Bill Alexander's
The Magic of Oil Painting
UNKNOWN Season, Episode, Wooded Island - AVAILABLE
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look at that wonderful painting
with that beautiful mountain
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and that beautiful Island there.
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Wouldn't you like to be there?
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Nice to park your camera on the side
and unload and have your breakfast there
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and enjoy that happy fresh morning.
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This is what they be.
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Show you.
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Then we start paying
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the magic of oil painting is made possible
by a grant from Aaron brothers, art marts.
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Hey, that's what we have to do.
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I have to put myself in that our mighty
Bubby, you know, I never could start
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painting before brainwashing myself.
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I use a bad word.
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Brainwashing is quite a bit of a hard.
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The thing to talk about, but
I got to be in that pain with
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my bed, my but all my insight.
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So do that too.
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I wish you would.
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When you see a painted that I could never
say, Oh, there's a little bit of blue
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sky, or there's a mountain there and
there's an Island there and it's that.
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And that, and that.
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No, no, I have the smell
I F I smelled Ireland.
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I smelled the air.
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I feel that.
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Cold or the heat, or you're
tied to feel the whole thing.
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Then it becomes a part of you that whole
painting and then becomes a dumb, easy.
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It is so easy.
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Now let me show you how we start,
what we see on that painting.
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So first I put the magic right
on every time you see what I do.
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On the white canvas.
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I always put the management on.
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I hate to do that.
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There's a minute time.
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I lose on my painting there.
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So the canvas is red.
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What you see there?
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A happy blue sky.
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Now look how I take
that, uh, that paint off.
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See, I use my big brush, dry and
clean and go into depression blue,
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but the blue is so dark, but the white
is on the canvas and look how it.
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Changes here.
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I mix what I do really.
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When I put that paint on the
canvas, I am mixing with advice and
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that blue, what was so dark here.
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It is so light there because the
white, the wet Vitus and the canvas.
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Okay.
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I take more of like this.
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You see you find it a bit, maybe the blue
sky and you make, make it very happy.
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And that is called lighter on
the bottom and there and there.
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Maybe lift as a hair,
shoot it off like that.
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And see another time already.
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You got the kind of a happy sky there.
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Now we want the vote.
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Usually the sky is always reflecting,
flexing in the water, then do the same
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thing on the bottom and the water.
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You can do it just like this.
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First like this
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and make it darker to the bottom.
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The sky reflects in the water.
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Let's get lighter, lighter.
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And what you see now you have a horizon
line and you see a deep, it is not flat.
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It is illusion.
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You create the optic illusion.
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okay.
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Make sure I have a dry brush now,
hypnotize, the whole thing like
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this, but then you hit monetized.
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That means do it from the light
into the dark, not from the dog.
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I go from the bottom up and
collect the dirt on top.
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See, so that is where you
get your, your speed and.
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Then he in Nevada.
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That's all I see.
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That's all right.
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I have it on a nicely spread out.
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Yeah.
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Okay.
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The next step, I will put
that happy mountain in there.
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Look what I do take it
would look on my palette.
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Provide after they're use a little
bit Vandyke, passion blue, little bit.
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I live in Crimson.
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For that distance, I would keep it
more on the blue and alizarin Crimson.
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If I go close, I use a touch of
Vandyke Brown and then mix it.
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Yeah, I like this.
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Take a look, take a good look there.
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I think to the sister and leave it
like marble again, never, never.
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Mixer dead.
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That means when I say dead don't mix
the two, this is nothing left anymore.
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Just one color, have all kinds
of movements in that pain.
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So now I take it off and put
it on that almighty canvas.
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You don't have to do it exactly like that.
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I aim for roughly.
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I wants to have the
impression of that painting.
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So we fire in there.
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Maybe dad is that mountain.
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They they're standing up like
this and this and you off.
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Right.
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Uh, and here,
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but when you use the knife, you see how
hard I press and make sure you don't
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have too much paint on the canvas.
