here a little bit for that one.

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00:18:12,495 --> 00:18:15,004

Oh, yeah.

259

00:18:16,615 --> 00:18:16,824

Yeah.

260

00:18:18,935 --> 00:18:20,044

Let pain-free break.

261

00:18:20,054 --> 00:18:20,915

Nice on you.

262

00:18:22,024 --> 00:18:26,254

Has what makes it so nice again?

263

00:18:27,324 --> 00:18:28,475

Wash my brush.

264

00:18:38,025 --> 00:18:39,435

I got to work fast.

265

00:18:40,245 --> 00:18:41,355

Otherwise I get fired

266

00:18:45,365 --> 00:18:45,535

it.

267

00:18:45,535 --> 00:18:49,625

Clean brush a dry brush, make

sure the brush is washed right.

268

00:18:52,715 --> 00:18:53,555

Clean brush.

269

00:18:53,795 --> 00:18:54,065

I know.

270

00:18:54,065 --> 00:18:55,385

I make upstrokes again.

271

00:18:55,475 --> 00:19:01,715

See upstrokes upstrokes like

this, I like this like this I did.

272

00:19:01,925 --> 00:19:03,455

And then you just.

273

00:19:05,280 --> 00:19:09,330

the whole thing aside movements like that.

274

00:19:16,909 --> 00:19:17,360

See?

275

00:19:17,370 --> 00:19:19,430

No, no, I will.

276

00:19:19,480 --> 00:19:20,040

I will.

277

00:19:20,780 --> 00:19:22,639

He was black and move.

278

00:19:24,200 --> 00:19:29,300

I lived in Crimson and go into the

same paint, the same mountain paint,

279

00:19:29,870 --> 00:19:32,659

and I will create a kind of a.

280

00:19:33,450 --> 00:19:37,440

Um, Oh, look at that

281

00:19:43,530 --> 00:19:45,750

dark colors against the light

282

00:19:49,350 --> 00:19:55,340

T dark colors against the

black and move and the same

283

00:19:55,340 --> 00:19:56,870

color square for the mountain.

284

00:19:57,440 --> 00:19:58,190

He was up.

285

00:20:05,820 --> 00:20:06,090

Yeah.

286

00:20:06,800 --> 00:20:08,750

And that's the wonderful thing

287

00:20:11,780 --> 00:20:17,540

you, then you, you push it down,

like the reflection in the water.

288

00:20:17,540 --> 00:20:22,850

Again, you would create

a shoreline up there.

289

00:20:28,970 --> 00:20:29,270

Yeah.

290

00:20:29,480 --> 00:20:34,100

If you want to, you can use the

one inch brush and you can easy

291

00:20:34,550 --> 00:20:37,550

add a little bit of red in here.

292

00:20:41,440 --> 00:20:42,860

A bit of red in here.

293

00:20:44,030 --> 00:20:52,100

Very loose, very loose E that

does good, but higher here.

294

00:20:55,335 --> 00:20:59,445

Hey, that gives you that same

sunshine hanging in the trees there

295

00:21:06,465 --> 00:21:09,435

more here, more here.

296

00:21:11,294 --> 00:21:14,475

You ain't never that beautiful.

297

00:21:15,435 --> 00:21:20,625

No, you, you, you, you,

you big brush again.

298

00:21:21,945 --> 00:21:23,355

File in Nevada.

299

00:21:23,355 --> 00:21:24,764

Let it be a bit darker.

300

00:21:25,334 --> 00:21:27,764

He did, I didn't put the

raid and into divorce.

301

00:21:27,764 --> 00:21:31,334

I like to have a darker there

and you brush it out again.

302

00:21:32,544 --> 00:21:39,365

See, and then you use your mighty knife

and have that orange color and white,

303

00:21:39,725 --> 00:21:41,885

the makes it something like this.

304

00:21:42,665 --> 00:21:46,415

And you create the kind

of a shoreline there.

305

00:21:50,450 --> 00:21:54,260

see, beautiful, happy shoreline.

306

00:22:09,410 --> 00:22:12,620

don't worry too much on the outside.

307

00:22:12,980 --> 00:22:13,820

As long as you have that.

308

00:22:13,850 --> 00:22:15,290

Nice and powerful in there.

309

00:22:16,245 --> 00:22:17,625

And in the middle there?

310

00:22:18,075 --> 00:22:22,755

No, we very, we were, we were,

we were crazy kind of, uh,

311

00:22:23,745 --> 00:22:25,785

uh, certain movements there.

312

00:22:34,535 --> 00:22:35,795

See something like that.

313

00:22:38,495 --> 00:22:44,705

Just go along, just go

along something like this.

314

00:22:57,545 --> 00:23:01,445

He couple of lines, couple of water

lines, like a little breeze or Fisher

315

00:23:01,445 --> 00:23:04,175

jumping or whatever here in the middle.