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The make sure you have too much, you
don't have so much paint on your canvas.
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How I scraped.
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But what I really am now is
the upper lines, all the upper
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lines at once you have it.
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Correct.
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And maybe on this side, it's
the other little mountains.
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Nice to see you.
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They're standing there.
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All right.
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Then we do it like this, maybe
getting my other peak there, whatever
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you see, whatever he would like to
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And you're now there's a tree
here and here we bought through
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because I can see you need a part
of the mountain on the other side.
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See, now that's all you did.
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Now.
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I use my bank brush my on mighty brush.
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Make sure you got no pain dinner
on, on the brush and cut that in
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like this C cut it in like this.
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See what happened now.
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It is our paint is very
strong and thick and hard.
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The paint I use, I never
can paint with the paint.
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It's very soupy or very sloppy.
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It got to be a solid pain.
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And you see what I did create
kind of a missed out at the missed
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the, in this coming up there.
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Beautiful.
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So the next step will be, I will.
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I will.
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They will.
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He will.
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I will.
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I will put the sunshine on the mountain.
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Light is coming from that side there.
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Oh, okay.
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Hey there.
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And that fly in, looking at
size a part on the bottom.
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Eh, whatever you wants to highlight.
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Now you can do it here and there,
the bed and then the bed and hear
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it again and hear it again, pull it
down, but there's not much paint on.
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I don't use too much paint.
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It looks like, but I really don't.
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SI always from the light side, if the
light comes from this side, light it
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from this side, or the light comes from
the front light or just from the front
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side, light is always easier to, but
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it's easier to work with, eh, maybe
here, behind that a little bit bad.
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They becomes a life already.
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Now from the other side,
you use Vite and blue.
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Let me show you a touch of blue and white.
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I Mexico happy little blue there.
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Take a look.
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How I do it.
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See kind of a happy light blue and
you highlight from the other side.
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Is it a bit on the dark side.
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So add a little bit more white.
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Oh, that's better.
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You know, you just highlight,
see how it comes alive.
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The whole mountain becomes a life now here
and there, wherever you think a little
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bit of blue in between that gives you
more life in that our mighty mountain.
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Look at that beautiful, you know, I paint
for so many years and it still excites me.
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It still excites me when I can
put that paint on like this.
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And I am the commander and the
chief and the bottle washer.
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I do everything with so much
power and this is important.
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I don't know what it is.
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It makes me feel I cannot make a stroke.
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Uh, As assembler, I could
not make it just low.
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Like this all has to be,
I have to scare my canvas.
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They like that.
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That's fine already.
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The happy mountain is there.
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Now we were use the big brush.
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There's a kind of a grout
in between like your.
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Wilderness trees.
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I will use the same color.
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This watch it.
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The same color I have here.
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The mountain I come attached
forwards a bit blue into that.
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See, they'll tell you have blue into that.
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And I got, I come a stage four.
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You see, watch and make those moves.
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Like I show you here.
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Or I just go roughly by that painting.
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This time, you remember the other showers?
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I always showed you just a
painting, but we got so much
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mail and people ask me of advice.
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It would be nice to see the
finished product before you start.
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And that's why we decided
to have a painting.
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And before we start, so they made
me paint all those paintings before.
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Okay.
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No, that's it.
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And always from the dark into the light,
from the dark and the light, like you
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see on top it's dark and it gets light
and have those strokes like this.
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It gives you like it standing up.
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You see lines are standing up there.
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Sea lions are standing up.
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00:11:25,035 --> 00:11:28,095
So in that instance, you don't
need any tree trunk there.
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Okay.
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Now I will have the next step.
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The next step again, I use the same take.
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You would look how I come forward.
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Now you see this color, this color.
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I just add to the same shoe up here.
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I started a bit more blue, maybe
now, a little touch of Vandyke Brown
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and it makes it a little touch dog.
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I see that she has a touch darker.
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It's a harmony color.
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And then you go through
like this, see there area.
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And then you really dang what I
pay in this land, sky water in the
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sunshine and the rain and the storm.
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It's there.
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It's still nothing.
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All it's about land sky,
mountain trees and water.
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That's our belief in that.
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00:12:19,305 --> 00:12:20,865
So it is not too difficult.
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See, here I make, upstrokes take a look.
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00:12:23,625 --> 00:12:25,155
You learn upstrokes like this.
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And in that instance, it gives me a
feeling of somebody standing up there.
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Right.
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Okay.
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The next step again, where B the
big brush, the mighty brush and
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cut it in, go into that and cut
it down a little bit like this.
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00:12:47,670 --> 00:12:51,500
Kind of down a little bit like
this, it depends on what you
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wants to make out of that.
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So, and then you do it like this.
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He already, it has that water feeling.
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Here you are.
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And now you use your mighty
knife and attach off.
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Right.
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00:13:07,010 --> 00:13:09,469
And you can have a tattoo
over red, if you wants to.
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White and the red, you
kind of ochre color.
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I mixed myself.
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Then you can, but on the horizon
line there, or the shoreline, the
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shoreline, not the horizon line here.
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Yeah.
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Use your big brush.
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Clean it up again.
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One on my stroke long, like this.
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Now we have a happy little Island, always.
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Next comes.
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00:13:48,290 --> 00:13:49,400
Next comes next.
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00:13:49,400 --> 00:13:53,450
You saw sky first, the far
by mountain, middle ground.
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I know we go into the foreground
and I will fire in a little happy.
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I use zap green, a touch
of SAP green with that.
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00:14:02,120 --> 00:14:07,520
Now here we shall call us already
and it, you have undyed Brown and we
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00:14:07,520 --> 00:14:09,440
can go right into that paint here.
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It's nothing wrong with that.
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00:14:12,375 --> 00:14:15,495
And the Tasha of blue Gino and mix it up.
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00:14:15,525 --> 00:14:15,825
Yes.
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Perfect.
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For what I want to do there, and you
fire in a happy, you can have it higher,
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00:14:21,885 --> 00:14:26,595
lower, whatever you wants to see the
there put the happy little Island and,
249
00:14:30,215 --> 00:14:32,765
and you make sure you don't have blocks.
250
00:14:33,755 --> 00:14:34,595
Don't block it.
251
00:14:34,595 --> 00:14:36,995
Just, just make sure you have addressed.
252
00:14:38,135 --> 00:14:46,020
Um, Like trees with branches
and with, Hey daddy.
253
00:14:48,479 --> 00:14:49,920
I hope you can see it, right?
254
00:14:52,170 --> 00:14:52,469
Yeah.
255
00:14:52,610 --> 00:14:53,959
Happy little Island now.
256
00:14:53,959 --> 00:14:57,380
We, well, we were put the
couple tree trunks in there.
257
00:14:57,410 --> 00:14:59,660
You see, look how that works.
258
00:14:59,990 --> 00:15:00,890
Beautiful.
259
00:15:00,949 --> 00:15:01,760
Beautiful.
260
00:15:01,849 --> 00:15:02,660
No problem.
261
00:15:02,660 --> 00:15:03,140
There.
262
00:15:08,405 --> 00:15:12,745
then you can use a touch of blue, even
that little blue, but he got there and
263
00:15:12,815 --> 00:15:14,975
have a little bit of a stone formation.
264
00:15:14,975 --> 00:15:20,915
If you want to see some stones on that
particular Island, and maybe there, they
265
00:15:20,915 --> 00:15:24,965
had a kind of a sand in front of it.
266
00:15:25,745 --> 00:15:29,435
So we use yellow, white,
and the Tetra for ed Moore.
267
00:15:29,455 --> 00:15:29,915
Right.