316

00:23:04,175 --> 00:23:07,955

I would like to make

it a bit more definite.

317

00:23:14,265 --> 00:23:23,565

See here here V adds a cup of water lines.

318

00:23:23,565 --> 00:23:24,045

Stare

319

00:23:31,095 --> 00:23:31,845

the

320

00:23:39,185 --> 00:23:43,835

And you use your paint brush and you

brush it out a little bit like this.

321

00:23:44,285 --> 00:23:48,845

And if you have time, if you feel itchy,

he would move and you use black and

322

00:23:48,845 --> 00:23:52,865

you fire in there over there, fire.

323

00:23:52,865 --> 00:23:55,655

And they're a little bit of a shoreline.

324

00:23:59,075 --> 00:24:00,245

They're not wonderful.

325

00:24:00,875 --> 00:24:02,885

And you fire him, you fire him.

326

00:24:03,510 --> 00:24:11,370

Foreign born or is hanging

out there that is hanging over.

327

00:24:14,690 --> 00:24:17,430

I hang them right into the water there.

328

00:24:23,100 --> 00:24:23,460

Hey.

329

00:24:24,595 --> 00:24:29,085

Isn't that nice how nice you can

do it and how fast you can do it.

330

00:24:29,505 --> 00:24:31,335

And you unload your headaches.

331

00:24:31,335 --> 00:24:32,535

They are right on the canvas.

332

00:24:32,565 --> 00:24:34,035

No, I laugh.

333

00:24:34,065 --> 00:24:34,845

I giggle.

334

00:24:35,685 --> 00:24:42,015

And in no time you create a

wonderful, happy painting there.

335

00:24:42,255 --> 00:24:47,145

Now I will use a bit of a red color,

orange, yellow, or whatever, white

336

00:24:47,505 --> 00:24:49,455

and highlight here a little bit.

337

00:24:50,535 --> 00:24:52,575

So that looks like it's falling life.

338

00:24:53,115 --> 00:24:56,295

The, let that throw a shadow.

339

00:24:56,295 --> 00:24:57,855

There has, okay.

340

00:24:58,665 --> 00:25:03,945

Maybe here we put the sun in a little

bit in the trees there to put the

341

00:25:03,945 --> 00:25:06,525

sun in there, little bit the there.

342

00:25:07,215 --> 00:25:09,395

See, and then you got it.

343

00:25:09,545 --> 00:25:14,855

You heard the father

beautiful you at that.

344

00:25:22,590 --> 00:25:22,980

No.

345

00:25:22,980 --> 00:25:23,370

Ew.

346

00:25:23,400 --> 00:25:25,890

Ew, Ew, Ew, Ew, Ew.

347

00:25:26,430 --> 00:25:31,050

Put on my tea tree, trunk

and their tree trunk.

348

00:25:37,730 --> 00:25:39,540

If you want, you can make a scratcher.

349

00:25:44,145 --> 00:25:44,895

Complicated.

350

00:25:54,035 --> 00:25:54,545

Oh, nice.

351

00:25:54,545 --> 00:25:55,115

It works.

352

00:25:55,535 --> 00:25:57,185

Cover up a little bit here and there.

353

00:25:57,185 --> 00:26:01,835

And then the end and then there, and I

wants to just get a tree trunk a little

354

00:26:01,835 --> 00:26:04,505

bit more definitely on the bottom.

355

00:26:04,745 --> 00:26:11,100

Uh, eh, Is it kind of a side

movement with your knife?

356

00:26:11,130 --> 00:26:11,640

You see?

357

00:26:12,750 --> 00:26:13,500

There you go.

358

00:26:27,380 --> 00:26:31,670

so what'd you say, and now you

got to do a little bit covering up

359

00:26:31,670 --> 00:26:37,070

here, so then loose better, eh, like

some branches are right in front.

360

00:26:37,950 --> 00:26:39,720

So they don't give me any more time.

361

00:26:40,050 --> 00:26:43,560

I wish I could be longer with you

and we could do all kinds of things.

362

00:26:44,130 --> 00:26:45,460

How about we say that?

363

00:26:45,480 --> 00:26:49,170

You said you enjoyed it together.

364

00:26:49,170 --> 00:26:51,120

We saved the ride to that song.

365

00:26:51,120 --> 00:26:54,630

He said them right to the other

side and the mountain behind here.

366

00:26:55,230 --> 00:26:56,370

Thank you for watching me.

367

00:26:56,370 --> 00:26:56,850

Bye bye.

End .srt file.

Bill Alexander's The Magic of Oil Painting

Tuesday, December 15, 2020

UNKNOWN Season, Episode, Red Sleep Mountain - AVAILABLE

Bill Alexander's

The Magic of Oil Painting

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