268
00:15:30,645 --> 00:15:34,695
And we cut any kind of a shoreline
there is he that happened.
269
00:15:34,695 --> 00:15:42,315
And that happened in the sand bar in front
of that Island and happy little sandbar.
270
00:15:43,815 --> 00:15:49,845
And Ferrando that Island,
uh, isn't that beautiful.
271
00:15:50,445 --> 00:15:58,515
Now I can see the kids would like to swim
over there and mothers don't do that.
272
00:16:00,345 --> 00:16:04,125
You ground yourself, kids
never ground themselves.
273
00:16:04,185 --> 00:16:04,875
They're tough.
274
00:16:05,515 --> 00:16:10,385
You know, you highlight
that a little bit green.
275
00:16:13,475 --> 00:16:14,135
That's done.
276
00:16:14,495 --> 00:16:14,705
Now.
277
00:16:14,795 --> 00:16:18,815
The next step you can use a
Bay brush is a mighty brush.
278
00:16:18,845 --> 00:16:20,195
It works faster for you.
279
00:16:20,555 --> 00:16:23,345
Passion blue, SAP green.
280
00:16:26,025 --> 00:16:30,045
Precious blue SAP, green, but look
how much paint I use, maybe you're
281
00:16:30,045 --> 00:16:31,604
making a good close up on this.
282
00:16:31,604 --> 00:16:33,765
How I mix that paint together.
283
00:16:34,694 --> 00:16:36,255
Just makes it all together.
284
00:16:36,255 --> 00:16:41,925
The expression blue and the SAP green
and this here, but I, it into the brush.
285
00:16:42,165 --> 00:16:46,214
See, our paint is harder because
the harder paint very much smear.
286
00:16:46,574 --> 00:16:48,645
It will always make figures.
287
00:16:48,944 --> 00:16:52,964
And that's what I want now I
fire in here, but you see good.
288
00:16:52,994 --> 00:16:53,625
Try again.
289
00:16:53,625 --> 00:16:54,464
If you don't mind.
290
00:16:57,465 --> 00:17:02,835
Push the brush like this aside,
move the, that side move and
291
00:17:02,835 --> 00:17:04,724
now it is touch and move.
292
00:17:04,755 --> 00:17:10,135
Like I touch it and move, touch
and move, move, move, move.
293
00:17:10,464 --> 00:17:15,585
Eh, eh, eh, eh, then you have all
the thousands of details there.
294
00:17:20,954 --> 00:17:22,784
And then here I need needed dark.
295
00:17:22,815 --> 00:17:27,135
Anyway, light will only show
on dark and here we do it.
296
00:17:27,274 --> 00:17:28,425
Provide that other pain.
297
00:17:28,425 --> 00:17:33,855
Yes, I will do with roughly you don't
have to do it exactly like that again,
298
00:17:34,185 --> 00:17:39,135
is he how I pushed that paint after
palette, more pressure and blue, maybe
299
00:17:39,135 --> 00:17:42,645
touch off, zap green, more into that.
300
00:17:43,034 --> 00:17:45,014
And then you file on this side.
301
00:17:45,014 --> 00:17:50,264
If you want again, touch and move,
touch, and move, touch, and move.
302
00:17:55,305 --> 00:17:56,175
And the details.
303
00:17:56,175 --> 00:17:59,024
Look at the beautiful
branches flying around.
304
00:18:02,699 --> 00:18:03,389
Fired right.
305
00:18:03,389 --> 00:18:04,290
Empty the water.
306
00:18:04,649 --> 00:18:06,209
Now it should be darker there.
307
00:18:06,540 --> 00:18:12,780
So what you do then blue Prussian
blue and yellow turns green.
308
00:18:13,229 --> 00:18:14,969
See passion blue.
309
00:18:15,000 --> 00:18:16,649
That gives you a more dark.
310
00:18:22,290 --> 00:18:24,120
Oh, that's beautiful.
311
00:18:27,225 --> 00:18:28,365
The next step.
312
00:18:28,725 --> 00:18:34,365
I very put the little vent into the water
there and would put the nanny breeze into
313
00:18:34,365 --> 00:18:38,625
the water and we show you how to do that.
314
00:18:42,875 --> 00:18:43,235
White.
315
00:18:44,935 --> 00:18:47,195
lots of white, but it's
got to be a take, right?
316
00:18:47,225 --> 00:18:48,605
Not a sloppy right.
317
00:18:48,935 --> 00:18:50,225
Kind of a ticker vide.
318
00:18:50,345 --> 00:18:50,825
Nice.
319
00:18:50,825 --> 00:18:56,915
Like this brush is loaded and then you
give yourself a stroke there, but make
320
00:18:56,915 --> 00:18:59,015
sure you got it nice and straight.
321
00:19:07,125 --> 00:19:08,115
You can leave it like that.
322
00:19:08,145 --> 00:19:08,775
If you want to.
323
00:19:12,555 --> 00:19:14,385
There's like a little
window is gone through
324
00:19:17,955 --> 00:19:18,135
now.
325
00:19:18,135 --> 00:19:23,145
You're put this along this
along here, maybe a couple
326
00:19:23,145 --> 00:19:25,125
of upstrokes there on Island.
327
00:19:27,215 --> 00:19:28,905
That's all wonderful.
328
00:19:29,835 --> 00:19:30,735
The next step.
329
00:19:30,945 --> 00:19:32,805
The next step I put tree trunks in.
330
00:19:33,645 --> 00:19:34,515
Three trunks.
331
00:19:40,035 --> 00:19:40,905
Can you see that
332
00:19:44,905 --> 00:19:48,675
you have a facet Goss,
no fiddling around here.
333
00:19:48,675 --> 00:19:49,275
The same.
334
00:20:00,830 --> 00:20:06,950
if you see wilderness, you know, there we
are so fussy when I started out, I meet
335
00:20:06,950 --> 00:20:10,070
every little branch with so much fuss and.
336
00:20:10,785 --> 00:20:11,655
Then look good.
337
00:20:11,785 --> 00:20:13,155
It looks too stiff.
338
00:20:13,635 --> 00:20:18,555
Now I do it with just our mighty
little bit, my mighty inside, and it
339
00:20:18,555 --> 00:20:22,475
looks so much better and it's fresh.
340
00:20:23,225 --> 00:20:29,015
It has the freshness of
your, of your, of your time.
341
00:20:30,245 --> 00:20:32,645
If you've suffered on the
painting, you know, suffering,
342
00:20:32,675 --> 00:20:34,745
painting, that's a good idea.
343
00:20:34,745 --> 00:20:37,745
Suffering painting then.
344
00:20:38,280 --> 00:20:40,919
The people who are get your
pain, they suffer with you.
345
00:20:42,149 --> 00:20:43,199
Now I have a new idea.
346
00:20:43,199 --> 00:20:44,879
Now it's suffering pain.
347
00:20:45,270 --> 00:20:46,949
I will talk about that in the future.
348
00:20:47,760 --> 00:20:49,860
Okay, good.
349
00:20:50,370 --> 00:20:59,070
The next step I will use, I highlight
all that with yellow and you saw the
350
00:20:59,070 --> 00:21:03,870
brush was full of pressure and blue
and yellow and blue turns green.
351
00:21:04,139 --> 00:21:06,389
So, and I make it the same thing.
352
00:21:06,735 --> 00:21:10,425
See, like the shoe and I
fire him from the sunny side.
353
00:21:10,485 --> 00:21:11,205
See there.
354
00:21:12,524 --> 00:21:18,824
Uh, Oh, isn't that beautiful bit lighter.
355
00:21:18,824 --> 00:21:22,875
Even a bit lighter would be better
to push a bit more yellow into that.
356
00:21:23,235 --> 00:21:25,064
And that turns green on your brush.
357
00:21:28,715 --> 00:21:33,875
But when you do this kind of rocks,
there's always one touch and don't
358
00:21:33,875 --> 00:21:38,465
go over that one, touch that's one
stroke and that's almighty stroke.
359
00:21:39,065 --> 00:21:39,875
Don't forget it.
360
00:21:40,445 --> 00:21:44,165
When, when you start paying, you
use your tank, it's not nice enough.
361
00:21:44,165 --> 00:21:45,995
You are over that and you ruined it.
362
00:21:46,115 --> 00:21:47,795
Look how nice the attaches are.
363
00:21:48,420 --> 00:21:49,470
Leave it like that.
364
00:21:50,070 --> 00:21:53,310
I know we are always tempting
to do it better and by doing it
365
00:21:53,310 --> 00:21:57,840
better, we're always ruining it
now here to highlight that again.
366
00:21:58,140 --> 00:22:02,700
See, but when you watch me, how
I touch it is always one touch
367
00:22:03,270 --> 00:22:06,120
or beside it, you see one touch.
368
00:22:06,360 --> 00:22:11,550
If I go over that, I ruined that
wonderful tach don't ruin it.
369
00:22:13,650 --> 00:22:14,690
Okay.
370
00:22:14,720 --> 00:22:15,980
No, we will.
371
00:22:16,409 --> 00:22:21,629
Highlight their bad and a
bit over happy green grass.
372
00:22:21,629 --> 00:22:25,020
And then here maybe.
373
00:22:26,939 --> 00:22:30,899
And you got to have that on my D
I have a lot of songs in my mind
374
00:22:31,050 --> 00:22:33,389
when I paint, I F I hear tunes.
375
00:22:33,419 --> 00:22:39,629
I hear hear the voice is bubbling is
just wonderful around me, because then,
376
00:22:39,810 --> 00:22:42,270
then all that makes so much more sense.
377
00:22:42,330 --> 00:22:43,229
The here again.
378
00:22:43,500 --> 00:22:46,050
Now, if it is so dark on
top, I brighten it up.
379
00:22:46,050 --> 00:22:51,020
Look at that stroke alone, but it did
take a look at that beautiful tach.
380
00:22:51,560 --> 00:22:53,270
It's just fantastic.
381
00:22:56,370 --> 00:22:59,850
And this is what Vic's, you're
up by talking to yourself.
382
00:23:00,090 --> 00:23:03,870
Look at that beautiful touch
there, and it excites you.
383
00:23:03,870 --> 00:23:05,700
All those branches are flying out.
384
00:23:05,700 --> 00:23:09,290
Now all those branches are flying out.
385
00:23:09,290 --> 00:23:21,050
Now here, we created a little bit of
a foreground, eh, eh, that is busier.
386
00:23:24,345 --> 00:23:26,745
Your bank brush, pull that all down.
387
00:23:26,745 --> 00:23:28,305
I want you to make water out of that.
388
00:23:28,305 --> 00:23:31,665
There did all that in the
back of the, into the water.
389
00:23:41,405 --> 00:23:45,965
Now we put couple of happy
stones in there or whatever.
390
00:23:45,965 --> 00:23:49,865
Look with this kind of
a bluish color blue.
391
00:23:50,045 --> 00:23:51,425
I live in Clemson.
392
00:23:52,364 --> 00:23:54,344
I live in Clemson and passion blue.
393
00:23:54,344 --> 00:23:56,925
If you mix that right together,
you will have a lot of fun.
394
00:23:59,084 --> 00:24:00,975
You will have a lot of fun.
395
00:24:01,875 --> 00:24:03,225
I have to take my, or my theory.
396
00:24:04,334 --> 00:24:05,445
It works better.
397
00:24:06,475 --> 00:24:11,975
The other happy blue and that
light hits there and it's there.
398
00:24:13,415 --> 00:24:15,004
They let the knife do the job.
399
00:24:15,570 --> 00:24:16,320
That's odd.
400
00:24:16,320 --> 00:24:16,860
Beautiful.
401
00:24:18,090 --> 00:24:22,860
He know people that run in the happy
little road coming out of that, out
402
00:24:22,860 --> 00:24:29,669
of that Bush there, he let it come out
there and he has a blade of, I divide by
403
00:24:29,669 --> 00:24:32,610
divide of either perspective or Heights.
404
00:24:39,080 --> 00:24:39,379
Yeah.
405
00:24:41,720 --> 00:24:42,020
Yeah.
406
00:24:42,050 --> 00:24:44,690
Then we can put lines in.
407
00:24:45,120 --> 00:24:47,280
Slide them in here and there and there.
408
00:24:51,450 --> 00:24:54,150
And if you want, you can put
a bit of shadow in there.
409
00:24:54,720 --> 00:24:59,430
Uh, uh, like this, he is he
making it a bit darker there
410
00:24:59,460 --> 00:25:01,470
in, in, in the, in the Bush.
411
00:25:01,650 --> 00:25:05,940
See and come out because those
trees around drawing shadows,
412
00:25:06,030 --> 00:25:08,325
eh, On the, on that Linda road.
413
00:25:08,535 --> 00:25:11,505
And when it comes out, out that
door, it comes into the light.
414
00:25:11,715 --> 00:25:18,225
So it gives you a certain depth into
that E yeah, no, the next step we
415
00:25:18,225 --> 00:25:23,445
put the copy of the happy little
lines in here, like that there's
416
00:25:23,445 --> 00:25:27,915
a bar and happy little sand bar.
417
00:25:29,385 --> 00:25:31,095
And look what we got.
418
00:25:37,560 --> 00:25:43,030
Hey now naturally you put a
little bit of water lines in and
419
00:25:43,030 --> 00:25:44,389
let's do it a bit better here.
420
00:25:44,719 --> 00:25:50,330
And as you see it nice, it gives
you kind of a beautiful shoreline
421
00:25:50,330 --> 00:25:54,679
there, sandbar you up there and
fish out to the, to the int the
422
00:25:55,070 --> 00:25:58,490
Island or to the, to the water side.
423
00:26:00,860 --> 00:26:01,580
Yeah.
424
00:26:05,660 --> 00:26:08,570
The a couple of little lines
in front of there, but makes
425
00:26:08,570 --> 00:26:10,400
that voice move a bit better.
426
00:26:16,880 --> 00:26:20,630
No, what's your take about it?
427
00:26:21,620 --> 00:26:27,560
Aren't you happy to see a happy ending,
like this happy ending, like this.
428
00:26:28,590 --> 00:26:35,370
You wish you could stay there with the big
fishing rod and a basket full of food and
429
00:26:35,669 --> 00:26:38,219
catch this beautiful rainbow trouts there.
430
00:26:41,149 --> 00:26:41,780
Yeah.
431
00:26:43,399 --> 00:26:44,120
Bye-bye.
432
00:26:57,395 --> 00:26:58,355
it's too overwhelming.
433
00:26:58,385 --> 00:26:59,405
Viewer requests.
434
00:26:59,645 --> 00:27:04,504
K O C E has prepared a personal
guide to bill Alexander's magic of
435
00:27:04,504 --> 00:27:09,245
oil painting three, to receive your
copy of this instructional book on
436
00:27:09,245 --> 00:27:10,985
bill Alexander's painting technique.
437
00:27:11,445 --> 00:27:13,845
Please send $8 to magic.
438
00:27:13,875 --> 00:27:18,765
Three post office box two seven
Oh three Huntington beach,
439
00:27:18,795 --> 00:27:21,915
California nine two six four seven.
440
00:27:26,765 --> 00:27:31,625
The magic of oil painting is made possible
by a grant from Aaron brothers art marts.
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